Terror in Black and White is writer Angelo Thomas Crapanzano’s thrilling novel about what happens to an ordinary man when thrown into chaotic circumstances. Andrew Anderson, an electronics engineer is driving home from a business meeting one day when he witnesses an accident. He watches with disbelief as a truck forces another car off the road and it plunges over a cliff. A young African American leaps from the car and holds on to the cliff’s embankment. Andrew manages to pull her to safety. The woman tells Andrew she’s being pursued by city officials who are trying to keep her quiet about a crime she witnessed that could bring down the city’s most powerful movers and shakers. Andrew and the woman flee but they are fiercely tracked by the official’s private police who seem to be able to follow them despite their best efforts. How are they able to track them and what has the woman witnessed? Crapanzano’s fast paced novel has all the elements of first rate suspense—an admirable protagonist, a heroine with secrets she can’t reveal and chase scenes that leave the reader on edge. With riveting twists and turns, Terror in Black and White has a surprise ending you won’t see coming!

This book contains 101 ranked reviews of horror and horror-adjacent black-and-white movies. The ranking is established by the sum of 8 ratings: stars, gimmick, rewatchability, creepiness, story, creativity, acting & quality. Each article contains a rating, a synopsis, and a short review.

What kinds of terror lurk beneath the surface of White respectability? Many of the top-grossing US horror films between 2008 and 2016 relied heavily on themes of White, patriarchal fear and fragility: outsiders disrupting the sanctity of the almost always White family, evil forces or transgressive ideas transforming loved ones, and children dying when White women eschew traditional maternal roles. Horror film has a long history of radical, political commentary, and Russell Meeuf reveals how racial resentments represented specifically in horror films produced during the Obama era gave rise to the Trump presidency and the Make America Great Again movement. Featuring films such as The Conjuring and Don't Breathe, White Terror explores how motifs of home invasion, exorcism, possession, and hauntings mirror cultural debates around White masculinity, class, religion, socioeconomics, and more. In the vein of Jordan Peele, White Terror exposes how White mainstream fear affects the horror film industry, which in turn cashes in on that fear and draws voters to candidates like Trump.

This book contains 101 ranked reviews of horror and horror-adjacent black-and-white movies. The ranking is established by the sum of 8 ratings: stars, gimmick, rewatchability, creepiness, story, creativity, acting & quality. Each article contains a rating, a synopsis, and a short review.

This book contains 118 ranked reviews of horror and horror-adjacent black and white movies. The ranking is established by the sum of 8 ratings: stars, gimmick, rewatchability, creepiness, story, creativity, acting & quality. Each article contains a rating, a synopsis, and a short review.

Terror in the Heart of Freedom: Citizenship, Sexual Violence, and the Meaning of Race in the Postemancipation South

Terror in a Black & White: Volume 1 By: Joker Being a cop on the streets of Los Angeles and a member of the Marine Corp, Joker has seen many extraordinary things! With so many stories to share and lessons learned, this book will surely interest anyone. The author provides an amazing story of his first-hand experiences in the Marine Corp. With his stories of being a street cop, the author hopes to open his reader’s eyes to what cops have to go through and may prevent judgment on cops in the future.

WINNER, 2022 John Hope Franklin Prize, given by the American Studies Association HONORABLE MENTION, 2022 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association Reveals the troubling intimacy between Black women and the making of US global power The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.

Far too ignorant of the histories of the rest of the world, being aware of only the accomplishments of Greece, Rome and Europe, Westerners have been made to believe that their societies represent the most superior examples of civilization. However, the Western value system stems from a misconception that, as in nature, human society too is evolving. The idea derives from the hidden influence of secret societies, who followed the belief in spiritual evolution of the Kabbalah, which taught that history would attain its fulfillment when man would become God, and make his own laws. Therefore, the infamous Illuminati gave its name to the Enlightenment of the eighteenth century, which claimed that human progress must abandon "superstition," meaning Christianity, in favor of "reason." Thus the Illuminati succeeded in bringing about the French and American revolutions, which instituted the separation of Church and State, and from that point forward, the Western values of Humanism, seen to include secularism, human rights, democracy and capitalism, have been celebrated as the culmination of centuries of human intellectual evolution. This is the basis of the propaganda which has been used to foster a Clash of Civilizations, where the Islamic world is presented as stubbornly adhering to the anachronistic idea of "theocracy." Where once the spread of Christianity and civilizing the world were used as pretexts for colonization, today a new White Man's Burden makes use of human rights and democracy to justify imperial aggression. However, because, after centuries of decline, the Islamic world is incapable of mobilizing a defense, the Western powers, as part of their age-old strategy of Divide and Conquer, have fostered the rise of Islamic fundamentalism, to both serve as agent-provocateurs and to malign the image of Islam. These sects, known to scholars as Revivalists, opposed the traditions of classical Islamic scholarship in order to create the opportunity to rewrite the laws of the religion to better serve their sponsors. Thus were created the Wahhabi and Salafi sects of Islam, from which were derived the Muslim Brotherhood, which has been in the service of the West ever since. But, the story of the development of these Islamic sects involves the bizarre doctrines and hidden networks of occult secret societies, being based on a Rosicrucian myth of Egyptian Freemasonry, which see the Muslim radicals as inheritors of an ancient mystery tradition of the Middle East which was passed on to the Knights Templar during the Crusades, thus forming the foundation of the legends of the Holy Grail. These beliefs would not only form the cause for the association of Western intelligence agencies with Islamic fundamentalists, but would fundamentally shape much of twentieth century history.

Allen W. Trelease’s White Terror, originally published in 1971, was the first scholarly history of the Ku Klux Klan in the South during Reconstruction. With its research rooted in primary sources, it remains among the most comprehensive treatments of the subject. In addition to the Klan, Trelease discusses other night-riding groups, including the Ghouls, the White Brotherhood, and the Knights of the White Camellia. He treats the entire South state by state, details the close link between the Klan and the Democratic party, and recounts Republican efforts to resist the Klan. Winner of the Charles S. Sydnor Award from the Southern Historical Association