One month has passed since Kylie Pendragon killed Sheridan to rescue her friends. Suddenly, Rex Terras Emperor decides to raze the only forest standing between Rex Terra and the rampant, genocidal sea. Using magic to shield the forest, Kylie returns to Earth for safety. There, she meets pyromanceress Zulieka Tribliuex, who kidnaps Brenda. Kylie saves Brenda, giving her superpowers. Together, they safeguard the forest until Zulieka starts murdering people, then reincarnating them into a fiery army. Kylie realizes she must learn dragon magic to stop both Zulieka, and the Emperor. The only way is by liberating the captive lavender dragons.

David Mamet's interest in anti-Semitism is not limited to the modern face of an ancient hatred but encompasses as well the ways in which many Jews have internalized that hatred. Using the metaphor of the Wicked Son at the Passover seder (the child who asks, "What does this story mean to you?") Mamet confronts what he sees as an insidious predilection among some Jews to exclude themselves from the equation and to seek truth and meaning anywhere--in other religions, political movements, mindless entertainment--but in Judaism itself. He also explores the ways in which the Jewish tradition has long been and still remains the Wicked Son in the eyes of the world. Written with the searing honesty and verbal brilliance that is the hallmark of Mamet's work, The Wicked Son is a powerfully thought-provoking look at one of the most destructive and tenacious forces in contemporary life.

Against the background of the past half century s typological and generative work on comparative syntax, this volume brings together 16 papers considering what we have learned and may still be able to learn about the nature and extent of syntactic variation. More specifically, it offers a multi-perspective critique of the Principles and Parameters approach to syntactic variation, evaluating the merits and shortcomings of the pre-Minimalist phase of this enterprise and considering and illustrating the possibilities opened up by recent empirical and theoretical advances. Contributions focus on four central topics: firstly, the question of the locus of variation, whether the attested variation may plausibly be understood in parametric terms and, if so, what form such parameters might take; secondly, the fate of one of the most prominent early parameters, the Null Subject Parameter; thirdly, the matter of parametric clusters more generally; and finally, acquisition issues.

This work focuses on the comprehension of null and overt subject pronouns in intrasentential anaphora contexts in Basque, a language which employs overt referential devices that fall out of the scope of what traditionally counts as third person pronouns, namely the demonstrative hura 'that' and the quasipronoun bera '(s)he (him/herself)'. Data from native adults obtained from two experimental offline tasks on the referential properties and the discourse features of null and overt pronouns set a baseline for comparison with a) the i nsights reported in descriptive grammars and with b) developmental data from 6-8-year-old child L1 and child L2.

Andy Ferguson is intrigued by the mysterious black-clad figure lurking at the upstairs window of the Irish manor house that is to become his new home.