Temporalities, Texts, Ideologies provides a new analysis of the significance of time in Classical and early modern literature, demonstrating that literary temporality continually intervenes in questions of ontology, hierarchy and politics. Examining a diverse range of texts from Homeric epic to eighteenth-century poems on the Last Judgement, this collection of essays contends that temporality in literature sits at the heart of how authors from antiquity through to the early modern period understood and negotiated the structures that shaped their lives and may shape lives to come. Approaching the topic through four themes, the essays in this volume highlight the ways in which time is construed as relational, contestable and politically inflected. The authors show that variations in temporalities enable texts to critique the interactions or tensions between tradition and change, agency and determinism, social system and individual experience. The result is a refreshing approach to literary figurations of time that responds to the recent 'temporal turn' in the humanities, engages with current critical trends (such as ontological analysis and ecological criticism), and opens up an exciting new direction for future research on the connection between time, text, and context.

Temporality and Progress in Victorian Literature argues that Victorian literature uses traces of a lingering past to theorize time as non-progressive and discontinuous. For decades, the dominant view in Victorian studies has been that the period's economic, political, and intellectual developments led to a broad sense that time was defined by continuous improvement-and that this masternarrative of progress was evident across Victorian writings. McAdams contributes to a broader scholarly challenge of this thesis by considering how the irregular life-cycles of individuals and objects undermine Victorian progress. Unfashionable waistcoats, aging courtesans, and remembered conversations in Victorian literature instead reveal numerous alternative conceptions of time theorized against the emerging dominance of a progress narrative. The book uncovers the heterogenous shapes of time imagined by Victorian literature-regress, cyclicality, stasis, and rupture. These sh apes are not simply progress's others, but rather constituent elements of progress's theorization.

"Texts, Temporalities, Ideologies provides a new analysis of the significance of time in Classical and early modern literature, demonstrating that literary temporality continually intervenes in questions of ontology, hierarchy, and politics. Examining a diverse range of texts from Homeric epic to eighteenth-century poems on the Last Judgement, this collection of essays contends that temporality in literature is not merely a matter of storytelling, but sits at the heart of how authors from antiquity through to the early modern period understood and negotiated the structures that shaped their lives and may shape lives to come. Approaching the topic through four themes, this volume highlights the ways in which time is construed as relational, contestable, and politically inflected. It shows that variations in temporalities enable texts to critique the interactions or tensions between tradition and change, agency and determinism, social system and individual experience. This book not only expands on how temporality works in well-studied genres such as lyric, but also sheds new light on the conception, arrangement, and uses of time in genres that have received less attention, such as letters, biographies, and early modern texts that rework or converse with Classical paradigms. The result is a refreshing approach to literary figurations of time that responds to the recent 'temporal turn' in the humanities, engages with current critical trends (such as ontological analysis and ecological criticism), and opens up an exciting new direction for future research on the connection between time, text, and context."--

Temporalities and Subjectivities in Migration Literature in Europe examines migrant stories through the lens of temporality as seen in the role of such issues as integration, waiting, detention, trauma, crisis, and imagined futures. This book argues that a focus on different time scales and perceptions of time will help us understand how the intimate and affective subjectivities of more complex narratives of migration, as articulated in literature, cross into the public sphere and challenge political ‘bubbles.’ This collection showcases new approaches to and innovative readings of different forms of literary and cultural migration narratives. In addition to developing theoretical tools for the study, the authors present innovative case studies addressing topics such as the European refugee crisis, migration narratives and border crossings in Britain, Spain, and Morocco, as well as experiences of migration in Finland and Norway.

The book rethinks key categories of Marx's work beyond any philosophy of history, showing how the plurality of temporal layers that are combined and come into conflict in the violently unifying historical dimension of modernity are central to Marx's thought.

Traditional apocalyptic texts concern the advent of a better world at the end of history that will make sense of everything that happened before. But what is at stake in the contemporary shift to apocalyptic narratives in which the utopian end of time is removed? The Contemporary Post-Apocalyptic Novel offers an innovative critical model for our cultural obsession with 'the end' by focussing on the significance of time in the 21st-century post-apocalyptic novel and challenging traditional apocalyptic logic. Once confined to the genre of science fiction, the increasing popularity of end-of-the-world narratives has caused apocalyptic writing to feature in the work of some of contemporary literature's most well-known fiction writers. Considering novels by Will Self, Cormac McCarthy, David Mitchell, Emily St. John Mandel, Jeanette Winterson and others, Diletta De Cristofaro frames the contemporary apocalyptic imagination as a critique of modernity's apocalyptic conception of time and history. Interdisciplinary in scope, the book historicises apocalyptic beliefs by exploring how relentlessly they have shaped the modern world.

