It was called Denvers Crime of the Century. In 1988, Frank Magnuson, a young man struggling with lifes curve balls, was set to testify against a Crip kingpin who along with three other men perpetrated a robbery of a Denver restaurant. The night before the trial, two dispatched killers lay in wait in the basement of a house in Bonnie Brae owned by Franks friend and roommate, Steve Curtis. At just before midnight in June of 1989, two young men lay dead with a third left for dead. Ten Minutes till Midnight takes the reader into the very depths of Hell as two of these innocent men experience twenty insane moments of pure horror. Five years after the heinous crime would justice be served? Prosecutors Al LaCabe and Mike Little, doing battle with a polished public defender and his eccentric, wily partner, would be at their passionate best to see that it was. The true story of faith, miracles and recovery, Ten Minutes till Midnight will not only leave the readers adrenaline pulsating, but pondering the very credibility and prudence of the justice system.

“Shows how humans have brought us to the brink and how humanity can find solutions. I urge people to read with humility and the daring to act.” —Harpal Singh, former Chair, Save the Children, India, and former Vice Chair, Save the Children International In conversations with people all over the world, from government officials and business leaders to taxi drivers and schoolteachers, Blair Sheppard, global leader for strategy and leadership at PwC, discovered they all had surprisingly similar concerns. In this prescient and pragmatic book, he and his team sum up these concerns in what they call the ADAPT framework: Asymmetry of wealth; Disruption wrought by the unexpected and often problematic consequences of technology; Age disparities--stresses caused by very young or very old populations in developed and emerging countries; Polarization as a symptom of the breakdown in global and national consensus; and loss of Trust in the institutions that underpin and stabilize society. These concerns are in turn precipitating four crises: a crisis of prosperity, a crisis of technology, a crisis of institutional legitimacy, and a crisis of leadership. Sheppard and his team analyze the complex roots of these crises--but they also offer solutions, albeit often seemingly counterintuitive ones. For example, in an era of globalization, we need to place a much greater emphasis on developing self-sustaining local economies. And as technology permeates our lives, we need computer scientists and engineers conversant with sociology and psychology and poets who can code. The authors argue persuasively that we have only a decade to make headway on these problems. But if we tackle them now, thoughtfully, imaginatively, creatively, and energetically, in ten years we could be looking at a dawn instead of darkness.

Penelope Tredwell is the feisty thirteen-year-old orphan heiress of Victorian Britain's bestselling magazine, the Penny Dreadful. Her spine-chilling tales—concealed under the pen name Montgomery Finch—are gripping the public. One day she receives a letter from the governor of the Bedlam madhouse requesting Finch's help to investigate the asylum's strange goings-on. Every night at precisely twelve minutes to midnight, the inmates all begin feverishly writing-incoherent ramblings that Penelope quickly realizes are frightening visions of the century to come. But what is causing this phenomenon? In the first book of this smart new series, Penelope is drawn into a thrilling mystery more terrifying than anything she could ever imagine!

Briony knows she is a witch. She knows that she is guilty of hurting her beloved stepmother. She also knows that, now her stepmother is dead, she must look after her beautiful but complicated twin sister, Rose. Then the energetic, electric, golden-haired Eldric arrives in her home town of Swampsea, and everything that Briony thinks she knows about herself and her life is turned magically, dizzyingly, upside down.

Morgan's criticism of the British Navy in this novel led to the book's limited distribution.

The writing in this book is so bad, it deserves its own taxonomy of suckitude. Gillian Flynn, Mary Roach, Dave Eggers, Rick Moody, Chuck Palahniuk, Amy Tan, A.J. Jacobs, Daniel Clowes, Jeff Greenwald, Po Bronson…the list goes on. They all sucked once, and they all have the guts to share some of their crappiest early work in Drivel: an uplifting bit of voyeurism, based on the sold-out “Regreturature” stage shows in San Francisco, and brought to you by Litquake and the San Francisco Writers’ Grotto. Within these pages you’ll find abstruse and esoteric poetry (bad); incoherent and illogical short stories (worse); bumfuzzling proto-journalism (shameful); and pretentious, overwrought journal entries (we’ll not speak of this again). Thanks to these courageous but foolhardy writers, the world now knows the real meaning of a work-in-progress.

Years ago, a secret Soviet plan was created to destroy the Alaskan oil pipeline. Now, those plans have been stolen by the brilliant and treacherous ex-KGB agent Ivan Kerikov. Joining forces with a powerful Arab oil minister, Charon's Landing is about to be unleashed at last. But they didn't count on the one man who possesses the determination and daring to stop them cold. They didn't count on Philip Mercer.