Textile tectonics" reveals how natural, ornamental and folkloristic patterns - from the veins of leaves to Gothic rose windows, from foam formations to traditional styles of hair braiding and from Celtic knotwork to knitting patterns - can be digitally elaborated into breathtaking, programmable and architecturally viable structures. Internationally renowned architect and researcher Lars Spuybroek has been investigating the relationships between art, architecture and information technology. His students in the Georgia Institute of Technolgy, School of Architecture have contributed their projects in this second book in research and design.

"That buildings are made of elements doesn't mean that architecture should be based on elementarism; on the contrary, we should strive for an architecture of continuity that fuses tectonics with textile, abstraction with empathy, and matter with expressivity." This is the crux of the argument Lars Spuybroek makes in this book, the first fully theoretical account of his innovative work. The state of contemporary architecture is the product of a 150-year battle between the Polytechnique and Beaux-Arts schools of design, which has forced us into a stalemate between the radically opposed positions of high-tech and sculpturism. Spuybroek aims to do no less than mend this rift through rethinking technology as an extension of our feeling senses, materiality as the realm of activity and agency, and structure as the result of genesis. Building on Gottfried Semper's materialist theory of architecture, he takes us from a philosophy of technology to a surprisingly historical argumentation that constantly revives the words of John Ruskin, William Hogarth and Wilhelm Worringer. Alongside a number of essays, the book contains extensive conversations in which we witness him refining and sharpening his arguments ("We will see a merging of Art Nouveau and Bauhaus, where empathy has been liberated from manual labor and machines have been liberated from uniform repetition"). In a period of theoretical tranquility in architecture, this book takes a refreshing turn back to the basics, one in which tools, methodology and architectural aesthetics are recalibrated.

The enduring influence of the architect Gottfried Semper (1803-1879) derives primarily from his monumental theoretical foray Der Stil in der technischen und tektonischen Künsten (1860-62), here translated into English for the first time. A richly illustrated survey of the technical arts (textiles, ceramics, carpentry, masonry), Semper's analysis of the preconditions of style forever changed the interpretative context for aesthetics, architecture, and art history. Style, Semper believed, should be governed by historical function, cultural affinities, creative free will, and the innate properties of each medium. Thus, in an ambitious attempt to turn nineteenth-century artistic discussion away from historicism, aestheticism, and materialism, Semper developed in Der Stil a complex picture of stylistic change based on scrutiny of specific objects and a remarkable grasp of cultural variety. Harry Francis Mallgrave's introductory essay offers an account of Semper's life and work, a survey of Der Stil, and a fresh consideration of Semper's landmark study and its lasting significance.

It is well-known that the topic of composite mate- rials affects many engineering fields, such as civil, mechanical, aerospace, automotive and chemical. In the last decades, in fact, a huge number of scientific papers concerning these peculiar constituents has been published. Analogously, the industrial progress has been extremely noticeable. The study of composite materials, in general, is a challenging activity since the advancements both in the academia and in the industry provide continually new sparks to develop innovative ideas and applications. The communication, the sharing and the exchange of views can surely help the works of many researchers. This aspect represents the main purpose of this Conference, which aims to collect high-level contributions on the development and the application of composite materials. The establishment of this 21st edition of International Conference on Composite Structures has appeared appropriate to continue what has been begun during the previous editions. ICCS wants to be an occasion for many researchers from each part of the globe to meet and discuss about the recent advancements regarding the use of composite structures, sandwich panels, nanotechnology, bio-composites, delamination and fracture, experimental methods, manufacturing and other countless topics that have filled many sessions during this conference. As a proof of this event, which has taken place in Bologna (Italy), selected plenary and key-note lectures have been collected in the present book.

The approach of "Informing Architecture by Materiality" opens the way to an innovative use of materials in the design professions. Taking material qualities and properties such as texture, elasticity, transparency and fluidity as a point of departure, the concept described and employed here transcends the conventional definitions of building materials. Instead, the focus is on a multitude of material operations, like folding and bending, carving and cutting, weaving and knitting, mirroring and screening. The featured design strategies and methods address established and "new" materials alike. They are applied both to the scale of the detail and the entire building. The examples comprise prototype structures as well as large building projects. Eight chapters deal with surfaces and layers, joints and juctions, weaving and texturing, nanoscale transformations, responsiveness, the integration of ephemeral factors like wind and light as well as material collections providing professional resources. Written by renowned experts in this field, the book features many examples from international contemporary architecture. The introductory part provides the conceptual background, while a final chapter describes consequences for pressing issues of today, like sustainability or life cycle assessment.

