Despite the many ways in which the so-called psychoses can become manifest, they are ultimately human events arising out of human contexts. As such, they can be understood in an intersubjective manner, removing the stigmatizing boundary between madness and sanity. Utilizing the post-Cartesian psychoanalytic approach of phenomenological contextualism, as well as almost 50 years of clinical experience, George Atwood presents detailed case studies depicting individuals in crisis and the successes and failures that occurred in their treatment. Topics range from depression to schizophrenia, bipolar disorder to dreams, dissociative states to suicidality. Throughout is an emphasis on the underlying essence of humanity demonstrated in even the most extreme cases of psychological and emotional disturbance, and both the surprising highs and tragic lows of the search for the inner truth of a life – that of the analyst as well as the patient.

In this new edition of their now classic work, George Atwood and Robert Stolorow explore the ways in which a theory of personality is influenced and colored by the subjective world of the theorist. Using psychobiographical analyses of Sigmund Freud, Carl Jung, Wilhelm Reich, and Otto Rank as illustrations, the authors show how the central constructs of personality theories universalize their creators' personal solutions to the nuclear crises and dilemmas of their own life histories. Illuminating the subjective origins of a personality theory does not invalidate the theory, according to Atwood and Stolorow, but rather contributes to establishing the scope of the theory as well as its applicability to particular clinical situations. The first edition of Faces in a Cloud (published in 1979) was the seminal work out of which emerged the now influential theory of intersubjectivity - a framework that calls for a radical revision of all aspects of psychoanalytic thought. This revised edition incorporates significant new material into the psychobiographical analyses and has been completely updated and rewritten to reflect the development of the authors' viewpoint. The terminology used throughout the book to describe personal worlds of experience has been updated and refined in consonance with this contemporary theoretical perspective. The final chapter summarizes key aspects of this new perspective and offers reflections on the subjective origins of intersubjectivity theory itself.

"Originally serialized in the February, March, and April 1936 issues of Astounding stories"--Copyright page.

Minds. Seas. Dimensions. All will shatter like glass.His muscles elastic and his mind fragmented, Connor Durham awakens on an unknown beach. In the distance before him is a black tower whose peak rises to meet the clouds. In the water behind him are beings who used to be human, their bodies warping and twisting into horrific new configurations. With nowhere else to turn, Connor runs for the tower. In the Kadath deep-sea mining facility, Lucas Kane feels haunted. He dreams of lives he never lived and hears whispers from people who don't exist. During his days, four grey figures vibrate in and out of focus behind him, their words mostly unintelligible mutters. But there's something else, too, which he sees while both awake and asleep: a sphere, massive, metallic, and beautiful, which awaits him outside Kadath's walls at the bottom of the ocean. Separated by dimensions, these two men - and their unfolding stories - are intrinsically linked. As they descend deeper into the dark terrors of the unknown, they will draw inextricably closer together until, at last, both men find themselves trapped in the very depths of otherworldly madness. Welcome to Shattered Seas.

Reprint. Originally published: London: Jonathan Cape, 2005.

Coming of age on Park Avenue in the 1950s, Anne Roiphe had an adolescence entrenched in privilege, petticoats, and social rules. Young women at the time were expected to give up personal freedom for devotion to home and children. Instead, Roiphe chose Beckett, Proust, Sartre, and Mann as her heroes, and became one of the girls draped across the sofa at parties with George Plimpton, Norman Mailer, and William Styron, sometimes with her young child in tow. For a time she was satisfied to play the muse, but at the age of twenty-seven, divorced and finally freed of the notion that any sacrifice was worth making for art, she began to write. Here, in her clear-sighted, perceptive, and unabashed memoir, Roiphe shares with astonishing honesty the tumultuous adventure of self-discovery that finally led to her redemption.

