In a bridge-building exercise between Christians, Muslims, and other people of the book, David Bentley traces the Semitic pre-Islamic origins of Islam s 99 names of God. He points the reader to Old Testament counterparts of these names as well as to Jesus comparable representations of Himself."

In this work, here presented in a complete English edition for the first time, the problem of knowing God is confronted in an original and stimulating way. Taking up the Prophet's teaching that 'Ninety-nine Beautiful Names' are truly predicated of God, Ghazali explores the meaning and resonance of each of these divine names, and reveals the functions they perform both in the cosmos and in the soul of the spiritual adept. Although some of the book is rigorously analytical, the author never fails to attract the reader with his profound mystical and ethical insights, which, conveyed in his sincere and straightforward idiom, have made of this book one of the perennial classics of Muslim thought, popular among Muslims to this day. This volume won a British Book Design and Production Award in 1993.

“One of the best collections I’ve ever read. Every single story is a standout.”—Roxane Gay WINNER OF THE CHAUTAUQUA PRIZE • LONGLISTED FOR THE STORY PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Refinery29 • BookRiot “Fuses science, myth, and imagination into a dark and gorgeous series of questions about our current predicaments.”­—Anthony Doerr, author of All the Light We Cannot See A dystopian tale about genetically modified septuplets who are struck by a mysterious illness; a love story about a man bewitched by a mermaid; a stirring imagining of the lives of Nigerian schoolgirls in the aftermath of a Boko Haram kidnapping. The stories in All the Names They Used for God break down genre barriers—from science fiction to American Gothic to magical realism to horror—and are united by each character’s brutal struggle with fate. Like many of us, the characters in this collection are in pursuit of the sublime. Along the way, they must navigate the borderland between salvation and destruction. NAMED A MUST-READ BOOK BY Harper’s Bazaar • Entertainment Weekly • AM New York • Reading Women AND A TOP READ BY Elle • Fast Company • The Christian Science Monitor • Bustle • Shondaland • Popsugar • Refinery29 • Bookish • Newsday • The Millions • Asian American Writers’ Workshop • HelloGiggles “Strange and wonderful . . . delightfully unexpected.”—The New York Times Book Review “Completing one [story] is like having lived an entire life, and then being born, breathless, into another.”—Carmen Maria Machado “Captivating.”—NPR “Gripping.”—Los Angeles Review of Books “[A] remarkable debut . . . Sachdeva is seemingly fearless and her talent limitless.”—AM New York “This phenomenal debut short-story collection is filled with stories that bring the otherworldly to life and examine the strangeness of humanity.”—Bustle “So rich they read like dreams . . . They are enormous stories, not in length but in ambition, each an entirely new, unsparing world. Beautiful, draining—and entirely unforgettable.”—Kirkus Reviews (starred review)

After Jesus glanced at the temple coin, he said, "Render to Caesar." This book's title and theme are based upon Jesus' command to give allegiance to both the state and God. Coauthor David Bentley is the historian-theologian who reads and translates the coins' messages. Coauthor Brad Yonaka is the geologist-scientist who finds the copper, silver, and gold coins which are on display in nearly one hundred photo-figures throughout the text. Our God is represented by the Abrahamic faiths (Judaism, Christianity, and Islam); his divine name has appeared on coins since biblical times. Even the most theologically astute readers will be surprised by our introduction of Paul, Priscilla, and Aquila as "tabernacle-makers" not "tent-makers." Greek and Roman gods and goddesses, a few ancient Persian empires, the Islamic caliphs, and Qur'anic messages are present in this book. Each stamped their impressions on civilization. When Lincoln added "In God We Trust" during the Civil War, was it as Jesus commanded, a combination of honoring divine and governmental authorities? Or was it a counterfeit trust in dead presidents or self?

This book takes the reader into the heart of the mystery of the 99 sacred Names of Allah. It is a vehicle for understanding the infinite nature of God, and for discovering the divine potential in every soul. It is also a guidebook for progressing through the stages of the spiritual path and an instruction manual for teachers on how to work with students more wisely, as physicians of the heart. In the process of this voyage to discovery, the reader is systematically exposed to the universal mysticism encoded in the Qur'an and in the classical Sufi traditions, as well as to a modern psychological approach that works with the 99 Names to achieve individuation and wholeness.

Recent manuscript evidence from al-Jami` al-Kabir in ?an ‘a’ suggests that the Qur’an took its final shape well before 671 CE. Irrespective, however, of who composed it or when it was compiled, questions remain about whether the Qur’an followed any kind of preconceived plan or compositional schema that makes sense in today’s world. In The al-Baqara Crescendo, Nevin Reda introduces a bold new avenue of research: the poetics of Qur'anic narrative structure. Focusing on Surat al-Baqara, the longest and most challenging of the suras, she explores the beauty and rationale behind the Qur'an’s unusual organization. Reda argues that the sura – often dismissed by Muslim traditionalists and Orientalist critics as a baffling collection of disjointed material – can be appreciated as a coherent composition if it is approached as a spoken text. Calling attention to oral organizational techniques such as repetition, this book’s repertoire of figures showcases Surat al-Baqara’s ingenious layout and pinpoints the sophisticated meanings that are embedded within it. Incorporating insights from literary theory and Biblical studies, the author advances inclusivity and intercultural bridge-building in the study of scripture. In an engaging narrative that is bound to captivate and challenge the reader, Reda communicates a deep love and thorough command of her subject, all while presenting a significant new development in Islamic feminist hermeneutics.

Offering an analysis of Christian-Muslim dialogue across four centuries, this book highlights those voices of ecumenical tone which have more often used the Qur’an for drawing the two faiths together rather than pushing them apart, and amplifies the voice of the Qur’an itself. Finding that there is tremendous ecumenical ground between Christianity and Islam in the voices of their own scholars, this book ranges from a period of declining ecumenism during the first three centuries of Islam, to a period of resurging ecumenism during the most recent century until now. Among the ecumenical voices in the Christian-Muslim dialogue, this book points out that the Qur’an itself is possibly the strongest of those voices. These findings are cause for, and evidence of, hope for the Christian–Muslim relationship: that although agreement may never be reached, dialogue has led at times to very real mutual understanding and appreciation of the religious other. Providing a tool for those pursuing understanding and mutual appreciation between the Islamic and Christian faiths, this book will be of interest to scholars and students of Islam, the Qur’an and the history of Christian-Muslim relations.