This book has been written for many of my friends and family especially Renee, Gwen, Bobbie, Susan, Toni, Jane Jean, Aunt Anna, Ruth Dixon, Aunt Manette, Paul, Fred, and especially my parents, Fred and Elizabeth. A large thank-you goes out to all my friends in Rose Valley, Pennsylvania, for without your help this book would have never been written. A special thank-you goes out to all my students because you were a large part of this book. Some of the things in this book were actual experiences I had in my classroom, both as a student and as a teacher. The names of the characters in this book have been changed to protect the real people either living or dead. There are two haunted housesone in Rose Valley and one in Wallingfordbut as for William, he is purely fiction. I hope you will enjoy this book as much as I did writing it. I hope my readers have had the time to read my other books: Peggy, The Three-Some: Book 2, The Writers Corner: Book 3, The Golden Nugget: Book 4, Emily (book 5), This Is As Good As It Gets (book 6), The 1940 Old Diary (book 7), and Pockets (book 8). Books 5, 6, 7, and 8 should be out very soon. They are all interactive books, and you can learn something from each one.

The only first-hand account of the Blitz to be written as it was happening.

Winner of the French-American Foundation Translation Prize for Nonfiction Jean Gu?henno's Diary of the Dark Years, 1940-1945 is the most oft-quoted piece of testimony on life in occupied France. A sharply observed record of day-to-day life under Nazi rule in Paris and a bitter commentary on literary life in those years, it has also been called "a remarkable essay on courage and cowardice" (Caroline Moorehead, Wall Street Journal). Here, David Ball provides not only the first English-translation of this important historical document, but also the first ever annotated, corrected edition. Gu?henno was a well-known political and cultural critic, left-wing but not communist, and uncompromisingly anti-fascist. Unlike most French writers during the Occupation, he refused to pen a word for a publishing industry under Nazi control. He expressed his intellectual, moral, and emotional resistance in this diary: his shame at the Vichy government's collaboration with Nazi Germany, his contempt for its falsely patriotic reactionary ideology, his outrage at its anti-Semitism and its vilification of the Republic it had abolished, his horror at its increasingly savage repression and his disgust with his fellow intellectuals who kept on blithely writing about art and culture as if the Occupation did not exist - not to mention those who praised their new masters in prose and poetry. Also a teacher of French literature, he constantly observed the young people he taught, sometimes saddened by their conformism but always passionately trying to inspire them with the values of the French cultural tradition he loved. Gu?henno's diary often includes his own reflections on the great texts he is teaching, instilling them with special meaning in the context of the Occupation. Complete with meticulous notes and a biographical index, Ball's edition of Gu?henno's epic diary offers readers a deeper understanding not only of the diarist's cultural allusions, but also of the dramatic, historic events through which he lived.

This recently discovered “trenchant, intelligent” follow-up to the British expatriate’s classic memoir, War in Val d’Orcia, chronicles life in Italy in the year leading up to WW2 (New Yorker). This insightful diary provides a vivid, ground-level account of how Mussolini decided on a course of action that would devastate his country and ultimately destroy his regime. In 1939 it was not a foregone conclusion that Mussolini would enter World War II on the side of Hitler. Though the British-born Origo lived with her Italian husband on an estate in a remote part of Tuscany, she was supremely well-connected and regularly in touch with intellectual and diplomatic circles in Rome, where her godfather, William Phillips, was the American ambassador. Her diary documents the Fascist government’s growing infatuation with Nazi Germany as Hitler’s armies marched triumphantly across Europe, and the campaign of propaganda and intimidation that was mounted in support of its new aims. The book ends with the birth of Origo’s daughter and Origo’s decision to go to Rome to work with prisoners of war at the Italian Red Cross. A Chill in the Air offers an indispensable record of Italy at war as well as a thrilling story of a formidable woman’s transformation from observer to actor at a great historical turning point.

The secret diary of a 23-year-old White Russian princess who in 1940 found herself on her own in Berlin.

The diary of a normal if determined child at a pivotal moment of history

The author became sickened by the brutal and repressive nature of Nazi rule which overshadowed every aspect of her life. She became involved in the Resistance and the diaries vividly describe her part in the drama and its aftermath.

For years Raymond-Raoul Lambert's Diary has been among the important untranslated records of the experience of French Jews in the Holocaust. Lambert's Diary survived the war and was published in France in 1985. This book reveals Lambert's efforts to save at least a remnant of the Jews in France. It is illustrated with maps and photographs.

Historians agree: the diary of Léon Werth (1878-1955) is one of the most precious--and readable--pieces of testimony ever written about life in France under Nazi occupation and the Vichy regime. Werth was a free-spirited and unclassifiable writer. He is the author of eleven novels, art and dance criticism, acerbic political reporting, and memorable personal essays. He was Jewish, and left Paris in June 1940 to hide out in his wife's country house in Saint-Amour, a small village in the Jura Mountains. His short memoir 33 Days recounts his struggle to get there. Deposition tells of daily life in the village, on nearby farms and towns, and finally back in Paris, where he draws the portrait of a Resistance network in his apartment and writes an eyewitness report of the insurrection that freed the city in August, 1944. From Saint-Amour, we see both the Resistance in the countryside, derailing troop trains, punishing notorious collaborators--and growing repression: arrests, torture, deportation, and executions. Above all, we see how Vichy and the Occupation affect the lives of farmers and villagers and how their often contradictory attitudes evolve from 1940-1944. Werth's ear for dialogue and novelist's gift for creating characters animate the diary: in the markets and in town, we meet real French peasants and shopkeepers, railroad men and the patronne of the café at the station, schoolteachers and gendarmes. They come off the page alive, and the countryside and villages come alive with them. With biting irony, Werth records, almost daily, what Vichy-German propaganda was saying on the radio and in the press. We follow the progress of the war as people did then, day by day. These entries make interesting, often amusing reading, a stark contrast with his gripping entries on the persecution and deportation of the Jews. Deposition is a varied and complex piece of living history, and a pleasure to read.

A Polish writer’s experience of wartime France, a cosmopolitan outsider’s perspective on politics, culture, and life under duress When the aspiring young writer Andrzej Bobkowski, a self-styled cosmopolitan Pole, found himself caught in occupied France in 1940, he recorded his reflections on culture, politics, history, and everyday life. Published after the war, his notebooks offer an outsider’s perspective on the hardships and ironies of the Occupation. In the face of war, Bobkowski celebrates the value of freedom and human life through the evocation—in a daringly untragic mode—of ordinary existence, the taste of simple food, the beauty of the French countryside. Resisting intellectual abstractions, his notes exude a young man’s pleasure in physical movement—miles clocked on country roads and Parisian streets on his trusty bike—and they reveal the emergence of an original literary voice. Bobkowski was recognized in his homeland as a master of modern Polish prose only after Communism ended. He remains to be discovered in the English-speaking world.