“The Cold War . . . was a fight to the death,” notes Thomas C. Reed, “fought with bayonets, napalm, and high-tech weaponry of every sort—save one. It was not fought with nuclear weapons.” With global powers now engaged in cataclysmic encounters, there is no more important time for this essential, epic account of the past half century, the tense years when the world trembled At the Abyss. Written by an author who rose from military officer to administration insider, this is a vivid, unvarnished view of America’s fight against Communism, from the end of WWII to the closing of the Strategic Air Command, a work as full of human interest as history, rich characters as bloody conflict. Among the unforgettable figures who devised weaponry, dictated policy, or deviously spied and subverted: Whittaker Chambers—the translator whose book, Witness, started the hunt for bigger game: Communists in our government; Lavrenti Beria—the head of the Soviet nuclear weapons program who apparently killed Joseph Stalin; Col. Ed Hall—the leader of America’s advanced missile system, whose own brother was a Soviet spy; Adm. James Stockwell—the prisoner of war and eventual vice presidential candidate who kept his terrible secret from the Vietnamese for eight long years; Nancy Reagan—the “Queen of Hearts,” who was both loving wife and instigator of palace intrigue in her husband’s White House. From Eisenhower’s decision to beat the Russians at their own game, to the “Missile Gap” of the Kennedy Era, to Reagan’s vow to “lean on the Soviets until they go broke”—all the pivotal events of the period are portrayed in new and stunning detail with information only someone on the front lines and in backrooms could know. Yet At the Abyss is more than a riveting and comprehensive recounting. It is a cautionary tale for our time, a revelation of how, “those years . . . came to be known as the Cold War, not World War III.”

Schizophrenia is often considered one of the most destructive forms of mental illness. Elahe Hessamfar's personal experience with her daughter's illness has led her to ask some pressing and significant questions about the cause and nature of schizophrenia and the Church's role in its treatment. With a candid and revealing look at the history of mental illness, In the Fellowship of His Suffering describes schizophrenia as a variation of human expression. Hessamfar uses a deeply theological rather than pathological approach to interpret the schizophrenic experience and the effect it has on both the patients and their families. Effectively drawing on the Bible as a source of knowledge for understanding mental illness, she offers a reflective yet innovative view of whether the Church could or should intervene in such encounters and what such an intervention might look like. Hessamfar's comprehensive work will provoke powerful responses from anyone interested in the prominent social issue of mental illness. Her portrayal of the raging debate between treating 'insanity' either pastorally or medically will enthral readers, be they Christians, medical students or those in the field of psychiatry and social sciences.

A clearer, more accurate performance management strategy Over the past two decades, performance measurement has profoundly changed societies, organizations and the way we live and work. We can now access incredible quantities of data, display, review and report complex information in real time, and monitor employees and processes in detail. But have all these investments in collecting, analysing and reporting data helped companies, governments and people perform better? Measurement Madness is an engaging read, full of anecdotes so peculiar you'll hardly believe them. Each one highlights a performance measurement initiative that went wrong, explains why and – most importantly – shows you how to avoid making the same mistake yourself. The dangers of poorly designed performance measurement are numerous, and even the best how-to guides don't explain how to avoid them. Measurement Madness fills in the gap, showing how to ensure you’re measuring the right things, rewarding the behaviours that deserve rewarding, and interpreting results in a way that will improve things rather than complicate them. This book will help you to recognize, correct and even avoid common performance measurement problems, including: Measuring for the sake of measuring Assuming that measurement is an instant fix for performance issues Comparing sets of data that have nothing in common and hoping to learn something Using targets and rewards to promote certain behaviours, and achieving exactly the opposite ones. Reading Measurement Madness will enable you to design a simple, effective performance measurement system, which will have the intended result of creating value in your organization.

"Glorious...one of the best memoirs I've read in years...a tragicomic gem about family, class, race, justice, and the spectacular weirdness of Wichita. [McDermott] can move from barely controlled hilarity to the brink of rage to aching tenderness in a single breath." -- Marya Hornbacher, New York Times Book Review Zack McDermott, a 26-year-old Brooklyn public defender, woke up one morning convinced he was being filmed, Truman Show-style, as part of an audition for a TV pilot. Every passerby was an actor; every car would magically stop for him; everything he saw was a cue from "The Producer" to help inspire the performance of a lifetime. After a manic spree around Manhattan, Zack, who is bipolar, was arrested on a subway platform and admitted to Bellevue Hospital. So begins the story of Zack's freefall into psychosis and his desperate, poignant, often hilarious struggle to claw his way back to sanity. It's a journey that will take him from New York City back to his Kansas roots and to the one person who might be able to save him, his tough, big-hearted Midwestern mother, nicknamed the Bird, whose fierce and steadfast love is the light in Zack's dark world. Before his odyssey is over, Zack will be tackled by guards in mental wards, run naked through cornfields, receive secret messages from the TV, befriend a former Navy Seal and his talking stuffed monkey, and see the Virgin Mary in the whorls of his own back hair. But with the Bird's help, he just might have a shot at pulling through, starting over, and maybe even meeting a partner who can love him back, bipolar and all. Introducing an electrifying new voice, Gorilla and the Bird is a raw and unforgettable account of a young man's unraveling and the relationship that saves him.