The Woke—that humorless, joyless, shame-inducing virus—are killing comedy…and that is great for comedians! So argues award-winning comedian Lou Perez in his hilarious and provocative book debut, That Joke Isn’t Funny Anymore. Through the lens of comedy, Lou examines anti-racism, sex, gender, cancel culture, and all the modern-day sacred cows that have been propped up in recent years. An equal-opportunity offender, nothing is safe from his mockery. Lou punches up, he punches down—he’s throwing haymakers in every direction! This book is a cancellable offense—but worth the risk. It’s time to fight back: to create, to celebrate, and most importantly, to laugh. These are amazing times, in no small part thanks to the Woke gift to comedy. Plus, reading That Joke Isn’t Funny Anymore will take care of your diversity reading quota. Lou has the results from his DNA test to prove it.

The Woke are killing comedy—and that makes being a comedian today better than ever! The Woke—that humorless, joyless, shame-inducing virus—is killing comedy…and that is great for comedians! So argues Lou Perez in his hilarious and provocative book debut, That Joke Isn’t Funny Anymore. Through the lens of comedy, Lou examines antiracism, sex, gender, cancel culture, and all the new sacred cows that have been propped up in recent years. An equal-opportunity offender, nothing is safe from his mockery. Lou punches up, he punches down—he’s throwing haymakers in every direction! This book is a cancelable offense. But worth the risk. It’s time to fight back. To create, to celebrate, and most importantly, to laugh. These are amazing times. In no small part thanks to the Woke gift to comedy. Plus, reading That Joke Isn’t Funny Anymore will take care of your diversity reading quota. Lou has the results from his DNA test to prove it.

WINNER OF THE 2022 PULITZER PRIZE FOR FICTION 2021 NATIONAL JEWISH BOOK AWARD WINNER A NEW YORK TIMES NOTABLE BOOK OF 2021 A WALL STREET JOURNAL BEST BOOK OF 2021 A KIRKUS BEST FICTION BOOK OF 2021 "Absorbing, delightful, hilarious, breathtaking and the best and most relevant novel I’ve read in what feels like forever." —Taffy Brodesser-Akner, The New York Times Book Review Corbin College, not quite upstate New York, winter 1959–1960: Ruben Blum, a Jewish historian—but not an historian of the Jews—is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host to guests who proceed to lay waste to his American complacencies. Mixing fiction with nonfiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics that finds Joshua Cohen at the height of his powers.

Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan's Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That's when things start to get crazy. At his new school, Craig realizes that he isn't brilliant compared to the other kids; he's just average, and maybe not even that. He soon sees his once-perfect future crumbling away.

A New York Times bestseller: “The funniest writer in America” takes on the global economy (The Wall Street Journal). In this book, renowned political humorist P. J. O’Rourke, author of Parliament of Whores and How the Hell Did This Happen? leads us on a hysterical whirlwind world tour from the “good capitalism” of Wall Street to the “bad socialism” of Cuba in search of the answer to an age-old question: “Why do some places prosper and thrive, while others just suck?” With stops in Albania, Sweden, Hong Kong, Moscow, and Tanzania, O’Rourke takes a look at the complexities of economics with a big dose of the incomparable wit that has made him one of today’s most refreshing commentators. “O’Rourke has done the unthinkable: he’s made money funny.” —Forbes FYI “[O’Rourke is] witty, smart and—though he hides it under a tough coat of cynicism—a fine reporter . . . Delightful.” —The New York Times Book Review

This illustrated literary guide to all aspects of the guitar includes a history, celebrated players, iconic guitars, guitar techniques, a relevant chord dictionary and relevant local information.

Can laughter really be used to undermine the appeal of terrorist groups? And should it be? Is there any truth in the stereotypical notions of fanaticism as humorless, and of humor as the antithesis of fanaticism? What is the deeper significance of the jihadi's status as an object of mockery in Arabic popular culture? Joking About Jihad explores this thicket of problems sprouting from one of the most basic--and supposedly most innocent--of human behaviors, and looks at how it has been applied to one of the least obviously laughable phenomena in the world today. Ramsay and Alkheder draw on original interviews and hitherto unexamined texts, combining insights from fields as diverse as politics, psychology, cultural studies, Islamic studies and humor research. Examining apparently spontaneous joking, professional comedy and even the jokes told by jihadis themselves, they show how Salafi jihad has been made laughable in the modern Arab world, and why it matters.

SOUND OF THE CROWD: A DISCOGRAPHY OF THE '80s is the ultimate record collector's guide to the 1980s. In the era of multi-formatting, picture discs, coloured vinyl, multiple remixes, funny shaped records and tiny CDs you could lose down the back of the sofa, this book lists every format of every single, EP and album released in the UK in the 1980s by over 140 of the decade's biggest acts, from ABBA to Paul Young. This fourth edition has been fully revised and expanded to include even more acts than ever before, with additional sections to cover Band Aid-style charity congregations and compilation albums from the early '80s K-Tel efforts through to the Now That's What I Call Music series and its competitors. Compiled by Steve Binnie, editor of the '80s music website Sound of the Crowd and writer, producer and co-host of the unconventional '80s chart show Off The Chart, broadcast weekly on Mad Wasp Radio.

(FAQ). Revered and massively influential, the Smiths have been called the most important band of the fertile U.K. 1980s music scene. While the group was only active for five years (1982 to 1987), the cult of the Manchester-reared foursome has ballooned in the three decades since its dissolution. Despite a $75 million offer to reunite for a two month tour in 2007, Morrissey and Johnny Marr, the group's principals, refused, opting to leave their legend untainted. The Smiths have since influenced a who's who of alternative music, including Death Cab for Cutie, Radiohead, the Killers, Jeff Buckley, Pete Yorn, the Decemberists, and Oasis. Featuring a foreword by guitarist and "Fifth Smith" who played with the band in 1986, The Smiths FAQ traces the band's history with clarity and detail, illuminating such questions as Who were the Nosebleeds? Why did Morrissey shun the Ramones? Who were the Paris Valentinos? What was Cult guitarist Billy Duffy's connection to the band? How was Morrissey injured during the group's U.S. debut performance? What Smiths single paid homage to T. Rex?. John D. Luerssen (author of FAQ series titles about U2, Bruce Springsteen, and Nirvana) gathers the indispensable early facts, the legendary stories, and inimitable anecdotes that make this a must-own tome for all fans.