Riley’s past comes back to haunt him both professionally and personally. His dead brother left more than just bitter memories for Riley to deal with. The FBI get involved and suddenly it is more than his good name that is on the line. Jack is always there for him but how much more can Riley’s husband reasonably be able to understand? Especially when Riley finds out on his delayed honeymoon that he has a eight year old daughter he never knew existed.

Climate Change and Extreme Events uses a multidisciplinary approach to discuss the relationship between climate change-related weather extremes and their impact on human lives. Topics discussed are grouped into four major sections: weather parameters, hydrological responses, mitigation and adaptation, and governance and policies, with each addressed with regard to past, present and future perspectives. Sections give an overview of weather parameters and hydrological responses, presenting current knowledge and a future outlook on air and stream temperatures, precipitation, storms and hurricanes, flooding, and ecosystem responses to these extremes. Other sections cover extreme weather events and discuss the role of the state in policymaking. This book provides a valuable interdisciplinary resource to climate scientists and meteorologists, environmental researchers, and social scientists interested in extreme weather. - Provides an integrated interdisciplinary approach to how climate change impacts the hydrological system - Addresses significant knowledge gaps in our understanding of climate change and extreme events - Discusses the societal impacts of climate change-related weather extremes, including multilevel governance and adaptation policy

Happy New Almanac Year! It’s time to celebrate the 230th edition of The Old Farmer’s Almanac! Long recognized as North America’s most-beloved and best-selling annual, this handy yellow book fulfills every need and expectation as a calendar of the heavens, a time capsule of the year, an essential reference that reads like a magazine. Always timely, topical, and distinctively “useful, with a pleasant degree of humor,” the Almanac is consulted daily throughout the year by users from all walks of life. The 2022 edition contains the fun facts, predictions, and feature items that have made it a cultural icon: traditionally 80 percent–accurate weather forecasts; notable astronomical events and time-honored astrological dates; horticultural, culinary, fashion, and other trends; historical hallmarks; best fishing days; time- and money-saving garden advice; recipes for delicious dishes; facts on folklore, farmers, home remedies, and husbandry; amusements and contests; plus too much more to mention—all in the inimitable Almanac style that has charmed and educated readers since 1792.

A collection of Courtney's columns from the Texas Monthly, curing the curious, exorcizing bedevilment, and orienting the disoriented, advising "on such things as: Is it wrong to wear your football team's jersey to church? When out at a dancehall, do you need to stick with the one that brung ya? Is it real Tex-Mex if it's served with a side of black beans? Can one have too many Texas-themed tattoos?"--Amazon.com.

Riley Hayes, the playboy of the Hayes family, is a young man who seems to have it all: money, a career he loves, and his pick of beautiful women. His father, CEO of HayesOil, passes control of the corporation to his two sons; but a stipulation is attached to Riley's portion. Concerned about Riley's lack of maturity, his father requires that Riley 'marry and stay married for one year to someone he loves'. Angered by the requirement, Riley seeks a means of bypassing his father's stipulation. Blackmailing Jack Campbell into marrying him ""for love"" suits Riley's purpose. There is no mention in his father's documents that the marriage had to be with a woman and Jack Campbell is the son of Riley Senior's arch-rival. Win-win. Riley marries Jack and abruptly his entire world is turned inside out. Riley hadn't counted on the fact that Jack Campbell, quiet and unassuming rancher, is a force of nature in his own right. This is a story of murder, deceit, the struggle for power, lust and love, the sprawling life of a rancher and the whirlwind existence of a playboy. But under and through it all, as Riley learns over the months, this is a tale about family and everything that that word means.

Texas Month-by-Month Gardening, the companion to Texas Getting Started Guide, presents a month-by-month breakdown of what to plant, when to plant, and how to take care of it in order to have a beautiful Texas garden year-round.

Everett Spruce came to Texas from his Arkansas home in 1925 to study at the Dallas Art Institute. Over the next seven decades, he became one of the most important painters and teachers in the region. One of the “Dallas Nine,” a group of influential Texas Regionalists that included Jerry Bywaters, Otis Dozier, William Lester, and others, Spruce was among the artists who lobbied the Texas Centennial Commission for a greater role in the Centennial Exposition of 1936. These efforts, though unsuccessful, nevertheless led to greater recognition and influence for Texas art and artists. Spruce was assistant director and taught art at the Dallas Museum of Fine Arts until 1940 when he joined the faculty of the University of Texas at Austin. He painted and taught at the university for the next 38 years, guiding and shaping the next generation of Texas artists, including Roger Winter, William Hoey, and others. Spruce died in 2002 at the age of 94. Texas Made Modern: The Art of Everett Spruce traces Spruce’s artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist–inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist’s shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art.