Thad Snow (1881-1955) was an eccentric farmer and writer who was best known for his involvement in Missouri's 1939 Sharecropper Protest--a mass highway demonstration in which approximately eleven hundred demonstrators marched to two federal highways to illustrate the plight of the cotton laborers. Snow struggled to make sense of the changing world, and his answers to questions regarding race, social justice, the environment, and international war placed him at odds with many. In Thad Snow, Bonnie Stepenoff explores the world of Snow, providing a full portrait of him. Snow settled in the Missouri Bootheel in 1910--"Swampeast Missouri," as he called it--when it was still largely an undeveloped region of hardwood and cypress swamps. He cleared and drained a thousand acres and became a prominent landowner, highway booster, and promoter of economic development--though he later questioned the wisdom of developing wild land. In the early 1920s, "cotton fever" came to the region, and Snow started producing cotton in the rich southeast Missouri soil. Although he employed sharecroppers, he became a bitter critic of the system that exploited labor and fostered racism. In the 1930s, when a massive flood and the Great Depression heaped misery on the farmworkers, he rallied to their cause. Defying the conventions of his class, he invited the Southern Tenant Farmers' Union (STFU) to organize workers on his land. He became a friend and colleague of Owen Whitfield, an African American minister, who led the Sharecroppers' Roadside Strike of 1939. The successes of this great demonstration convinced Snow that mankind could fight injustice by peaceful means. While America mobilized for World War II, he denounced all war as evil, remaining a committed pacifist until his death in 1955. Shortly before he died, Snow published an autobiographical memoir, From Missouri, in which he affirmed his optimistic belief that people could peacefully change the world. This biography places Snow in the context of his place and time, revealing a unique individual who agonized over racial and economic oppression and environmental degradation. Snow lived, worked, and pondered the connections among these issues in a small rural corner of Missouri, but he thought in global terms. Well-crafted and highly readable, Thad Snow provides an astounding assessment of an agricultural entrepreneur transformed into a social critic and an activist.

Snow purchased a thousand acres of southeast Missouri swampland in 1910, cleared it, drained it, and eventually planted it in cotton. Although he employed sharecroppers, he grew to become a bitter critic of the labor system after a massive flood and the Great Depression worsened conditions for these already-burdened workers. Shocking his fellow landowners, Snow invited the Southern Tenant Farmers Union to organize the workers on his land. He was even once accused of fomenting a strike and publicly threatened with horsewhipping. Snow’s admiration for Owen Whitfield, the African American leader of the Sharecroppers’ Roadside Demonstration, convinced him that nonviolent resistance could defeat injustice. Snow embraced pacifism wholeheartedly and denounced all war as evil even as America mobilized for World War II after the attack on Pearl Harbor. In the late 1940s and early 1950s, he became involved with creating Missouri’s conservation movement. Near the end of his life, he found a retreat in the Missouri Ozarks, where he wrote this recollection of his life. This unique and honest series of personal essays expresses the thoughts of a farmer, a hunter, a husband, a father and grandfather, a man with a soft spot for mules and dogs and all kinds of people. Snow’s prose reveals much about a way of life in the region during the first half of the twentieth century, as well as the social and political events that affected the entire nation. Whether arguing that a good stock dog should be left alone to do its work, explaining the process of making swampland suitable for agriculture, or putting forth his case for world peace, Snow’s ideas have a special authenticity because they did not come from an ivory tower or a think tank—they came From Missouri.

These essays offer striking portraits of working environments where song arose in response to prevailing conditions. Included are the protest blues of African American levee workers, the corridos of Chicano farm workers, and the European songs of immigrant lumber workers in the Midwest.