In the modern Greek city of Thessaloniki, the ruins of a vast Jewish cemetery lie buried under the city’s university. Nearby is the site of the childhood home of one of the founders of the modern Turkish state. These are tantalizing reminders of what was once the bustling cosmopolitan city of Salonica, home not just to Greeks but to thousands of Sephardic Jews, Turks, Bulgarians, and Armenians living and working peacefully alongside one another. Thessaloniki is just one example among many of what used to be. Over the past two centuries, ethnic cleansing has remade the map of Central and Eastern Europe and the Middle East, transforming vast empires that embraced many ethnic groups into nearly homogenous nations. Towns and cities from Germany to Turkey still show traces of the vanished and nearly forgotten ethnic and religious communities that once called these places home. In Terrible Fate, Benjamin Lieberman describes the violent transformations that occurred in Salonica and hundreds of other towns and cities as the Ottoman, Russian, Austro-Hungarian, and German empires collapsed, to be reborn as the modern nation-states we know today. His book is the first comprehensive history of this process that has involved the murder and forced migration of tens of millions of people. Drawing upon eyewitness accounts, contemporary journalism, and diplomatic records, Lieberman’s story sweeps across the continent, taking the reader from ethnic cleansing’s earliest beginnings in Bulgaria, Greece, and Russia in the nineteenth century, through the rise of nationalism, both world wars, the Armenian genocide, the Holocaust, and the rise and fall of the Soviet empire, up to the breakup of Yugoslavia in the 1990s. Along the way he examines the decisive roles of political leaders—not only monarchs and dictators but also those who were democratically elected—as well as ordinary people who often required very little encouragement to rob and brutalize their neighbors, or who were simply caught up in the tide of history.

Opens discussion on the moral issues and prejudices surrounding bullying in schools.

Explores how the Francophone and Anglophone communities in Quebec have responded to the shift in power between them as a state- based nationalism has become established over the past quarter century. Laczko (sociology, U. of Ottawa) draws on public opinion survey data and theoretical literature dealing with language, ethnicity, nationalism, and social change to examine the restructuring of relations between the two communities, the acceptance by English-speakers of their minority status, and the behavior of French-speakers as the new socially and politically dominant group. Compares Quebec to other places where such shifts rarely occur without violence. Annotation copyright by Book News, Inc., Portland, OR

A terrible secret. A terrible fate. When Brie's sister, Faith, dies suddenly, Brie's world falls apart. As she goes through the bizarre and devastating process of mourning the sister she never understood and barely even liked, everything in her life seems to spiral farther and farther off course. Her parents are a mess, her friends don’t know how to treat her, and her perfect boyfriend suddenly seems anything but. As Brie settles into her new normal, she encounters more questions than closure: Certain facts about the way Faith died just don't line up. Brie soon uncovers a dark and twisted secret about Faith’s final night...a secret that puts her own life in danger.

A single full-length play loosely based on the Greek myth of Dionysos and encompassing a whole range of European dramatic traditions. The play deals with the contrast of man as beast (our essential nature) and as civilised being (embracing morals, nature and decorum).

Jonathan York has led a boring life – a pointless degree from the community college, a lackluster job at the General Store, and never any desire for something more exciting. But when fate leaves him stranded in a sinister land, he finds himself seeking an adventure of his own. Along the way he encounters ghoulish thieves, ravenous swamp monsters, a dastardly ice cream conspiracy, and a necromancer bent on human sacrifice. In this beautifully illustrated, four-color novel, Jonathan York's life takes a decidedly spooky turn!

"Based on Plato's presentation, Rabieh argues that a refined version of traditional heroic courage, notwithstanding certain excesses to which it is prone, is worth honoring and cultivating for several reasons. Chief among these is that, by facilitating the pursuit of wisdom, such courage can provide a crucial foundation for the courage most deserving of the name." "Recent concerns about political and military leadership have rekindled in Americans questions about the virtue of courage. As long as the survival of a nation requires heroic action by its citizens, this ancient virtue will have a place in the modern world."--BOOK JACKET.

Women on the Edge, a collection of Alcestis, Medea, Helen, and Iphegenia at Aulis, provides a broad sample of Euripides' plays focusing on women, and spans the chronology of his surviving works, from the earliest, to his last, incomplete, and posthumously produced masterpiece. Each play shows women in various roles--slave, unmarried girl, devoted wife, alienated wife, mother, daughter--providing a range of evidence about the kinds of meaning and effects the category woman conveyed in ancient Athens. The female protagonists in these plays test the boundaries--literal and conceptual--of their lives. Although women are often represented in tragedy as powerful and free in their thoughts, speech and actions, real Athenian women were apparently expected to live unseen and silent, under control of fathers and husbands, with little political or economic power. Women in tragedy often disrupt "normal" life by their words and actions: they speak out boldly, tell lies, cause public unrest, violate custom, defy orders, even kill. Female characters in tragedy take actions, and raise issues central to the plays in which they appear, sometimes in strong opposition to male characters. The four plays in this collection offer examples of women who support the status quo and women who oppose and disrupt it; sometimes these are the same characters.

Yehuda Amichai is one of the twentieth century’s (and Israel’s) leading poets. In this remarkable book, Nili Scharf Gold offers a profound reinterpretation of Amichai’s early works and reconstructs his poetic biography. Her close reading of his oeuvre, untapped notebooks, and a cache of unpublished letters to a woman identified as Ruth Z. that Gold discovered convincingly demonstrates how the poet’s German past infused his work, despite his attempts to conceal it as he adopted an Israeli identity.