" This is a compellingly nuanced and sophisticated study of Indian peoples as negotiators and shapers of the modern world."—Richard White, author of The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650-1815

Asserts that the 1870 and 1890 Ghost Dance movements were deliberate efforts by American Indians to accomplish a demographic revitalization following their virtual demographic collapse. Correlates tribal participation with Indian population levels before and after the movements.

A broad range of perspectives from Natives and non-Natives makes this book the most complete account and analysis of the Lakota ghost dance ever published. A revitalization movement that swept across Native communities of the West in the late 1880s, the ghost dance took firm hold among the Lakotas, perplexed and alarmed government agents, sparked the intervention of the U.S. Army, and culminated in the massacre of hundreds of Lakota men, women, and children at Wounded Knee in December 1890. Although the Lakota ghost dance has been the subject of much previous historical study, the views of Lakota participants have not been fully explored, in part because they have been available only in the Lakota language. Moreover, emphasis has been placed on the event as a shared historical incident rather than as a dynamic meeting ground of multiple groups with differing perspectives. In The Lakota Ghost Dance of 1890, Rani-Henrik Andersson uses for the first time some accounts translated from Lakota. This book presents these Indian accounts together with the views and observations of Indian agents, the U.S. Army, missionaries, the mainstream press, and Congress. This comprehensive, complex, and compelling study not only collects these diverse viewpoints but also explores and analyzes the political, cultural, and economic linkages among them.

The 1870 Ghost Dance was a significant but too often disregarded transformative historical movement with particular impact on the Native peoples of northern California. The spiritual energies of this ?great wave,? as Peter Nabokov has called it, have passed down to the present day among Native Californians, some of whose contemporary individual and communal lives can be understood only in light of the dance and the complex religious developments inspired by it. Cora Du Bois's historical study, The 1870 Ghost Dance, has remained an essential contribution to the ethnographic record of Native Californian cultures for seven decades yet is only now readily available for the first time. Du Bois produced this pioneering work in the field of ethnohistory while still under the tutelage of anthropologist Alfred Louis Kroeber. Her monograph informs our understanding of Kroeber's larger, grand and crucial salvage-ethnographic project in California, its approach and style, and also its limitations. The 1870 Ghost Dance adds rich detail to our understanding of anthropology in California before World War II

In this fascinating ethnohistorical case study of North American Indians, the Ghost Dance religion is the backbone for Kehoes exploration of significant aspects of American Indian life and her quest to learn why some theories become popular. In Part 1, she combines knowledge gained from her firsthand experiences living among and speaking with Indian elders with a careful analysis of historical accounts, providing a succinct yet insightful look at people, events, and institutions from the 1800s to the present. She clarifies unique and complex relationships among Indian peoples and dispels many of the false pretenses promoted by United States agencies over two centuries. In Part 2, Kehoe surveys some of the theories used to analyze the events described in Part 1, allowing readers to see how theories develop, to think critically about various perspectives, and to draw their own conclusions. Kehoes gripping presentation and analysis pave the way for just and constructive Indian-White relations.

The religious fervor known as the Ghost Dance movement was precipitated by the prophecies and teachings of a northern Paiute Indian named Wovoka (Jack Wilson). During a solar eclipse on New Year’s Day, 1889, Wovoka experienced a revelation that promised harmony, rebirth, and freedom for Native Americans through the repeated performance of the traditional Ghost Dance. In 1890 his message spread rapidly among tribes, developing an intensity that alarmed the federal government and ended in tragedy at Wounded Knee. While the Ghost Dance phenomenon is well known, never before has its founder received such full and authoritative treatment. Indispensable for understanding the prophet behind the messianic movement, Wovoka and the Ghost Dance addresses for the first time basic questions about his message and This expanded edition includes a new chapter and appendices covering sources on Wovoka discovered since the first edition, as well as a supplemental bibliography.

On December 28, 1894, the day before the fourth anniversary of the massacre at Wounded Knee, Lakota chief Two Sticks was hanged in Deadwood, South Dakota. The headline in the Black Hills Daily Times the next day read “A GOOD INDIAN”—a spiteful turn on the infamous saying “The only good Indian is a dead Indian.” On the gallows, Two Sticks, known among his people as Can Nopa Uhah, declared, “My heart knows I am not guilty and I am happy.” Indeed, years later, convincing evidence emerged supporting his claim. The story of Two Sticks, as recounted in compelling detail in this book, is at once the righting of a historical wrong and a record of the injustices visited upon the Lakota in the wake of Wounded Knee. The Indian unrest of 1890 did not end with the massacre, as the government willfully neglected, mismanaged, and exploited the Oglala in a relentless, if unofficial, policy of racial genocide that continues to haunt the Black Hills today. In From Wounded Knee to the Gallows, Philip S. Hall and Mary Solon Lewis mine government records, newspaper accounts, and unpublished manuscripts to give a clear and candid account of the Oglala’s struggles, as reflected and perhaps epitomized in Two Sticks’s life and the miscarriage of justice that ended with his death. Bracketed by the run-up to, and craven political motivation behind, Wounded Knee and the later revelations establishing Two Sticks’s innocence, this is a history of a people threatened with extinction and of one man felled in a battle for survival hopelessly weighted in the white man’s favor. With eyewitness immediacy, this rigorously researched and deeply informed account at long last makes plain the painful truth behind a dark period in U.S. history.