The children from When Frank was Four and Clive Eats Alligators share their feelings. Clive laughs when he surprises his mother. Rosie runs a circus. Celeste investigates her mother's wardrobe. Frank hates his new haircut. Nicky writes in the sky. But Tessa snaps snakes.

A fictional story of the hurdles and accomplishments of childhood, from the ages of 1 to 7.

Frank eats muesli for breakfast, Celeste eats tea and toast in bed, Nicky has a banana, Rosie likes eggs and bacon, Tessa eats a sausage, Ernie has porridge, but Clive eats alligators A picturebook of children who all dare to be different in their own special way.

May you, my baby, sleep softly at night, and when dawn lights the world, may you wake up to birdsong. Part poem, part lullaby, this gentle story celebrates a baby's wonder at our beautiful world. From Australia's favorite picture-book creator, Alison Lester, comes a timeless book to share and to treasure.

The Riley's family is strained to the breaking point by the drought - A mustering trip to the mountains tests Dusty and her beautiful brumby as never before.

'Biddy, I'm sorry, we're going to have to leave her.' 'What?' Biddy struggled out of the quicksand. 'You can't leave her! The tide's coming in. She'll drown!' But the pony is trapped and Biddy is forced to go on without her. Next day the only signs of Bella are hoofprints in the sand with small footprints and the paw marks of a dog. Who could be so small and be alone on this remote beach? Biddy's search takes her into wild, secret country where she discovers the truth about a mysterious disappearance that happened many years ago. Alison Lester's picture books are loved by families all around the world. In this timeless Australian children's classic, she proves herself as a born storyteller.

When Ruby was a baby her mother made her a beautiful patchwork quilt to keep her safe and warm. But Ruby's quilt also has the special ability to take her on a magical adventure where Ruby must defeat the scary serpent that is terrorising a local island's inhabitants. Join Ruby and Besty on this fantastic adverture, lovingly illustrated by the award-winning Alison Lester.

Green as a bean, or a grasshopper, or bug. Red as a rocket, or an apple in my pocket. Read along and name all the colours.

Poetry. Moving from the Enlightenment science of natural history to the contemporary science of global warming, LIGHT LIGHT is a provocative engagement with the technologies and languages that shape discourses of knowing. It bridges the histories of botany, empire, and mind to take up the claim of "objectivity" as the dissolution of a discrete self and thus explores the mind's movement toward and with the world. The poems in LIGHT LIGHT range from the epigrammatic to the experimental, from the narrative to the lyric, consistently exploring the way language captures the undulation of a mind's working, how that rhythm becomes the embodiment of thought, and how that embodiment forms a politics engaged with the environment and its increasing alterations."LIGHT LIGHT puts the hive back in the archive, the source in the resource. Through Joosten's miraculous mode of attending, through this mind that 'grounds sound to seed, ' we are elemented--'The mind is a mood of electricity, warmth, water, and wind.' We are given a mode of attending that is precarious, is an enactment of the precariousness we are and, with consequence, institute. Each thing this attention falls upon 'is a source of thought, not its object.' So everything is light once we learn to see by it. To honor the field we should 'leave the field, ' but this book we should never leave."--Jane Gregory"A concordance that emerges as material, thought, and material thought, Julie Joosten's LIGHT LIGHT is a most beautiful and rare breed: as if H.D.'s Sea Garden mated with Erasmus Darwins The Loves of the Plants. 'I was to guard the valley, name it, speak to it by name, ' Joosten writes. Hers is a haunting lament. It is what love is. What could be more necessary at this time on this planet?"--Cara Benson