'Lyndall Ryan's new account of the extraordinary and dramatic story of the Tasmanian Aborigines is told with passion and eloquence.

The extinction of the Tasmanian Aborigines has long been viewed as one of the great tragedies resulting from the British occupation of Tasmania. This book demonstrates that the Aborigines in Tasmania, although dispossessed, did not die out then or at any other period in Tasmania's history. Some eight thousand descendants remain today. In examining the myth created by nineteenth-century historians and scientists that Aborigines could not survive invasion, Lyndall Ryan investigates the nature of that invasion, Aboriginal resistance, and white Tasmanian policies towards the Aborigines after dispossession. The Aboriginal Tasmanians then follows the emergence of a new Aboriginal community outside the boundaries of white society yet denied Aboriginal identity. In this new edition, Lyndall Ryan explores the fortunes of the present day community in their quest for landrights and social justice. Tasmania was the cradle of race relations in Australia in the nineteenth century. It retains this position on the 1990s. In telling the story of the Aboriginal Tasmanians' struggles for a place in their own country, Lyndall Ryan provides special insights into the past and present of Aboriginal people nationwide.

In 1908 English gentleman, Ernest Westlake, packed a tent, a bicycle and forty tins of food and sailed to Tasmania. On mountains, beaches and in sheep paddocks he collected over 13,000 Aboriginal stone tools. Westlake believed he had found the remnants of an extinct race whose culture was akin to the most ancient Stone Age Europeans. But in the remotest corners of the island Westlake encountered living Indigenous communities. Into the Heart of Tasmania tells a story of discovery and realisation. One man’s ambition to rewrite the history of human culture inspires an exploration of the controversy stirred by Tasmanian Aboriginal history. It brings to life how Australian and British national identities have been fashioned by shame and triumph over the supposed destruction of an entire race. To reveal the beating heart of Aboriginal Tasmania is to be confronted with a history that has never ended.

Introductory notes on origin, material culture, social organisation, religion, trade, art; early contacts and resistance to Europeans; contemporary Aboriginal community; extensively illustrated.

Little more than seventy years after the British settled Van Diemen's Land (later Tasmania) in 1803, the indigenous community had been virtually wiped out. Yet this genocide at the hands of the British is virtually forgotten today. The Last Man is the first book specifically to explore the role of the British government and wider British society in this genocide. It positions the destruction as a consequence of British policy, and ideology in the region. Tom Lawson shows how Britain practised cultural destruction and then came to terms with and evaded its genocidal imperial past. Although the introduction of European diseases undoubtedly contributed to the decline in the indigenous population, Lawson shows that the British government supported what was effectively the ethnic cleansing of Tasmania - particularly in the period of martial law in 1828-1832. By 1835 the vast majority of the surviving indigenous community had been deported to Flinders Island, where the British government took a keen interest in the attempt to transform them into Christians and Englishmen in a campaign of cultural genocide. Lawson also illustrates the ways in which the destruction of indigenous Tasmanians was reflected in British culture - both at the time and since - and how it came to play a key part in forging particular versions of British imperial identity. Laments for the lost Tasmanians were a common theme in literary and museum culture, and the mistaken assumption that Tasmanians were doomed to complete extinction was an important part of the emerging science of human origins. By exploring the memory of destruction, The Last Man provides the first comprehensive picture of the British role in the destruction of the Tasmanian Aboriginal population.

A new, revised and updated edition of this wonderful book that won the South Australian Premier's Award for Non-Fiction, the Victorian Premier's Award for a First Book of History and the Canberra Critics Circle Award for Literature. 'This is a powerful and passionate exploration of cross-cultural history, and it is also an intriguing detective story. Taylor skilfully interweaves experience and memory, narrative and genealogy, politics and place so that this island saga becomes a history of the national psyche.' - Tom Griffiths . 'UNEARTHED is a wonderful piece of scholarship ... warm, humane and deserving of a wide and intelligent readership.' - Journal of Australian Studies. 'One of the most original and exciting thinkers in Australian history today'. - Australian Historical Studies. This new edition reveals previously disguised names.

Britain formally colonised Van Diemen’s Land in the early years of the nineteenth century. Small convict stations grew into towns. Pastoralists moved in to the aboriginal hunting grounds. There was conflict, there was violence. But, governments and gentlemen succeeded in burying the real story of the Vandemonian War for nearly two centuries. The Vandemonian War had many sides and shades, but it was fundamentally a war between the British colony of Van Diemen’s Land (Tasmania) and those Tribespeople who lived in political and social contradiction to that colony. In The Vandemonian War acclaimed history author Nick Brodie now exposes the largely untold story of how the British truly occupied Van Diemen’s Land deploying regimental soldiers and special forces, armed convicts and mercenaries. In the 1820s and 1830s the British deliberately pushed the Tribespeople out, driving them to the edge of existence. Far from localised fights between farmers and hunters of popular memory, this was a war of sweeping campaigns and brutal tactics, waged by military and paramilitary forces subject to a Lieutenant Governor who was also Colonel Commanding. The British won the Vandemonian War and then discretely and purposefully concealed it. Historians failed to see through the myths and lies – until now. It is no exaggeration to say that the Tribespeople of Van Diemen’s Land were extirpated from the island. Whole societies were deliberately obliterated. The Vandemonian War was one of the darkest stains on a former empire which arrogantly claimed perpetual sunshine. This is the story of that fight, redrawn from neglected handwriting nearly two centuries old.

The haunting story of an extraordinary Aboriginal woman. Winner of the National Biography Award 2021 Shortlisted for the Prime Minister's Award for Non-fiction 2021 'A compelling story, beautifully told' - JULIA BAIRD, author and broadcaster 'At last, a book to give Truganini the proper attention she deserves.' - GAYE SCULTHORPE, Curator of Oceania, The British Museum Cassandra Pybus's ancestors told a story of an old Aboriginal woman who would wander across their farm on Bruny Island, in south-east Tasmania, in the 1850s and 1860s. As a child, Cassandra didn't know this woman was Truganini, and that Truganini was walking over the country of her clan, the Nuenonne. For nearly seven decades, Truganini lived through a psychological and cultural shift more extreme than we can imagine. But her life was much more than a regrettable tragedy. Now Cassandra has examined the original eyewitness accounts to write Truganini's extraordinary story in full. Hardly more than a child, Truganini managed to survive the devastation of the 1820s, when the clans of south-eastern Tasmania were all but extinguished. She spent five years on a journey around Tasmania, across rugged highlands and through barely penetrable forests, with George Augustus Robinson, the self-styled missionary who was collecting the survivors to send them into exile on Flinders Island. She has become an international icon for a monumental tragedy - the so-called extinction of the original people of Tasmania. Truganini's story is inspiring and haunting - a journey through the apocalypse. 'For the first time a biographer who treats her with the insight and empathy she deserves. The result is a book of unquestionable national importance.' - PROFESSOR HENRY REYNOLDS, University of Tasmania

Onsman provides a new look at how one of the most influential portrayals of Tasmanian Aboriginal people, the one put forward in the Tasmanian Museum and Art Gallery, has changed from simply reflecting an academic idea to becoming pro-active in presenting contemporary images: a change that began when the museum employed an Aboriginal curator to manage its collection.