From amateur collegiate a cappella groups to professional ensembles like Straight No Chaser and Pentatonix, contemporary a cappella has exploded onto the world pop music scene. In So You Want to Sing A Cappella, Deke Sharon combines historical context and a comprehensive look at the a cappella community with a detailed discussion of vocal techniques, rehearsal practices, and live audio support needed to sing great a cappella. Additional contributed chapters discuss singing and voice science, vocal health, vocal percussion, and audio technology. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing, and each book features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

Chronicles the competition between three contending groups for the Collegiate A Cappella championship, evaluating how their achievements reflect a rising surge in the music form's popularity, as well as the diversity that has shaped its expression.

This is a collection of essays and patient cases from the files of a long time practitioner of natural medicine. Dr. Amy Rothenberg opens a window into her work of providing complementary and alternative medicine to her patients. From a patient with allergies to a defiant child, from a man with reflux disease to an infertile woman, Dr Rothenbergs informative compilation of stories and musings offers readers insight into both the philosophy and the practicalities of the approaches she uses in the clinic, reflecting the inner workings of a modern day practitioner of naturopathic medicine. Rothenberg has looked deeply into the doctor/patient relationship, the interface between orthodox medicine and natural medicine as well as at her own evolution as a physician. Her introspection coupled with her openness and easy writing style invite even the casual reader on an enjoyable journey through the state of the art and profession of complementary and alternative medicine. She writes with accuracy, detail and flavour. Her story and this book help to define and exemplify the work of naturopathic medicine and further propel patients, medical colleagues and policy makers toward deeper understanding and appreciation of these effective and gentle approaches to healing.

In this highly anticipated sequel to A Cappella Arranging, Deke Sharon and Dylan Bell provide even more tools and insights to help musicians master the craft of a cappella arranging—including new creative principles and theoretical techniques to expand the palate, as well as arranging in various musical genres spanning several decades of music. Since the publication of the original book in 2012, a cappella as a genre has grown enormously. Using conversational yet instructive tone, A Cappella Arranging 2.0: The Next Level picks up where the previous book left off, helping people deepen their a cappella arranging skills. In four parts, the book addresses a variety of topics including: The creative process An advanced understanding of vocal ranges Counterpoint and polyphony Harmonic concepts and techniques Arranging for the studio Live looping arrangements Instrumental idioms Arranging in different styles, including world styles Medleys and mashups This is the perfect resource for taking your a cappella arrangements to the next level.

Singing has been a characteristic behaviour of humanity across several millennia. Chorus America (2009) estimated that 42.6 million adults and children regularly sing in one of 270,000 choruses in the US, representing more than 1:5 households. Similarly, recent European-based data suggest that more than 37 million adults take part in group singing. The Oxford Handbook of Singing is a landmark text on this topic. It is a comprehensive resource for anyone who wishes to know more about the pluralistic nature of singing. In part, the narrative adopts a lifespan approach, pre-cradle to senescence, to illustrate that singing is a commonplace behaviour which is an essential characteristic of our humanity. In the overall design of the Handbook, the chapter contents have been clustered into eight main sections, embracing fifty-three chapters by seventy-two authors, drawn from across the world, with each chapter illustrating and illuminating a particular aspect of singing. Offering a multi-disciplinary perspective embracing the arts and humanities, physical, social and clinical sciences, the book will be valuable for a broad audience within those fields.

When the Sweet Adelines International Barbershop Competition brings Tina's chorus to San Antonio, she kicks back. For a week, she can forget about her career as a police officer. But when two members die singing, Tina discovers that bullets and barbershop are anything but a harmonious combination.

From the author of the Fairy Tale Reform School and the Belles series comes a contemporary YA that sings with hilarity and fun. The Nightingales are in a serious funk. Bradley Academy's all-girl a cappella group used to be the pride of the sunshine state, but the Nightingales have recently fallen out of harmony. Best friends and co-captains Lidia Sato and Sydney Marino haven't been speaking ever since a boy came between them. And not just any boy-none other than Griffin Mancini, the lead singer of Bradley Academy's smug all-boy a capella group, the Kingfishers. The Nightingales have no chance of making it to the big state final if their captains are at each other's throats. Their only hope is new girl Julianna Ramirez. But in addition to her serious pipes, she has some serious stage fright. The Nightingales will have to come together if they want to shine at the upcoming competition and restore the group to its former glory.Turn It Up! follows Lidia, Sydney, and Julianna through the ups and downs of friendship, romance, competition, and finding the perfect song!

Language and the way that people communicate has evolved over time, now you can learn how to effectively use your voice in the most effective way possible in order to get your message across. Every time we open our mouths, we have an effect on ourselves and the way others perceive us. The ability to speak clearly and confidently can make or break a presentation, an important meeting, or even a first date. Now, with the advent of Skype, YouTube, podcasting, Vine, and any number of reality talent competitions, your vocal presence has never been more necessary for success or more central to achieving your dreams. Roger Love has over 30 years of experience as one of the world's leading authorities on voice. Making use of the innovative techniques that have worked wonders with his professional clients, Love distills the best of his teaching in Set Your Voice Free, and shares exercises that will help readers bring emotion, range, and power to the way they speak. This updated edition incorporates what he's learned in the last 15 years as the Internet and talent competitions have completely changed the role your voice plays in your life. These are the new essentials for sounding authentic, persuasive, distinctive, and real in a world that demands nothing less.

Since the 1930s and ̕40s, jazz has stood tall in American popular music, drawing into its embrace not only great horn players, percussionists, guitarists, bassists, and pianists, but also some of the greatest singers in America’s musical history. Jazz has laid the groundwork for important innovations in modern singing, opening up entirely new ways of delivering songs through what would eventually become jazz standards—songs that formed the basis of the American Songbook. In So You Want to Sing Jazz, singer and professor of voice Jan Shapiro gives a guided tour through the art and science of the jazz vocal style. Throughout, Shapiro hones in on what makes jazz singing distinctive, suggesting along the way how other types of singers can make use of jazz. She looks at such key matters in jazz singing as the role of improvisation, the place of specific singers who influenced and even defined vocal jazz as we know it today, and the unique way in which jazz incorporates vibrato, conversational delivery, rhythmic phrasing, and melodic embellishment and improvisation. The book includes guest-authored chapters by singing voice researchers Dr. Scott McCoy and Dr. Wendy LeBorgne. In So You Want to Sing Jazz, singers and voice teachers finally have the go-to resource they need for singing vocal jazz. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Jazz features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.