Nicholas is running away, both from his marriage and an unfaithful wife, and the comfortable life he has known in Dublin. He buys a run down house in rural Cavan, right in the heart of Ireland, and embarks on a huge renovation project. While he is there, the house seems to speak to him - there are voices coming from an untraceable source, the seductive smell of baking seeps through the walls, and there is the unmistakable ethereal presence of a woman from the past. She is June Fanning, an English woman who lived in the house in 1941. As her narrative combines with Nicholas's, the story of The Adulteress is revealed - and Nicholas begins to discover exactly what went wrong with his own marriage.

As early as 1760 and as late as 1920, Romantic drama dominated Peninsular Spanish theater. This love affair with Romanticism influenced the formation of Spain's modern national identity, which depended heavily on defining women's place in 19th century society. Women who defied traditional gender roles became a source of anxiety in society and on stage. The adulteress embodied the fear of rebellious women, the growing pains of modernity and the political instability of war and invasion. This book examines the conflicted portrayal of women and the Spanish national identity. Studying the adulteress on stage, the author provides insight into the uneasy tension between progress and tradition in 19th century Spain.

The contributors to this volume (J.D. Punch, Jennifer Knust, Tommy Wasserman, Chris Keith, Maurice Robinson, and Larry Hurtado) re-examine the Pericope Adulterae (John 7.53-8.11) asking afresh the question of the paragraph's authenticity. Each contributor not only presents the reader with arguments for or against the pericope's authenticity but also with viable theories on how and why the earliest extant manuscripts omit the passage. Readers are encouraged to evaluate manuscript witnesses, scribal tendencies, patristic witnesses, and internal evidence to assess the plausibility of each contributor's proposal. Readers are presented with cutting-edge research on the pericope from both scholarly camps: those who argue for its originality, and those who regard it as a later scribal interpolation. In so doing, the volume brings readers face-to-face with the most recent evidence and arguments (several of which are made here for the first time, with new evidence is brought to the table), allowing readers to engage in the controversy and weigh the evidence for themselves.

The contributors to this volume (J.D. Punch, Jennifer Knust, Tommy Wasserman, Chris Keith, Maurice Robinson, and Larry Hurtado) re-examine the Pericope Adulterae (John 7.53-8.11) asking afresh the question of the paragraph's authenticity. Each contributor not only presents the reader with arguments for or against the pericope's authenticity but also with viable theories on how and why the earliest extant manuscripts omit the passage. Readers are encouraged to evaluate manuscript witnesses, scribal tendencies, patristic witnesses, and internal evidence to assess the plausibility of each contributor's proposal. Readers are presented with cutting-edge research on the pericope from both scholarly camps: those who argue for its originality, and those who regard it as a later scribal interpolation. In so doing, the volume brings readers face-to-face with the most recent evidence and arguments (several of which are made here for the first time, with new evidence is brought to the table), allowing readers to engage in the controversy and weigh the evidence for themselves.

Based on the real 1922 Thompson-Bywaters murder, THE ADULTERESS is an insightful character study that looks closely at the relationships between three people that lead to murder. The story line mostly follows Alma as the audience understands her needs, but to a degree Leslie Margolin also enables readers to comprehend the motives of Rats and Percy.

This is a psychoanalytic study of Madame Bovary and King Lear that produces radically different and compelling understanding of these works.

The compelling true account of one womans experience as the other woman in an extra-marital affair: As a little girl, Rebecca dreamed of what she would become when she grew up. She didn't dream of becoming an adulteress, but thats precisely what happened in her early twenties. Words from the Other Woman is Rebeccas honest and cautionary testimony of how she fell from grace and then was saved by it.

Harris Kakoulides teaches on John 8:1-11 , a great study with many valuable lessons for all of read or hear

The stories in this collection span almost one thousand years of story-telling in India. Most originate in North India and all were written by Jain monks for the edification and amusement of the faithful. The treasures of India`s heritage of story-telling are known to us today mainly from these Jain stories which have been carefully preserved through the years. The Stories in The Clever Adulteress have been translated by a renowned group of scholars from India, North America and Europe. Each translator has chosen his or her favorites from the vast treasures of Jain literature.

Camus's writing confronts the great philosophical dilemmas of our time with piercing clarity. These three powerful and evocative stories are heavy with the weight of the human condition, and rich with atmosphere. In them, an ageing labourer, a woman travelling in North Africa with her husband, and a schoolteacher tasked with transporting a prisoner each face their own moral crises.