For at least 1500 years, temple design, construction and worship have followed the canon of the āgama-s. Shouldn't temple management also follow the āgama-s? Steeped in a history of more than two millennia, the real bequest of India's ancient temples is that they are still living sacred spaces. The gods that were invoked in these temples more than a thousand years ago, continue to reside in the sanctums and gaze benevolently upon their devotees. The bells ring for morning service as they did a thousand years ago. The ācārya waves the ārati just as another ācārya did a thousand years ago. No other organization in the world can boast of such amazing continuity. The secret to this longevity lies in the āgama-s. Āgama-s are the traditional canon believed to be as old as the Vedas, with detailed manuals on temple-building, consecration and ritual worship. While the world outside the temples - a world of kings and kingdoms - has changed, temples continue to follow the āgama-s in letter and spirit in their everyday religious function, notwithstanding the many changes in administrative formats. By studying the activities of the temple, material and manpower required, qualifications and roles prescribed for the temple professionals, this thesis attempts to reconstruct an āgamic temple management framework, using the Kāmikāgama as primary text with other āgama-s, secondary literature and inscriptional evidence as required.

For at least 1500 years, temple design, construction and worship have followed the canon of the ?gama-s. Shouldn’t temple management also follow the ?gama-s? Steeped in a history of more than two millennia, the real bequest of India’s ancient temples is that they are still living sacred spaces. The gods that were invoked in these temples more than a thousand years ago, continue to reside in the sanctums and gaze benevolently upon their devotees. The bells ring for morning service as they did a thousand years ago. The ?c?rya waves the ?rati just as another ?c?rya did a thousand years ago. No other organization in the world can boast of such amazing continuity. The secret to this longevity lies in the ?gama-s. ?gama-s are the traditional canon believed to be as old as the Vedas, with detailed manuals on temple-building, consecration and ritual worship. While the world outside the temples – a world of kings and kingdoms – has changed, temples continue to follow the ?gama-s in letter and spirit in their everyday religious function, notwithstanding the many changes in administrative formats. By studying the activities of the temple, material and manpower required, qualifications and roles prescribed for the temple professionals, this thesis attempts to reconstruct an ?gamic temple management framework, using the K?mik?gama as primary text with other ?gama-s, secondary literature and inscriptional evidence as required.

Organisations the world over today are paying more and more attention to how to prevent their workforce from getting burnt out due to an unrelenting pace of work. Views are radically changing on these practices to ensure that employees perform consistently well over many years. In this book, Sri Sri offers valuable tips for managers and leaders to become more effective in their roles and also on how to delevop a work environment that is conducive for both the employees and the organisation to add value to each other.

Illustrations: Numerous B/w Illustrations Description: P.K. Acharya's An Encyclopaedia of Hindu Architecture is a comprehensive work on the technical terminology, now obsolete but then in vogue, of the creators of such epics in stone as those of Sanchi and Konark during the ancient and medieval periods of Indian history. It contains about three thousand terms culled, with indefatigable industry spread over a long span of years, from ancient architectural treatises--Manasara, and Vastu-Sastras : Agamas, Puranas, Brahmanas, Sutras, epics, literary works, epigraphical records and manuscripts in obscure scripts. The terms are arranged in the order of Sanskrit alphabet. A brief rendering in English followed by extensive quotations from various sources and supplemented by line drawings and photographs elucidate every aspect of the term, leaving no room for ambiguity. Two appendices, one giving a sketch of Sanskrit treatises on architecture and the other furnishing a list of historical architects with short notes on their works, are added. This monumental work has remained a standard treatise of reference since its publication in 1946 for all connected with architecture.

Encyclopaedic work on Hindu temple rituals and architecture.

’aivism encompasses all aspects of religion: a philosophy, atheology, a conception of the universe, a current of devotion, a worldof myths, elaborate rituals in temples, expressions in plastic arts, inpoetry, music, dance. The sources to understand this subject are theSanskrit texts of Epics, PurÈ!as andAgamas. The present book givesa clear presentation of ’aivism through a survey and an erudite readingof this vast literature. The Agamas are the key to the knowledge oftemple organization and rituals, the description of which is a uniqueand original contribution of this work. This very readable and reliablework contains an amazing quantity of information, carefully referencedat every step, and is likely to be of the greatest utility toresearchers in history of religion, medieval to modern, as well as tothe general reader interested in ’aivism.Pandit N. Ramachandra Bhatt has devoted his whole life toresearch and bring to light ’aivÈgama literature.

Why ask this question today? After all, a lot is written about India, her culture, her past, her society, the psychology and sociology of individuals and groups. Why is that not enough? It is because what we have learnt so far is either false or fragmentary. If Indian culture is not a slightly inferior, slightly idiosyncratic variant of Western culture, as the received view has it for a very long time, what else is it? Research into culture and cultural differences gives novel and surprising answers. Written for an intelligent but lay public, this book shares the results of 40 years of scientific investigations in the research programme Comparative Science of Cultures. It transcends the political distinction between ‘the right’ and ‘the left’ by looking deeper into ideas on human beings, society, culture, experience, the past, impact of colonialism etc. Today, the question ‘What does it mean to be ‘Indian’?’ is both important and difficult to answer. Is there something ‘Indian’ about this culture that goes beyond the differences between Hindus, Muslims, Christians, Sikhs or Jains? What does it überhaupt mean to belong to Indian culture?

Visnuism has given rise to two very important schools of ritual and philosophy, namely Vaikhanasa and Pancaratra. Isvarasamhita is an important text of the Pancaratra school of Visnuism. Whereas Vaikhanasa is relatively archaic in character and leans more upon the Vedic tradition for its repertoire of Mantras used in religious rites and ceremonies, the Pancaratra is more liberal and open in its approach. It has a text tradition going back to some two thousand years- which has also been the main source of the Visistadvaita philosophy of Ramanuja (11th 12th c.). In most of the Vaisnava temples in South India, especially in Tamilnadu, worship is conducted in accordance with the prescription of one of the important Pancaratra Samhitas. Isvarasamhita is an important text of the Pancaratra School and is followed meticulously for conduction of daily Puja ceremony and performances of various religious festivals in the Narayanasvami temple of Melkote. It can safely be dated to 8th-9th Century at least on the basis of its reference in the Agama Pramanya of Shri Yamunacarya. It is supposed to be a simpler and smaller version of the older sattvatasamhita of this school which is the earliest available work of Pancaratra and is considered as one of three ratnas, (Jewels), along with Pauskara- and Jaya Samhitas. In 25 long Adhyayas the Isvarasamhita describes in great details the rites, rituals and ceremonies taking place ( or ought to take place) in a Vaisnava temple. Palm leaf Manuscripts of the Isvarasamhita were procured mainly from the Narayanasvami temple of Melkote for the sake of authenticity. We have also appended to the text the gloss of Alasimha Bhatta (early 19th C.) which shall be helpful in comprehending certain difficult or sectarian expressions. The English translation on the opposite (right) page has been provided for the facility of the modern scholars working on philosophy, Ritual and Iconography of Visnuism. A proper understanding of ritual is obviously indispensable for the study of Art.