Fred Van Lente’s brilliant debut is both a savagely funny homage to the Golden Age of Mystery and a thoroughly contemporary show-business satire. As the story opens, nine comedians of various acclaim are summoned to the island retreat of legendary Hollywood funnyman Dustin Walker. The group includes a former late-night TV host, a washed-up improv instructor, a ridiculously wealthy “blue collar” comic, and a past-her-prime Vegas icon. All nine arrive via boat to find that every building on the island is completely deserted. Marooned without cell phone service or wifi signals, they soon find themselves being murdered one by one. But who is doing the killing, and why? A darkly clever take on Agatha Christie’s And Then There Were None and other classics of the genre, Ten Dead Comedians is a marvel of literary ventriloquism, with hilarious comic monologues in the voice of every suspect. It’s also an ingeniously plotted puzzler with a twist you’ll never see coming!

When private investigator Biff Kincaid falls under police suspicion for the murder of a comedy club owner who owes him money, he decides to investigate the crime himself.

A wildly entertaining debut about a Brooklyn Heights wife and mother who has embezzled a small fortune from her children's private school and makes a run for it, leaving behind her trust fund poet husband, his maybe-secret lover, her two daughters, and a school board who will do anything to find her. Marion Palm prefers not to think of herself as a thief but rather "a woman who embezzles." Over the years she has managed to steal $180,000 from her daughters' private school, money that has paid for European vacations, a Sub-Zero refrigerator, and perpetually unused state-of-the-art exercise equipment. But, now, when the school faces an audit, Marion pulls piles of rubber-banded cash from their basement hiding places and flees, leaving her family to grapple with the baffled detectives, the irate school board, and the mother-shaped hole in their house. Told from the points of view of Nathan, Marion's husband, heir to a long-diminished family fortune; Ginny, Marion's teenage daughter who falls helplessly in love at the slightest provocation; Jane, Marion's youngest who is obsessed with a missing person of her own; and Marion herself, on the lam--and hiding in plain sight.

The comedians of the 1950s and 1960s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences. Gerald Nachman presents the stories of the groundbreaking comedy stars of those years, each one a cultural harbinger: • Mort Sahl, of a new political cynicism • Lenny Bruce, of the sexual, drug, and language revolution • Dick Gregory, of racial unrest • Bill Cosby and Godfrey Cambridge, of racial harmony • Phyllis Diller, of housewifely complaint • Mike Nichols & Elaine May and Woody Allen, of self-analytical angst and a rearrangement of male-female relations • Stan Freberg and Bob Newhart, of encroaching, pervasive pop media manipulation and, in the case of Bob Elliott & Ray Goulding, of the banalities of broadcasting • Mel Brooks, of the Yiddishization of American comedy • Sid Caesar, of a new awareness of the satirical possibilities of television • Joan Rivers, of the obsessive craving for celebrity gossip and of a latent bitchy sensibility • Tom Lehrer, of the inane, hypocritical, mawkishly sentimental nature of hallowed American folkways and, in the case of the Smothers Brothers, of overly revered folk songs and folklore • Steve Allen, of the late-night talk show as a force in American comedy • David Frye and Vaughn Meader, of the merger of showbiz and politics and, along with Will Jordan, of stretching the boundaries of mimicry • Shelley Berman, of a generation of obsessively self-confessional humor • Jonathan Winters and Jean Shepherd, of the daring new free-form improvisational comedy and of a sardonically updated view of Midwestern archetypes • Ernie Kovacs, of surreal visual effects and the unbounded vistas of video Taken together, they made up the faculty of a new school of vigorous, socially aware satire, a vibrant group of voices that reigned from approximately 1953 to 1965. Nachman shines a flashlight into the corners of these comedians’ chaotic and often troubled lives, illuminating their genius as well as their demons, damaged souls, and desperate drive. His exhaustive research and intimate interviews reveal characters that are intriguing and all too human, full of rich stories, confessions, regrets, and traumas. Seriously Funny is at once a dazzling cultural history and a joyous celebration of an extraordinary era in American comedy.

This comprehensive collection of portraiture of comedians born before 1930 includes the famous (Milton Berle, Groucho Marx, Jerry Lewis, Mel Brooks, Jack Benny), the not-so-famous (Benny Rubin, Shelly Berman) and the largely unknown (Al Kelly, Menasha Skulnik). The Reuben Award-winning Friedman presents a thorough visual history of these greatest Borscht-Belt comedians.