History and National Ideology in Greek Postmodernist Fiction investigates the ways postmodernist literary techniques have been adopted by Greek authors. Taking into consideration the global impetus of postmodernism, the book examines its local implications. Framed by a discussion of major postmodernist thinkers, the book argues for the ability of local cultures to retain their uniqueness in the face of globalization while at the same time adapting to the new global situation. The combination of external global influences and the specific internal concerns of Greek national literature makes the emergence of postmodernism in Greece distinctive from that of other national contexts. The book engages in larger theoretical debates about the "crisis" of national identity in the context of postmodern globalization and the resurgence of nationalist ideology either as a response to globalization or the exigencies of historical events. This crisis has been brought on in part by the very postmodernist and poststructuralist questioning of the ideologies upon which nation-states construct themselves. The central argument of the book is that postmodernist Greek writers question the idea of national identity based on both the impact of globalization and a reexamination of the discourses of national ideology: they suggest a turn away from the traditional concerns with cultural homogeneity towards an acceptance of multiplicity and diversity, which is reflected through experimentation with postmodernist literary techniques. Consequently, the unifying idea of this book is "national identity" as it is reconfigured in recent contemporary novels. My analysis incorporates the view that metafiction is a "borderline" or "marginal" discourse that exists on the boundary between fiction and criticism. The book illuminates the connections between the formal concerns of contemporary authors and the larger debates and philosophical underpinnings of postmodernism in general.

An analysis of ancient Greek and Roman works alongside contemporary literature, exploring how these classics shape our understanding of the politics of time in America Ancient Greek and Roman cultures have been privileged as authoritatively timeless throughout American history. American leaders capitalize on this privilege when, during periods of crisis, they allude to these cultures to offer relief, to reestablish trust in the status quo, and to promote national unity. Analyzing texts that also draw on ancient Greek and Roman material to respond to these crises, Sasha-Mae Eccleston explains how contemporary authors and artists have questioned calls for unity that homogenize disparate experiences and ignore systemic inequality. Their engagements with the temporalities of the ancient material reveal how time structures membership in the national community. Reading, for example, Seneca’s drama Medea, Homer’s epics, and the verses of Sappho alongside Jesmyn Ward’s novel Salvage the Bones or the poetry of Ocean Vuong and Juliana Spahr, Eccleston examines the temporal politics of major events and everyday life in the United States. Epic Events shows how ancient works that seem to insulate audiences from disaster can actually alert them to the frightening hierarchization of American life. Eccleston skillfully weaves together analyses of ancient material and contemporary texts that range from memorials, visual art, and literature to speeches and public health declarations to bring questions of race, class, and gender into dialogue with time in thoughtful, nuanced, and original ways.

Fifty Key Texts in Art History is an anthology of critical commentaries selected from the classical period to the late modern. It explores some of the central and emerging themes, issues and debates within Art History as an increasingly expansive and globalised discipline. It features an international range of contributors , including art historians, artists, curators and gallerists. Arranged chronologically, each entry includes a bibliography for further reading and a key word index for easy reference. Text selections range across issues including artistic value, cultural identity, modernism, gender, psychoanalysis, photographic theory, poststructuralism and postcolonialism. Rozsika Parker and Griselda Pollock Old Mistresses, Women, Art & Ideology (1981) Victor Burgin’s The End of Art Theory: Criticism and Postmodernity (1986) Homi Bhabha The Location of Culture: Hybridity, Liminal Spaces and Borders (1994) Geeta Kapur When was Modernism in Indian Art? (1995) Judith Butler's Gender Trouble (1999) Georges Didi Huberman Confronting Images. Questioning the Ends of a Certain History of Art (2004)

This book explores the intersection between the recent work on queer temporality and the experiments of literary modernism. Kate Haffey argues that queer theory’s recent work on time owes a debt to modernist authors who developed new ways of representing temporality in their texts. By reading a series of early twentieth-century literary texts from modernists like Woolf, Eliot, Faulkner, and Stein alongside contemporary authors, this book examines the way in which modernist writers challenged narrative conventions of time in ways that both illuminate and foreshadow current scholarship on queer temporality. In her analyses of contemporary novelists and critics Michael Cunningham, Jeanette Winterson, Angela Carter, and Eve Sedgwick, Haffey also shows that these modernist temporalities have been reconfigured by contemporary authors to develop new approaches to futurity.