The administration of the Norman Kingdom of Sicily has long been held up to be the most advanced government in twelfth-century Europe. However, until now there has been considerable confusion about how this bureaucracy actually functioned, whether it developed in the 12th century or retained the form given it by Roger II; whether it had regional variations, what the identity of different departments of government was, who did what within the structures of government, and what the relationship between the Greek, Arabic and Latin elements within the administration was. This work goes a long way to sorting out these problems. The author's meticulous work with chronicles and charters enable him to clear up many problems and mysteries in the administration of finance and justice and to identify such uncertainties as remain. This fundamental work forms a basic reference point for future studies of Norman Sicily and of government in the high Middle Ages.

This book is an introductory account of the kingdom of Sicily established in 1130 by Roger II, a 'Norman' king, and ruled by Roger, his own son and grandsons until 1194 when the kingdom was conquered by his son-in-law, Henry VI of Hohenstaufen. The period covered does, however, extend from Charles of Anjou, a period roughly as long and as coherent as the 'Norman' monarchy of England between 1066 and 1204. Roger II's difficulties in creating an enduring kingdom needed continuous military effort. Even when these efforts were no longer required, the monarchy had still to learn how to function in lands where traditions of local government were strong. Yet when the monarchy itself faltered, the kingdom did not fall apart. Frederick II, the grandson of Roger II, showed that it could be revived and that his sons could maintain it. The ways in which the monarchy made itself indispensable cannot be traced in detail, but pointers to its success can be seen. The kingdom did not spring full-armed at birth - it took time and experience to hammer it into shape. When at last it looked capable of assuming the leadership of all Italy, its enemies combined to prevent it from doing so with the most profound consequences for Italy, the papacy and the west.

The administration of the Norman Kingdom of Sicily has long been held up to be the most advanced government in twelfth-century Europe. However, until now there has been considerable confusion about how this bureaucracy actually functioned, whether it developed in the twelfth century or retained the form given it by Roger II; whether it had regional variations, what the identity of different departments of government was, who did what within the structures of government, and what the relationship between the Greek, Arabic and Latin elements within the administration was. This work goes a long way to sorting out these problems. The author's meticulous work with chronicles and charters enables him to clear up many problems and mysteries in the administration of finance and justice and to identify such uncertainties as remain. This fundamental work forms a basic reference point for future studies of Norman Sicily and of government in the high Middle Ages.

Betrifft die Handschrift Cod. 120.II der Burgerbibliothek Bern. - Abb. auf Umschlag: f. 101r.

This student-friendly volume brings together English translations of the main narrative sources, and a small number of other relevant documents, for the reign of Roger II, the founder of the kingdom of Sicily. The kingdom created by King Roger was the most centralized and administratively advanced of the time, but its genesis was fraught with difficulty as the king sought to extend his power from the island of Sicily and Calabria into other parts of the south Italian mainland. This struggle, that lasted from 1127 until 1140, is graphically revealed by the two main texts in this book. A number of other texts illuminate key aspects of the reign: the relationship with the papacy, the German invasion of 1137 that came close to toppling the king's rule, the expansion of Sicilian power into the Abruzzi in 1140, and the law and administration of the kingdom, often seen as a model for the growth of effective government in the twelfth century. Despite the great intrinsic interest of the reign of King Roger, these texts have never appeared in English translation before. This will be an invaluable resource for students and scholars of medieval Europe.

This book is a collection of milestone articles of a leading scholar in the study of the Norman Kingdom of Sicily, a crossroads of Latin-Christian, Greek-Byzantine, and Arab-Islamic cultures and one of the most fascinating but also one of the most neglected kingdoms in the medieval world. Some of his articles were published in influential journals such as English Historical Review, Viator, Mediterranean Historical Review, and Papers of the British School at Rome, while others appeared in hard-to-obtain festschrifts, proceedings of international conferences, and so on. The articles included here, based on analysis of Latin, Greek, and Arabic documents as well as multi-lingual parchments, explore subjects of interest in medieval Mediterranean world such as Norman administrations, multi-cultural courts, Christian-Muslim diplomacy, conquests and migrations, religious tolerance and conflicts, cross-cultural contacts, and so forth. Some of them dig deep into curious specific topics, while others settle disputes among scholars and correct our antiquated interpretations. His attention to the administrative structure of the kingdom of Sicily, whose bureaucracy was staffed by Greeks, Muslims and Latins, has been a particularly important part of his work, where he has engaged in major debates with other scholars in the field.

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

For centuries, Sicilian "men of honor" have fought the controls of government. Between 1820 and 1860, rebellions shook the island as these men joined with Sicily's intellectuals in the struggle for independence from the Bourbon Kingdom of Naples. This lively account—the first to locate the emergence and evolution of the mafia in historical perspective—describes how those rebellions led to the birth of the modern mafia and traces the increasing influence of organized crime on the island. The alliance between two classes of Sicilians, James Fentress shows, made possible both the revolution and the mafia. Militancy in the ranks of the revolution taught men of honor how to organize politically. Communities then resisted the demands of central government by devising alternative controls through a network of local groups—the mafia cosche.Fentress tells his operatic story of honor and crime from the viewpoint of the Sicilians, and in particular of the great city of Palermo—from Garibaldi's historic arrival in 1860 to the spectacular mafia trials around the turn of the century. Drawing on police archives, trial records, contemporary journalism, and government reports, he describes how enduring political power plus a (richly deserved) reputation for violence helped the mafia secure covert relationships with groups that publicly denounced them. These contacts still protect today's mafiosi from Rome's efforts to eradicate the organization. The history of the mafia is indeed, Fentress shows, the history of Sicily.

In this book, Lisa Reilly establishes a new interpretive paradigm for the eleventh and twelfth-century art and architecture of the Norman world in France, England, and Sicily. Traditionally, scholars have considered iconic works like the Cappella Palatina and the Bayeux Embroidery in a geographically piecemeal fashion that prevents us from seeing their full significance. Here, Reilly examines these works individually and within the larger context of a connected Norman world. Just as Rollo founded the Normandy 'of different nationalities', the Normans created a visual culture that relied on an assemblage of forms. To the modern eye, these works are perceived as culturally diverse. As Reilly demonstrates, the multiple sources for Norman visual culture served to expand their meaning. Norman artworks represented the cultural mix of each locale, and the triumph of Norman rule, not just as a military victory but as a legitimate succession, and often as the return of true Christian rule.

Although many studies have addressed important aspects of medieval southern Italy, this was the first work for nearly ninety years to be devoted specifically to the life and reign of King Roger II, the founder of the kingdom of Sicily. The book provides a comprehensive introductory narrative of the reign and a clear, scholarly analysis of its culture and of the development of royal government. The kingdom created by the Norman Roger of Hautville in the first half of the twelfth century was a monarchy with highly developed absolutist ideas, an elaborate bureaucracy, a reasonably well-filled treasury, and a mixed cultural heritage reflected by the presence of Arabs and Greeks at court. Based on many years of research in archives and libraries across Europe, the book offers a valuable overview of one of the most striking periods in south Italian and European history.