The tenth edition of Buzz Books captures the excitement of Winter Institute and takes it much further: start off a year of new reading discoveries: excerpts from 40 talked about Buzz Books due to be published in the months ahead. Be among the first to get a taste of new fiction from major bestselling authors including Dennis Lehane, Nora Roberts, The Rosie Project author Graeme Simsion, Karen Dionne, I Am Having So Much Fun Here Without You author Courtney Maum’s anticipated follow-up, and Don Winslow’s latest thriller. The new Buzz Books shines a light on 15 promising debuts. Memoirist (Don’t Let’s Go To The Dogs Tonight) Alexandra Fuller’s first fiction joins Laurel Davis Huber’s fictionalized account of The Velveteen Rabbit’s author. Literary reimaginings include Sarah Schmidt looking through the eyes of Lizzie Borden’s troubled sister and Sarah Shoemaker writing from the vantage point of Charlotte Bronte’s Mr. Rochester. Award-winning journalist Omar El Akaad describes the “second” American Civil War in a novel set in 2074. Other debuts span an inspiring range, from dystopian to utopian, from a Norse trilogy about Norway’s first king to a scattered family from Palestine. Among our always fascinating nonfiction, novelist Richard Ford remembers his parents in a memoir; Roxane Gay’s long-awaited Hunger follows her bestselling Bad Feminist; and Kate Moore’s Radium Girls is an expose of pioneering working women, who were poisoned by radium paint in the 1920s. Start reading the bestsellers and big discoveries of tomorrow right now, and then share the bounty: anyone can download this free edition of Buzz Books at all major ebookstores or at buzz.publishersmarketplace.com. For still more pre-publication samples, check out Buzz Books 2017: Young Adult Spring/Summer, also available now, for excerpts from the some of the best of publishing’s hottest genre.

This illustrated mystery will appeal to comic book fans and anyone who appreciates an unconventional whodunit. Comic book artist Mike Mason arrives at San Diego Comic-Con, seeking sanctuary with other fans and creators—and maybe to reunite with his ex—but when his rival is found murdered, he becomes the prime suspect. To clear his name, Mike will have to navigate every corner of the con, from zombie obstacle courses and cosplay flash mobs to intrusive fans and obsessive collectors, in the process unraveling a dark secret behind one of the industry’s most legendary creators.

"From renowned comedy journalist and historian Kliph Nesteroff comes the underappreciated story of Native Americans and comedy"--

Experience comedy legend George Carlin as you’ve never seen him in this collection highlighting his greatest hits and achievements, with a foreword by Lewis Black It is impossible to talk about 20th century comedy without discussing George Carlin. Named the 2nd greatest standup of the 20th century by both Comedy Central and Rolling Stone, Carlin garnered multiple gold records, 4 Grammys, 6 Emmy nominations, and the Mark Twain Prize for American Humor. He was the first host of SNL, appeared on the Tonight Show some 130 times, and acted in beloved films like Bill and Ted’s Excellent Adventure and Dogma. Dubbed “the dean of counterculture comedians,” George Carlin was an American icon. A perfect introduction for new fans and a worthy addition to the collections of old fans, The Best of Carlin showcases the longevity, range, and—above all—hilarity of the master. Filled with thoughts, musings, questions, lists, beliefs, curiosities, monologues, assertions, assumptions, and other delicious verbal ordeals, it is drop-dead funny tour through Carlin’s mind. More than ten years after his death, Carlin’s characteristically ironic takes on life's annoying universal truths remain thoughtful, fearless, and somehow more relevant than ever.

From the team behind The Comic Book History of Comics comes the perfect companion piece telling the story of the triumphs and tragedies of the filmmakers and beloved animated characters of the past century and a half—essential for hardcore fans of the medium and noobies alike! It's all here, from Aardman to Zoetrope, Disney to Miyazaki, Hanna-Barbera to Pixar, and everything in-between! Begin in the early 1900s with J. Stuart Blackton and the first American cartoon, Winsor McCay's Gertie the Dinosaur, and Felix the Cat! Find out about Margaret Winkler, the most powerful person in early animation, and Walt Disney, who revolutionizes cartoons with sound and color! Discover how Fleischer Studios teaches us to sing "Boop-boop-a-doop" and eat our spinach, and how Warner Bros' Looney Toons rivaled Disney's Silly Symphonies! Plus, icons of animation including Hanna-Barbera, Huckleberry Hound, The Flintstones, and Ruby-Spears; the Plastic Age of toy-based TV shows including G.I. Joe, Transformers, and He-Man; and the new Golden Age of TV animation launched by The Simpsons! And go abroad to France with Émile Cohl's dynamic doodles in Fantasmagorie; to Japan, where the Imperial Navy debuts the first full-length anime as propaganda, Divine Sea Warriors, and Osamu Tezuka conquers TV as he conquered manga; and to Argentina, which beat out Snow White for the first feature length animated movie by two decades! And finally, Jurassic Park and the computer animation revolution! Post-Little Mermaid Disney, Pixar, and Studio Ghibli conquer the world! If you’ve ever wanted to know more about the history of animation but were afraid to ask, this book is especially for you!