'This is a cri de coeur from an honest, intelligent and patriotic Englishman desperately worried about the corruption of this country and the likely effects of its lurch into the clutches of a European.' - The Spectator Hitchens identifies everything that he feels has gone wrong with Britain since the Second World War and makes the case for the 'many millions who feel that they have become foreigners in their own land and wish with each succeeding day that they could turn the clock back'. Writing with brilliance and flair, Hitchens targets the pernicious effects of TV culture, the corruption and decay of English language, the loss of deference and the syrupy confessional mood brought on by the death of Princess Diana.

"How do you tell that a country has died? ... Peter Hitchens describes and regrets the abolition of Britain. In the years since Peter Hitchens first wrote The Abolition of Britain, he argues, there has been an acceleration in the decay of society and culture. Fewer people read; universities have become less and less free; more churches are closing; language has become more homogenised; the city skyline is emblematic of the triumph of Mammon; the monarchy is merely hanging on and immigration is at an unprecedented and unsustainable level, a fact accepted even by those who first welcomed its growth. Hitchens, a former revolutionary Marxist, is amazed and amused by the way in which the nominal Conservative Party has now embraced culturally and socially revolutionary ideas, especially about the family, sexual politics and education, which he would have thought ambitious in his days as a 1960s Trotskyist. As he writes, 'my only concern now is to ensure that others, in some unimaginable future, will be able to find at least one voice which will explain to them how one of the fairest, kindest civilisations ever to have existed on earth ... should in so short a time have wasted its birthright and thrown away its gifts'."--Publisher description.

This is the story of a handful of men, led by Thomas Clarkson, who defied the slave trade and ignited the first great human rights movement. Beginning in 1788, a group of Abolitionists moved the cause of anti-slavery from the floor of Parliament to the homes of 300,000 people boycotting Caribbean sugar, and gave a platform to freed slaves.

With the abolition of the slave trade in 1807 and the Emancipation Act of 1833, Britain seemed to wash its hands of slavery. Not so, according to Marika Sherwood, who sets the record straight in this provocative new book. In fact, Sherwood demonstrates that Britain continued to contribute to the slave trade well after 1807, even into the twentieth century. Drawing on government documents and contemporary reports as well as published sources, she describes how slavery remained very much a part of British investment, commerce and empire, especially in funding and supplying goods for the trade in slaves and in the use of slave-grown produce. The nancial world of the City in London also depended on slavery, which - directly and indirectly - provided employment for millions of people. "After Abolition" also examines some of the causes and repercussions of continued British involvement in slavery and describes many of the apparently respectable villains, as well as the heroes, connected with the trade - at all levels of society. It contains important revelations about a darker side of British history, previously unexplored, which will provoke real questions about Britain's perceptions of its past

Crime is a political football - both left and right are terrified of seeming soft on the issue, but for all their efforts, or apparent efforts, crime rates continue to rise. Clearly something needs to be done. But what? Peter Hitchens argues that the time has come to re-examine the criminal justice system root and branch - to cope with rising levels of violent crime, and to restore public faith in society's ability to defend itself. Whatever you think of the solutions Hitchens suggests to this problem, you can be sure that they will excite controversy.

"Hanging in the Balance" traces the history of capital punishment in the United Kingdom from ancient times to the modern day - through periods of reform until hanging for murder was finally abolished by Parliament in 1969. It describes in detail the Parliamentary and public debates, and notes the stance taken by organizations and individuals (including the tenacious and persistent Sydney Silverman MP). The book collates data and references not previously brought together in one place-and in exploring the underlying issues and the recurring arguments about deterrence, retribution and expediency it provides an invaluable resource vis-a-vis the same debate in the many countries where capital punishment still exists.Lord Callaghan was home secretary at the time of abolition. His 'Foreword' conveys how strong his personal feelings were concerning the death penalty from the time he entered Parliament in 1945. The book's closing chapters record how his insistence that abolition should become permanent ultimately overcame the still considerable opposition. Capital punishment was finally abolished in 1999 throughout the UK. For all practical purposes this had already happened in 1969 when the Murder (Abolition of Death Penalty) Act 1965 was made fully effective into following a trial period.

The abolition of the slave trade is normally understood to be the singular achievement of eighteenth-century British liberalism. Abolitionism and Imperialism in Britain, Africa, and the Atlantic expands both the temporal and the geographic framework in which the history of abolitionism is conceived. Abolitionism was a theater in which a variety of actors—slaves, African rulers, Caribbean planters, working-class radicals, British evangelicals, African political entrepreneurs—played a part. The Atlantic was an echo chamber, in which abolitionist symbols, ideas, and evidence were generated from a variety of vantage points. These essays highlight the range of political and moral projects in which the advocates of abolitionism were engaged, and in so doing it joins together geographies that are normally studied in isolation. Where empires are often understood to involve the government of one people over another, Abolitionism and Imperialism shows that British values were formed, debated, and remade in the space of empire. Africans were not simply objects of British liberals’ benevolence. They played an active role in shaping, and extending, the values that Britain now regards as part of its national character. This book is therefore a contribution to the larger scholarship about the nature of modern empires. Contributors: Christopher Leslie Brown, Seymour Drescher, Jonathon Glassman, Boyd Hilton, Robin Law, Phillip D. Morgan, Derek R. Peterson, John K. Thornton

Discourses of Slavery and Abolition brings together for the first time the most important strands of current thinking on the relationship between slavery and categories of writing, oratory and visual culture in the 'long' Eighteenth-century. The book begins by examining writing about slavery and race by both philosophers and by authors such as Aphra Behn. It considers self-representation in the works of Ignatius Sancho, Olaudah Equiano, James Williams and Mary Prince. The final section reads literary and cultural texts associated with the abolition movements of the Eighteenth and Nineteenth centuries, moving beyond traditional accounts of the documents of that movement to show the importance of religious writing, children's literature and the relationship between art and abolition.

For two hundred years, the abolition of slavery in Britain has been a cause for self-congratulation - but no longer. In 1807, Parliament outlawed the slave trade in the British Empire, but for the next quarter of a century, despite heroic and bloody rebellions, more than 700,000 people in the British colonies remained in slavery. And when a renewed abolitionist campaign was mounted, making slave ownership the defining political and moral issue of the day, emancipation was fiercely resisted by the powerful 'West India Interest'. Supported by nearly every leading figure of the British establishment - including Canning, Peel and Gladstone, The Times and Spectator - the Interest ensured that slavery survived until 1833 and that when abolition came at last, compensation was given not to the enslaved but to the slaveholders. Worth e340 billion in today's money, this was the largest pay-out in British history before the banking rescue package of 2008, incurring a national debt that was only repaid in 2015 and entrenching the power of slaveholders and their families to shape modern Britain. Drawing on major new research, this long-overdue and ground-breaking history shows that the triumph of abolition was also one of the darkest episodes in British history, revealing the lengths to which British leaders went to defend the indefensible in the name of profit.

Shows how black writers helped to build modern Britain by looking beyond the questions of slavery and abolition.