Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This is the third and final volume of a new verse translation of the complete plays of Aristophanes. It contains four of his most overtly political plays: Acharnians, in which an Athenian farmer rebels against the city's war policies; Knights, a biting satire of populist demagogues; Wasps, whose main theme is the Athenian system of lawcourts; and Peace, in which escape from war is symbolized in images of rustic fertility and sensuality. The translation combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. Each play is presented with a thought-provoking introduction and extensive editorial notes to accompany the vivid translations, balancing performability with faithfulness to the original.

Includes its Report, 1896-19 .

This accessible introduction to the work of one of the world's greatest comic writers tackles key questions posed by Aristophanes' plays, such as staging, humour, songs, obscene language, politics and the modern translation and performance of Aristophanic comedy. The book opens up exciting and contentious areas of Aristophanic scholarship in a way that is engaging and readily comprehensible to a non-specialist audience, never losing sight of the fact that Aristophanes' plays are vibrant literary texts, designed primarily to appeal to a classical Athenian audience as pieces of living drama. Key to the book's appeal is that James Robson conceives of the plays as dynamic texts, containing a treasure trove of information not only about how they might have been performed and received in classical Athens, but also how they might be read and understood today. Most importantly, readers are given the tools and information to make their own minds up about the debates that still rage about Aristophanic comedy in the modern world.