This book investigates the interconnections between textile and architecture via a variety of case studies from the Middle Ages through the twentieth century and from diverse geographic contexts. Among the oldest human technologies, building and weaving have intertwined histories. Textile structures go back to Palaeolithic times and are still in use today and textile furnishings have long been used in interiors. Beyond its use as a material, textile has offered a captivating model and metaphor for architecture through its ability to enclose, tie together, weave, communicate, and adorn. Recently, architects have shown a renewed interest in the textile medium due to the use of computer-aided design, digital fabrication, and innovative materials and engineering. The essays edited and compiled here, work across disciplines to provide new insights into the enduring relationship between textiles and architecture. The contributors critically explore the spatial and material qualities of textiles as well as cultural and political significance of textile artifacts, patterns, and metaphors in architecture. Textile in Architecture is organized into three sections: “Ritual Spaces,” which examines the role of textiles in the formation and performance of socio-political, religious, and civic rituals; “Public and Private Interiors” explores how textiles transformed interiors corresponding to changing aesthetics, cultural values, and material practices; and “Materiality and Material Translations,” which considers textile as metaphor and model in the materiality of built environment. Including cases from Morocco, Samoa, France, India, the UK, Spain, the Ancient Andes and the Ottoman Empire, this is essential reading for any student or researcher interested in textiles in architecture through the ages.

Although the disciplines of architecture and structural engineering have both experienced their own historical development, their interaction has resulted in many fascinating and delightful structures. To take this interaction to a higher level, there is a need to stimulate the inventive and creative design of architectural structures and to persuade architects and structural engineers to further collaborate in this process, exploiting together new concepts, applications and challenges. This set of book of abstracts and full paper searchable CD-ROM presents selected papers presented at the 3rd International Conference on Structures and Architecture Conference (ICSA2016), organized by the School of Architecture of the University of Minho, Guimarães, Portugal (July 2016), to promote the synergy in the collaboration between the disciplines of architecture and structural engineering. The set addresses all major aspects of structures and architecture, including building envelopes, comprehension of complex forms, computer and experimental methods, concrete and masonry structures, educating architects and structural engineers, emerging technologies, glass structures, innovative architectural and structural design, lightweight and membrane structures, special structures, steel and composite structures, the borderline between architecture and structural engineering, the history of the relationship between architects and structural engineers, the tectonics of architectural solutions, the use of new materials, timber structures and more. The contributions on creative and scientific aspects of the conception and construction of structures, on advanced technologies and on complex architectural and structural applications represent a fine blend of scientific, technical and practical novelties in both fields. This set is intended for both researchers and practitioners, including architects, structural and construction engineers, builders and building consultants, constructors, material suppliers and product manufacturers, and other experts and professionals involved in the design and realization of architectural, structural and infrastructural projects.

In 2007, a jury composed of Greg Lynn (Greg Lynn FORM), Marcos Novak, Jacob van Rijs (MVRDV), Birger Sevaldson (Ocean North), and other celebrated architects will confer the Far Eastern International Digital Design Award (or FEIDAD Award) for the seventh time. Once again this volume presents the prizewinning projects in detail and probes the innovative potential that digital media hold in store for designers. Documented with texts and color illustrations, the projects presented provide an outstanding overview of the international state of the art in digital design. Im Jahr 2007 wird die Jury, die aus Greg Lynn (Greg Lynn FORM), Marcos Novak, Jacob van Rijs (MVRDV), Birger Sevaldson (Ocean North) und anderen renommierten Architekten besteht, den Far Eastern International Digital Design Award (The Feidad Award) zum siebten Mal ausloben. Der Band stellt die pr mierten Projekte wieder ausf hrlich vor und lotet so das innovative Potential aus, das digitale Medien f r Gestaltende bereithalten. Die vorgestellten Projekte, die durch Texte und Farbabbildungen dokumentiert werden, bieten einen hervorragenden berblick ber den internationalen "State of the Art" im Bereich des digitalen Designs.

Although the disciplines of architecture and structural engineering have both experienced their own historical development, their interaction has resulted in many fascinating and delightful structures. To take this interaction to a higher level, there is a need to stimulate the inventive and creative design of architectural structures and to persua