The 1980s is remembered as a time of big hair, synthetic music, and microwave cookery. It is also remembered as the heyday of conservative politics, socioeconomic inequality, and moral panics. It is dichotomously remembered as either a nostalgic age of innocence or a regressive moral wasteland, depending on who you ask, and when. But, most of all, it is remembered. In retro fashion trends, in '80s-based film and television narratives, and through countless rebooted movies, video games, superheroes, and even political slogans imploring us to Make America Great Again (Again). More than merely a historical period, "the '80s" has grown into a contested myth, ever-evolving through the critical and expressive lens of popular culture. This book explores the many shapes the '80s mythos has taken across a diverse array of media. Essays examine television series such as Stranger Things, Cobra Kai, and POSE, films such as Dallas Buyers Club, Summer of '84, and Chocolate Babies, as well as video games, pop music, and toys. Collectively, these essays explore how representations of the 1980s influence the way we think about our past, our present, and our future.

Growing up as a child in the ''80s had its ups and downs - it's perhaps the one decade that, more than any other, begets groans of, ''oh, what were you thinking?'' Those 10 years saw some huge changes - pop music went electronic, yuppies ruled the financial world, and fashion was never the same again. Neither was the car. Yes, despite some four-wheeled disasters, the ''80s still had plenty of cool cars. The petrol heads of the time lusted after Magnum P.I.''s Ferrari 308; they salivated over the Ferrari Daytona and Testarossa from Miami Vice, they watched ''Back to the Future'' in cinemas across the country, mesmerised at the sight of the Doc''s De Lorean (surely the ultimate in customisation?). Other 80s supercars included Porsche''s peerless 911, the original Audi Quattro (a car resurrected on current U.K. television in the show Ashes to Ashes) and the Ford Capri SLE 71R driven by Terry McCann in Minder... the list goes on. Now, 'The Best of Car' takes you back to the days when cars were flash, angular and mean. It''s time to don the shades and head out for a cool cruise down the strip. Flick through the glossy pages of what became the bible for aspiring car enthusiasts in the 80s - the only motoring magazine that reflected the true age of excess, and relive those long-forgotten dreams.

This unique work – the fruit of many decades’ research and experience – throws new light on the supersensible history and karma of the Michaelic movement since Rudolf Steiner’s death. It describes that movement’s evolution and transformation in the etheric world during the twentieth century, from the world-changing apocalypse of the 1930s and 40s through to the beginning of its incarnation on Earth at the end of last century. The book also focuses on developments in the practical and social work of building the community of the School of Spiritual Science, which embodies the new Michaelic movement in our time. As Ben-Aharon indicates, the Michaelic movement is searching for creative, courageous and enthusiastic souls to foster a strong community that develops – from one decade to the next – as a living organism. Based on the continuous resurrection of anthroposophy, this community strives to create a fully conscious meeting and communication with the school of Michael and Christ in the etheric world, in a form that is appropriate and demanded by the times. The transcripts of these lectures bring together the author’s experiences with anthroposophy over the last 42 years in the light of present communications from the spiritual world. It is based on contemporary spiritual investigation and individual, lived experience. From the Contents: ‘The Amfortas-Parsifal Duality of Modern Humanity’; ‘The Twilight of Humanity and its Resurrection’; ‘The Universal Language of Michael and the Being of Rudolf Steiner’; ‘The Anthroposophical Movement in the Present’; ‘The Etheric Form is Alive’; ‘The Resurrection of the Etheric Christ in the 21st Century’.

"Cuban author Jose Lezama Lima (1910-76) produced some of the most enigmatic and important poetry in the Spanish language. He did this during a turbulent moment in Cuban history - a period of social unrest, radical change in political systems, and attempts at cultural self-definition. While some have argued that his poetry evades these circumstances, Assimilation/Generation/Resurrection adopts a contextual approach and reveals the extent of Lezama's engagement with the defining political and cultural issues of his day. It also lays bare the underlying connection of this poetry to a weave of intertexts - Lezama's productive interaction with several traditions." "Intimidating in its philosophical scope and linguistic complexity, Lezama's poetry has received far less critical attention than his prose. The present study rectifies this critical imbalance, foregrounding the poetry while discussing three issues that link disparate areas of Lezama's literary production. These issues - cultural assimilation, generation, and resurrection - are central elements in Lezama's poetics, yet are also pertinent to wide-ranging debates on Latin American cultural identity. This study reads key poems from each of his published books of poetry, using an interpretive approach forged from diverse yet cohering sources, including Lezama's own theories on reading and writing." "After a brief methodological excursus and a first contextualization of Lezama's poetics vis-a-vis a number of other Cuban writers, this study considers Lezama's early assimilation of a number of initiatory texts as well as his indirect but crucial response to the social concerns of the 1930s." "Assimilation/Generation/Resurrection makes clear that Lezama's poetry owes its existence to an engagement with cultural artifacts and social circumstances more generally. Yet it is far more than a response. It constantly attempts to go beyond, generating the new at the intersection of the old and the as-yet uncreated. The result of this practice is a poetry that claims the power both to translate over distance and to resurrect by virtue of the image."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Vols. for 1981-198 include four special directory issues

A fascinating glimpse into 1980s Soho by leading journalist and writer Christopher Howse. In the 1980s Daniel Farson published Soho in the Fifties. This memoir is a sequel from the Eighties, a decade that saw the brilliant flowering of a daily tragi-comedy enacted in pubs like the Coach and Horses or the French and in drinking clubs like the Colony Room. These were places of constant conversation and regular rows fuelled by alcohol. The cast was more improbable than any soap opera. Some were widely known – Jeffrey Bernard, Francis Bacon, Tom Baker or John Hurt. Just as important were the character actors: the Village Postmistress, the Red Baron, Granny Smith. The bite came from the underlying tragedy: lost spouses, lost jobs, pennilessness, homelessness and death. Christopher Howse recaptures the lost Soho he once knew as home, its cellar cafés and butchers' shops, its villains and its generosity. While it lasted, time in those smoky rooms always seemed to be half past ten, not long to closing time. As the author relates, he never laughed so much as he did in Soho in the Eighties.

Fact and fiction combine in a classic that scared Vermonters out of the woods.