Buddha's Table presents a magnificent and joyful celebration of Thai cuisine that is guaranteed to add diversity and pleasure to your cooking and dining experience. It's easy to prepare any dish on a Thai menu with these guidelines and recipes from Thai chef Chat Mingkwan. Discover how to enhance the flavors that are found in Thai produce and spices and learn how to make your own curry pastes and sauces, the foundation for any great Thai meal. Chat's experience as a cooking instructor can be seen in his use of precise measurements, easy techniques, and simple instructions. These recipes have been tasted over and over by students and friends to ensure that they are flawless and delicious, but most important, that they manifest the Thai soul.

In Buddha’s Company explores a previously neglected aspect of the Vietnam War: the experiences of the Thai troops who served there and the attitudes and beliefs that motivated them to volunteer. Thailand sent nearly 40,000 volunteer soldiers to South Vietnam to serve alongside the Free World Forces in the conflict, but unlike the other foreign participants, the Thais came armed with historical and cultural knowledge of the region. Blending the methodologies of cultural and military history, Richard Ruth examines the individual experiences of Thai volunteers in their wartime encounters with American allies, South Vietnamese civilians, and Viet Cong enemies. Ruth shows how the Thais were transformed by living amongst the modern goods and war machinery of the Americans and by traversing the jungles and plantations haunted by indigenous spirits. At the same time, Ruth argues, Thailand’s ruling institutions used the image of volunteers to advance their respective agendas, especially those related to anticommunist authoritarianism. Drawing on numerous interviews with Thai veterans and archival material from Thailand and the United States, Ruth focuses on the cultural exchanges that occurred between Thai troops and their allies and enemies, presenting a Southeast Asian view of a conflict that has traditionally been studied as a Cold War event dominated by an American political agenda. The resulting study considers such diverse topics as comparative Buddhisms, alternative modernities, consumerism, celebrity, official memories vs. personal recollections, and the value of local knowledge in foreign wars. The war’s effects within Thailand itself are closely considered, demonstrating that the war against communism in Vietnam, as articulated by Thai leaders, was a popular cause among nearly all segments of the population. Furthermore, Ruth challenges previous assertions that Thailand’s forces were merely "America’s mercenaries" by presenting the multiple, overlapping motivations for volunteering offered by the soldiers themselves. In Buddha’s Company makes clear that many Thais sought direct involvement in the Vietnam War and that their participation had profound and lasting effects on the country’s political and military institutions, royal affairs, popular culture, and international relations. As one of only a handful of academic histories of Thailand in the 1960s, it provides a crucial link between the keystone studies of the Phibun-Sarit years (1946–1963) and those examining the turbulent 1970s.

"Thai Buddhas looks at diverse aspects of Buddhism in Thailand from ancient times to the present day. The sacred art of Thailand possesses a timeless grace and beauty that reflects a balance of vitality and spirituality united by Buddhist principles. With an accessible text accompanied by beautiful images, the author explains the significance of these forms, looks at key periods in Thai Buddhist art and highlights the enduring importance of Buddhism for the Thai people"--P. [4] of cover.

An exploration of subversive, ribald variations of the most important story in Theravada Buddhism.

A preacher must have common sense, knowing how to turn everyday life experience into Dharma lessons, and assess an audience to maximize communications with them. "Sons of the Buddha" shows how three boys evolved into remarkable exponents of this ideal. Filled with lively anecdotes and illustrations, and brimming with local color, the book shows how each worked successfully to change moral attitudes and Dharma practices, restore Buddhism's social dimension, bridge the divide between laypeople and monastics, and champion tolerance toward other religions.

"Santi Leksukhum's text traces the complex history of these paintings. It examines the development of their distinctive style, from the arrival of Buddhism, to the overwhelming influence of the royal workshops of Bangkok to the incorporation of Western techniques as Thailand opened to the West in the mid-nineteenth century." "The renowned French photographer Gilles Mermet made several expeditions to Thailand to photograph these magnificent murals especially for this volume.".

Culled from Buddhas own sermons, rare books, and manuscripts describing his life and times, this compendium of poetic monologues and dialogues is probably the only one in English that presents salient features of Buddhism of various shades. Satyapal Anand claims to be of the progeny of Anand, the senior most disciple and confidante of Buddha. Poetry and religion mix wonderfully, and Anands poems touch subjects such as ahimsa (nonviolence), sex, meat eating and self-defense. Some of the conventional view have been challenged and laid bare by Buddhas own words. Anands claim to authenticity is his poetic truth that he considers more reliable than mere books. These poems were first published in Urdu and were hailed as the first ever endeavor to present Buddhas teaching through the modern poetic idiom. To render topics like sex desire in young monks and meat eating if it was given as bhiksha (alms) were indeed controversial, but more so were Buddhas own lapses. Does he still feel lust for the other sex? asks Anand, and he replies in affirmative. Doesnt he have a guilty conscience in abandoning his wife and child? asks Anand, and Buddhas answer is still aye, but he defends it too. Is he going to get nirvana (freedom from the birth cycle) after this life? His answer is in the negative. He visualizes that he would be born as Jesus in his next birth and get nirvana only after he is crucified. So are some of his answers on the existence of God, hell or heaven, and whether or not this earth itself is either of these two. Having taught English and comparative literature in universities in India, England, Canada, and USA, Satyapal Anand now lives a secluded life in a suburb of Washington, DC.

Edited by Vanessa R. Sasson, Little Buddhas brings together a wide range of scholarship and expertise to address the question of what role children have played in Buddhist literature, in particular historical contexts, and their role in specific Buddhist contexts today.

Becoming the Buddha is the first book-length study of a key ritual of Buddhist practice in Asia: the consecration of a Buddha image or "new Buddha," a ceremony by which the Buddha becomes present or alive. Through a richly detailed, accessible exploration of this ritual in northern Thailand, an exploration that stands apart from standard text-based or anthropological approaches, Donald Swearer makes a major contribution to our understanding of the Buddha image, its role in Buddhist devotional life, and its relationship to the veneration of Buddha relics. Blending ethnography, analysis, and Buddhist texts related to this mimetic reenactment of the night of the Buddha's enlightenment, he demonstrates that the image becomes the Buddha's surrogate by being invested with the Buddha's story and charged with the extraordinary power of Buddhahood. The process by which this transformation occurs through chant, sermon, meditation, and the presence of charismatic monks is at the heart of this book. Known as "opening the eyes of the Buddha," image consecration traditions throughout Buddhist Asia share much in common. Within the cultural context of northern Thailand, Becoming the Buddha illuminates scriptural accounts of the making of the first Buddha image; looks at debates over the ritual's historical origin, at Buddhological insights achieved, and at the hermeneutics of absence and presence; and provides a thematic comparison of several Buddhist traditions.