Terror Tracks is an anthology that analyses the use of music and sound in the popular genre of Horror cinema. Focusing on the post-War period, contributors analyse the role of music and sound in establishing and enhancing the senses of unease, suspense and shock crucial to the genre.

The story tells of two men, one (Matthew Kumalo) bent on disrupting the stretch of Rhodesia Railways track south of Victoria Falls and towards Bulawayo in the south, harassing and murdering railway staff, and the other in protecting the same and keeping traffic flowing. Phillip Lewis, was the railway civil engineer in charge of keeping the vital railway lines open in the face of the continued terrorist attacks. Joanna Wilson, working as a reporter on the South African Johannesburg Star newspaper, was the woman that Phillip had never got out of his system. She revisits Rhodesia with a South African media group to report on the war presently raging across the country. Simultaneously the ZANLA forces of Robert Mugabe, working out of Mozambique, are planning to destroy the road/rail bridge over the Zambezi River at Victoria Falls, chiefly to prevent Joshua Nkomo's Russian tanks crossing from Zambia into Rhodesia where they could potentially be used against Mugabe's ZANU party. The war of terror subsequently leads to Phillip and Joanna being isolated and pursued through the bush leaving Phillip with life-changing decisions to make. The Author Tom Bryer, OLM, C.Eng. FICE (ret'd) A retired Chartered Civil Engineer, whose career centred on the design, construction and maintenance of a variety of railway systems, including those in Central and Southern Africa, Channel Tunnel, Docklands Light Railway, London Underground, Network Rail and South Wales Docks. Tom lived with his wife Ida in Rhodesia/Zimbabwe for a period from 1967 to 1983 and witnessed much of the internal strife of the period. Recently a widower, he now spends his time writing novels (un-published), choir singing and tending to house and garden.

Understanding Video Game Music develops a musicology of video game music by providing methods and concepts for understanding music in this medium. From the practicalities of investigating the video game as a musical source to the critical perspectives on game music - using examples including Final Fantasy VII, Monkey Island 2, SSX Tricky and Silent Hill - these explorations not only illuminate aspects of game music, but also provide conceptual ideas valuable for future analysis. Music is not a redundant echo of other textual levels of the game, but central to the experience of interacting with video games. As the author likes to describe it, this book is about music for racing a rally car, music for evading zombies, music for dancing, music for solving puzzles, music for saving the Earth from aliens, music for managing a city, music for being a hero; in short, it is about music for playing.

The "masterfully chilling" novel that inspired the hit AMC series (Entertainment Weekly). The men on board the HMS Terror — part of the 1845 Franklin Expedition, the first steam-powered vessels ever to search for the legendary Northwest Passage — are entering a second summer in the Arctic Circle without a thaw, stranded in a nightmarish landscape of encroaching ice and darkness. Endlessly cold, they struggle to survive with poisonous rations, a dwindling coal supply, and ships buckling in the grip of crushing ice. But their real enemy is even more terrifying. There is something out there in the frigid darkness: an unseen predator stalking their ship, a monstrous terror clawing to get in. “The best and most unusual historical novel I have read in years.” —Katherine A. Powers, Boston Globe

Titles include "Secret World of Alex Mack: Alex, You're Glowing, Are You Afraid of the Dark?: The Tale of the Sinister Statue, Clarissa Explains It All: Boys!" and "The Big Help: 365 Ways You Can Make a Difference by Volunteering".

This volume presents students and scholars with a comprehensive overview of the fascinating world of the occult. It explores the history of Western occultism, from ancient and medieval sources via the Renaissance, right up to the nineteenth and twentieth centuries and contemporary occultism. Written by a distinguished team of contributors, the essays consider key figures, beliefs and practices as well as popular culture.

Music and Levels of Narration in Film is the first book-length study to synthesize scholarly contributions toward a narrative theory of film music. Moving beyond the distinction between diegetic and nondiegetic music--or music that is not understood as part of a film's "story world"--Guido Heldt systematically discusses music at different levels of narration, from the extrafictional to "focalizations" of subjectivity. Heldt then applies this conceptual toolkit to study the narrative strategies of music in individual films, as well as genres, including musicals and horror films. The resulting volume will be an indispensable resource for anyone researching or studying film music or film narratology. A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.

Peregrinations, Ruminations, and Regenerations: A Critical Approach to Doctor Who examines the famous BBC science fiction show as a cultural artifact in dialogue with other science fiction, with politics and religion, and with the culture at large, both in terms of how it reflects and comments upon that culture and in terms of the audience and the peculiarities of its response. This book enables researchers in film and media to make historical, industrial, aesthetic, and ideological connections between and among Doctor Who and other shows and historical events since its inception in 1963. This volume is a new entry in a relatively new area. As the young fans of Doctor Who have matured, and as many have become scholars, they are returning to the show to consider it from a scholarly perspective. It is also of use in the media studies classroom to address directly the issues presented by the longest running science fiction show in the history of the medium. Peregrinations, Ruminations, and Regenerations considers not only cultural ramifications and connections, but audience studies as well.