"The United States Code is the official codification of the general and permanent laws of the United States of America. The Code was first published in 1926, and a new edition of the code has been published every six years since 1934. The 2012 edition of the Code incorporates laws enacted through the One Hundred Twelfth Congress, Second Session, the last of which was signed by the President on January 15, 2013. It does not include laws of the One Hundred Thirteenth Congress, First Session, enacted between January 2, 2013, the date it convened, and January 15, 2013. By statutory authority this edition may be cited "U.S.C. 2012 ed." As adopted in 1926, the Code established prima facie the general and permanent laws of the United States. The underlying statutes reprinted in the Code remained in effect and controlled over the Code in case of any discrepancy. In 1947, Congress began enacting individual titles of the Code into positive law. When a title is enacted into positive law, the underlying statutes are repealed and the title then becomes legal evidence of the law. Currently, 26 of the 51 titles in the Code have been so enacted. These are identified in the table of titles near the beginning of each volume. The Law Revision Counsel of the House of Representatives continues to prepare legislation pursuant to 2 U.S.C. 285b to enact the remainder of the Code, on a title-by-title basis, into positive law. The 2012 edition of the Code was prepared and published under the supervision of Ralph V. Seep, Law Revision Counsel. Grateful acknowledgment is made of the contributions by all who helped in this work, particularly the staffs of the Office of the Law Revision Counsel and the Government Printing Office"--Preface.

The book presents aspects of intertextuality in the motion picture "The Matrix" and the books "Alice's Adventures in Wonderland" and "Through the Looking-Glass" by Lewis Carroll. It makes use of a literary construction developed from Gérard Genette's structuralist theory of transtextuality as a framework to present how a web of intertextual relationships is clearly formed between the "Alice" books and "The Matrix."

The Matrix, a true end-of-the-millennium movie, blends science fiction with conspiracy thriller conventions and outlandish martial arts created with groundbreaking digital techniques. Clover examines The Matrix's digital effects, the melding of cinema and video games and the film's references to philosophy.

SOME QUOTATIONS FROM THE BOOK... “We have genetically engineered food, insects, and small animals. Homo Sapiens cannot be far away.” (page 70) “Our most powerful 21st century technologies...robotics, genetic engineering, and nanotech...are threatening to make humans an endangered species.”(‘Bill Joy’ page 202) “Today simulation is no longer of a territory, a being, or a substance. It is a hyperreal generated model of the real; the concept forming the basis of ‘The Matrix.’”(page 263) “The Singularity, a vision of the near future in which human beings and machines merge so that illness, old age, and even death become things of the past.” (page 267) “This malevolence, which Steiner dubbed Ahriman, is characterized by the denial of soul and spirit in favor of scientific materialism and the dominance of humans by machines.” (page 268) “Thus the first ultra-intelligent machine is the last invention that man need ever make.” (‘I.J. Good’ page 271) “Our machines have been, are, and will continue to be our tools to do both good and evil.” (page 281) “I have coined the term “illusafact” to mean that any thought or dream we have is not an illusion but a fact in some other reality or in our future.” (page 286)

This title examines the role and theme of Biblical allusions in The Lion, the Witch and the Wardrobe, The Matrix, Lord of the Flies, and The Lion King. It features four analysis papers that consider Biblical allusions, each using different critical lenses, writing techniques, or aspects of the theme. Critical thinking questions, sidebars highlighting and explaining each thesis and argument, and other possible approaches for analysis help students understand the mechanics of essay writing. Features include a glossary, references, websites, source notes, and an index. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.

The idea that the Earth is hollow has inspired both the world of science and the world of fiction. As a scientific concept, this notion has informed the works of Edmond Halley and Leonhard Euler. As a literary conceit, it can be found in the works of Dante and E.A. Poe; in novels by Jules Verne, Arno Schmidt, Thomas Pynchon, and Mark Z. Danielewski; and in comics, films, and computer games. This collection addresses both the scientific and the aesthetic aspects of the "Hollow Earth," with essays that range from medieval literature to afrofuturism. (Series: n-1 | work - science - medium - Vol. 5)

The Matrix trilogy continues to split opinions widely, polarising the downright dismissive and the wildly enthusiastic. Nevertheless, it has been fully embraced as a rich source of theoretical and cultural references. The contributions in this volume probe the effects the Matrix trilogy continues to provoke and evaluate how or to what extent they coincide with certain developments within critical and cultural theory. Is the enthusiastic philosophising and theorising spurred by the Matrix a sign of the desperate state theory is in, in the sense of “see how low theory (or ‘post-theory’) has sunk”? Or could the Matrix be one of the “master texts” for something like a renewal for theory as now being mainly concerned with new and changing relations between science, technology, posthumanist culture, art, politics, ethics and the media? The present volume is unashamedly but not dogmatically theoretical even though there is not much agreement about what kind of theory is best suited to confront “post-theoretical” times. But it is probably fair to say that there is agreement about one thing, namely that if theory appears to be “like” the Matrix today it does so because the culture around it and which “made” it itself seems to be captured in some kind of Matrix. The only way out of this is through more and renewed, refreshed theorising, not less.

There was something strange about Ann Bonney's mission to the unexplored world called Chameleon. Though only women were judged fit for space, Earth's Central Computer had for some reason placed a man among them ... an artist who was not docile like other men. For Language Specialist Gia Kennedy, the answer lay in the baffling rituals of the planet's primitive natives -- an answer that hovered just out of reach. There, in the heart of an alien wilderness, Gia would defy her culture and discover an ancient truth.