A laugh-out-loud new picture book from the author of Harry and the Bucketful of Dinosaurs series and the illustrator of the Dinosaur that Pooped series.

Zoe loves living at her uncle's rescue zoo because there's always something exciting going on. And Zoe also has an amazing secret... She can actually TALK to the animals! Max the meerkat loves to dig tunnels and go exploring, and so do his baby brothers and sisters! With the big treasure hunt coming up, can Zoe find a way to keep the messy meerkat family out of trouble?

Just when you thought the fairies couldn't get any cuter. . . here come the baby animals! Rachel and Kirsty to the rescue!The girls are spending a week of their summer vacation at the Wild Woods Nature Reserve. They're going to volunteer as junior rangers-- which means lots of quality time with all the animals who live there! But Jack Frost has taken the Baby Animal Rescue Fairies' magic key chains. Even worse, he's planning to use the fairies' stolen magic to kidnap baby animals for his icy zoo. The goblins are out to snatch Missy the meerkat. Only Rachel and Kirsty can keep her safe!

The relationship between humans and animals has always been strong, symbiotic and complicated. Animals, real and fictional, have been a mainstay in the arts and entertainment, figuring prominently in literature, film, television, social media, and live performances. Increasingly, though, people are anthropomorphizing animals, assigning them humanoid roles, tasks and identities. At the same time, humans, such as members of the furry culture or college mascots, find pleasure in adopting animal identities and characteristics. This book is the first of its kind to explore these growing phenomena across media. The contributors to this collection represent various disciplines, to include the arts, humanities, social sciences, and healthcare. Their essays demonstrate the various ways that human and animal lives are intertwined and constantly evolving.

2019 Indies Today Mystery of the Year Winner! After an old friend calls in a favor, geologist Kea Wright joins a team of biologists studying meerkats in the Kalahari. Seduced by the expedition's luxurious accommodations, state-of-the-art equipment, and daily baskets of fresh muffins, Kea begins to wonder if she picked the wrong field of research. Until people start dying...

In 1985, forty hooligan followers of Stoke City FC experienced a riotous trip to Portsmouth - and the Naughty Forty was born. It became one of the most notorious soccer gangs in Britain.Mark Chester was a founder member of the N40. Already a hardened fighter, he had been expelled from school after an unsettled childhood and joined the Staffordshire Regiment, only to be discharged for misconduct. Stoke City's emerging 'casual' mob became his family. 'Right or wrong, I was ready to be a committed football hooligan,' he says.He recounts tales of raucous coach trips from the Glebe pub and the pivotal clashes with the likes of Everton, Manchester United and West Ham that defined the new firm. Formidable characters came to the forefront, men like the giant Mark Bentley, Philler the Beast and the legendary Miffer, while hair-raising clashes with the likes of Millwall, Spurs, Aston Villa and Manchester City saw the gang's reputation spread.The N40 code was simple: whatever the odds, they would always make a stand. Many times they fought when heavily outnumbered yet often came out on top. They developed a closeness and cohesion rare among the football gangs. Loyalty was their watchword.Soon they were joined by the Under-Fives, a younger element determined to win acceptance from the terrace legends they admired and who carved out their own niche as well as fighting side by side with the old-school heads.Police operations, bans from the ground and the introduction of ID schemes have prevented many from attending games, but the author, long 'retired' from the scene, argues that in the new millennium the gangs are back - and as ferocious as ever. NAUGHTY is essential reading for anyone wishing to understand the illicit but seductive lure of terrace combat, the emotional ties of a gang and the addictive buzz of Saturday afternoons.

Based on the popular column, The Parson Street Nose. The Siege of Wrenstock Gardens is fast, fun and full of eccentric characters. Noreen Bottle is convinced her new neighbour, Marsha Sludger, a rum-soaked aspiring author with a taste for disco-bunny clothes will bring trouble to their cosy street. One night Marsha asks Noreen for help in escaping her brutish ex-husband. Noreen hides Marsha in the family caravan in Brean, but is annoyed when the wretched woman won't stay put. Marsha's publisher, Grayzon Devine, a man abounding with peacock tendencies turns up in hysterics recounting the terrifying tale of Marsha's abduction. In trying to trace the missing Marsha, Noreen, her husband Skipper and Grayzon are caught up in what is less of a mystery and more of a mess. Guns, drugs and dog-napping, Noreen takes it all in her stride, but when the BBC arrive, even she has to admit everything has gone over the top.

Offers a comic exploration of an intrepid meerkat's fateful inquisitiveness...

The origins of Santa Claus, or so I am told, is that the young Bishop Nicholas secretly delivered three bags of gold as dowries for three young girls to their indebted father to save them from a life of prostitution. Armed with immortality, a factory of elves and a fleet of reindeer, his has been a lasting legacy, inextricably linked to Christmas. Of course, this Christmas looks a little different. Amidst a global pandemic, shimmying down the chimneys of strangers certainly does not adhere to social distancing guidelines. Some borders remain closed, and in some instances, the quarantine period is far too long. After all, he only has 24 hours to spread cheer across the world. As with the rest of us, Santa Claus is likely to get the remote working treatment. The reindeers this year are likely to be self-driving, reminiscent of an Amazon swarm of technology, and the naughty and nice lists are likely to be based on algorithms derived from social media accounts. In the age of the fourth industrial revolution, it is difficult to imagine that letters suffice anymore. How many posts were verified as real before shared? Enough to get you a drone. Fake news? Here is a lump of coal. Will we see elves in personal protective equipment (PPE) and will Santa Claus, high risk because of age and his likely comorbidities from the copious amount of cookies, have to self-isolate in the North Pole? In fact, will there be any toys at all this year? Surely production has been stalled with the restrictions on imports and exports into the North Pole. Perhaps, there is a view to outsourcing, or perhaps, there is a shift towards local production and supply chains. More importantly, as we have done in many instances in this period, maybe we should pause to reflect on the current structures in place. The sanctification of a figure so clearly dismissive of the Global South and to be critical, quite classist must be called into question. From some of the keenest minds, the contributions in this book make a strong case against this holly jolly man. We traverse important topics such as, is the constitution too lenient with a clear intruder who has conveniently branded himself a Good Samaritan? Allegations of child labour under the guise of elves, blatant animal cruelty, constant surveillance in stark contrast to many democratic ideals and his possible threat to national security come to the fore. Nevertheless, as the song goes, he is aware when you are asleep, and he knows when you are awake. Is feminism a farce to this beloved man – what role does Mrs Claus play and why are there inherent gender norms in his toys? Then is the worry of closed borders and just how accurate his COVID-19 tests are. Of course, this brings his ethics into question. While there is an agreement that transparency, justice and fairness, nonmaleficence, responsibility, and privacy are the core ethical principles, the meaning of these principles differs, particularly across countries and cultures. Why are we subject to Santa Claus’ notions of good and evil when he is so far removed from our context? As Richard Thaler and Cass Sunstein would tell you, this is fundamentally a nudge from Santa Claus for children to fit into his ideals. A nudge, coined by Thaler, is a choice that predictably changes people’s behaviour without forbidding any options or substantially changing their economic incentives. Even with pinched cheeks and an air of holiday cheer, Santa Claus has to come under scrutiny. In the process of decolonising knowledge and looking at various epistemologies, does Santa still make the cut?