In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, Slaves Waiting for Sale, Richmond, Virginia. This innovative book uses Crowe’s paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans, the evolving iconography of abolitionist art, and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe’s trajectory from Richmond across the American South and back to London—where his paintings were exhibited just a few weeks after the start of the Civil War—Maurie D. McInnis illuminates not only how his abolitionist art was inspired and made, but also how it influenced the international public’s grasp of slavery in America. With almost 140 illustrations, Slaves Waiting for Sale brings a fresh perspective to the American slave trade and abolitionism as we enter the sesquicentennial of the Civil War.

First published in 1996, The William Makepeace Thackeray Library is a collection of texts written by and about the novelist, which provide an insight into his life and works beyond his major novels such as Vanity Fair. It begins with some of Thackeray’s lesser-known journalistic work and travel writings and moves on to key works written about the author in the second half of the 19th century and at the turn of the 20th century. Each volume begins with an informative introduction by Richard Pearson, providing a brief analysis of each text and presenting the context in which it was written. This set will be of keen interest to those studying William Thackeray and nineteenth-century literature more broadly.

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Based upon the author's Representative English literature. of.