The Description for this book, Brick Temples of Bengal: From the Archives of David McCutchion, will be forthcoming.

From Victorian lndia to near-future New York, The Calcutta Chromosome takes readers on a wondrous journey through time as a computer programmer trapped in a mind-numbing job hits upon a curious item that will forever change his life. When Antar discovers the battered I.D. card of a long-lost acquaintance, he is suddenly drawn into a spellbinding adventure across centuries and around the globe, into the strange life of L. Murugan, a man obsessed with the medical history of malaria, and into a magnificently complex world where conspiracy hangs in the air like mosquitoes on a summer night.

The Hindu Temple and Its Sacred Landscape explores Hinduism as it was practised in temples across the Indian subcontinent throughout history, highlighting the temple’s significance as a marker of cultural identity. The Hindu Temple and Its Sacred Landscape illustrates how careful attention to the Hindu temple, its social history, and cultural landscape allows us to better appreciate how Hinduism has been practised and lived throughout history. The Hindu temple was not merely a place of worship or a static indicator of royal generosity but an institution that involved the active participation of the community for its establishment, maintenance, and survival. Rather than studying temples as isolated structures, The Hindu Temple and Its Sacred Landscape thus suggests that we need to examine them in the context of their social base and the sacred microcosms of which they form a part. Through a combination of textual study, archaeological evidence, and insights from contemporary anthropology, the book explores the diverse ways in which devotees, patrons, and visitors have engaged with temples, shrines, and their wider surroundings. Drawing attention to the vibrancy of the Hindu temple in different locales, The Hindu Temple and Its Sacred Landscape traces the ways in which Hindu notions of sanctity and sacredness were defined and redefined throughout history through the diversity of temple audiences, deities, and rituals. The book thus allows us to form a more accurate picture of Hindu religious life in the past and the central role the temple has played in consolidating Hindu identity. EXPERT ANALYSIS: Author Himanshu Prabha Ray provides authoritative analysis of the Hindu temple, drawing on her expertise as an award-winning Sanskrit scholar, historian, and archeologist. SUPPLEMENTAL STUDY: The Hindu Temple and Its Sacred Landscape provides a breadth of educational knowledge as a supplement to both academic coursework and the independent study of Hinduism. With the integration of discussion questions, suggested further reading, a glossary of key terms, and images throughout, The Hindu Temple and Its Sacred Landscape offers an accessible introduction to studying the history and significance of Hindu temples. EXPLORE THE SERIES: The Hindu Temple and Its Sacred Landscape expands the collection of academic texts developed by the Oxford Centre for Hindu Studies. Women in the Hindu World and The Bhagavad Gita: A New Translation and Study Guide are also available in the series.

The Indian state of West Bengal is bestowed with a rich cultural heritage and great diversity of art forms. Arguably the most remarkable and unique of these art forms is housed on the surface of the so-called terracotta temples constructed mostly during 16th to 19th century CE. Intricate terracotta panels on the walls of these temples weave sacred tales from mythology, folklore as well as profane narratives of everyday life of both affluent and humble people. Probably nowhere in the world has this art form been more artistically displayed. But unfortunately, this magnificent art form of Bengal has been eclipsed by other contemporary mediaeval monuments better placed in the limelight of history and probably of destiny too. Considering the quality of terracotta treasure of West Bengal, one can affirm without any fear of contradiction that only in a few places in India, art lovers would find their souls better rewarded. In the beginning, the book contains brief discussion on the earliest Hindu goddesses, origin of figurative icons of goddesses, art of terracotta, theory of rasa, history of adornment of temple exterior using terracotta artwork in West Bengal, unique external forms of terracotta temples, and diversity of themes in terracotta depictions. Then the origin and course of history of around forty goddesses, depicted on terracotta temples, have been presented along with literary and archaeological evidence. It is undeniable that such a strong presence of the feminine voice as we find in Hindu tradition is wanting in the entire panorama of world religion, from ancient to modern times. But the real highlight of this book is the photographs of pertinent terracotta panels clicked by the author from a plethora of temples in different districts of West Bengal. Moreover, these photographs are supplemented with relevant specimens in medium other than terracotta. It includes stone, metal, wood, painting (both mural and miniature) etc. Overall, this book is embellished with around 260 illustrations many of which are being published for the first time.