It's little sister vs. big in this fresh take on a classic struggle by a master storyteller.Everything ten year-old Sprig wants, her older sister Dakota already has. Everything Sprig does, Dakota does better. And anytime Sprig complains, Dakota just grins and calls her a baby. It's enough to make a kid wish her sister would disappear.But in a year when Sprig's father is away, her favorite neighbor is ill, and the class bully is acting almost like, well, a boyfriend, Sprig discovers that allies come in unexpected shapes. Sometimes they're even related to you.

Following on the success of her first book The Bully in the Book and in the Classroom, C. J. Bott has written this sequel to help those who work with children and young adults become familiar with books that address the problem of bullying. More Bullies in More Books presents over 350 annotated titles, from picture books to high school books, dealing with bullying. Chapters address specific bullying behaviors or problems: name calling, putdowns, and gossip; being new and different; body image; cliques, groups, and gangs; 'isms;' homophobia; cyberspace; and violence. Each chapter begins with an introduction that describes the harassment seen most often in each grade level and contains relevant books at all reading levels. Every entry features an in-depth summary, activities, and quotes from the book for students to discuss. An important resource about a real and harmful problem, this book will be of interest to teachers, librarians, counselors, administrators, and parents.

Academic study of children's literature has explored various aspects of diversity; however, little research has examined Canadian books that portray characters with disabilities. This relevant and timely text addresses the significant dearth of research by exploring the treatment of disability in Canadian literature for young people. Engaging and highly accessible, this text will assist teachers, teacher educators, and teacher candidates in finding and using books about characters where disability is a part of their characterization, supporting the development of curricula that reflect critical literacy and social justice issues. Stories for Every Classroom explores the historical patterns and trends, theoretical frameworks, and critical literacy methods used to understand and teach children's literature and its portrayal of characters with disabilities. It provides educators with curriculum ideas and enriches the body of resources shared with children in K-12 settings for the purposes of developing imagination, empathy, and understanding of self and others. Featuring author portraits, comprehensive annotated bibliographies of contemporary Canadian children's books that depict characters with disabilities, and read-on bibliographies that provide connections with other books in the field, this unique text will be an invaluable resource for educators.

The Dry meets The Silence of the Lambs in this intoxicating tale of literary suspense, set in the relentless Alaskan landscape, about madness and obsession, loneliness and grief, and the ferocious bonds of family.... My proposition is very simple: I am going to ask you for three gifts, and for each gift you deliver, I will take you one step closer to Jacqueline. It's been twenty years since Elisabeth's twin sister, Jacqueline, disappeared without a trace. Now thirty-year-old Elisabeth is living far from home in a small Alaskan town. She's in a loveless marriage and has a precocious young daughter she loves more than anything but who reminds her too much of her long-missing sister. But then Alfred, a dangerous stranger with a plan of his own, arrives in town and commits an inexplicable act of violence. And he offers a startling revelation: He knows exactly what happened to Elisabeth's sister, but he'll reveal this truth only if she fulfills his three requests. Increasingly isolated from her neighbors and imprisoned by the bitter cold and her own obsession, Elisabeth can almost hear her sister's voice saying, Come and find me. And so she will, even if it means putting herself--and her family--in danger.

Roses from the Orphanage is a fairy tale of twin sisters who lived in an orphanage long time ago, in an imaginary city of Zeyoun on a coast of the Mediterranean Sea. The twins were little when abandoned at the doorstep of Madam Ghalba, a wealthy and sympathetic lady who owned the orphanage. The lady took care of the twins like her own from childhood to grown-up beautiful girls; unfortunately, they turned out to be two different individuals. As a result of the obsession of immoral desires by one of the sisters, they were separated in a mysterious way and lost each other for good, or at least that was how it seems. However, fate was on their side, and due to their strong bond of love and hope of being together again, the twin sisters found each other in extraordinary circumstances.

He could be any man, any respectable, ordinary man. But he's not. This man watches the five Herbert girls—Beauty, Mim, Stevie, Fancy, and Autumn—with disturbing fascination. Unaware of his scrutiny and his increasingly agitated and forbidden thoughts about them, the sisters go on with their ordinary everyday lives—planning, arguing, laughing, and crying—as if nothing bad could ever breach the safety of their family. In alternating points of view, Norma Fox Mazer manages to interweave the lives of predator and prey in this unforgettable psychological thriller.

ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

Jessie’s father has always been a missing piece of her life—but if she were to find him, how would he feel about her? Jessie Wells thinks four is a good number. Things with four sides are sturdy and strong. A box, a chair, a room with four walls. But ever since the day Jessie’s dad left, Jessie, her mother, and Aunt Zis have been a triangle—three-sided, though solidly linked. Jessie has heard the story: Her beautiful young mother had married a prince who disappeared one day, so she had raised her daughter with the help of Aunt Zis. But lately, the picture in Jessie’s mind seems incomplete. Who is James Wells? she wonders. He must be more than just a deadbeat dad who deserted his wife and child, and Jessie is determined to find out, even if she has to call every Wells in the phone book—and there are a lot of them. But if Jessie finds her father and asks him all her questions, will she like the answers?