In the early seventies, some of us were shot like stars from our parents' homes. This was an act of nature, bigger than ourselves. In the austere beauty and natural reality of Hell's Canyon of Eastern Oregon, one hundred miles from pavement, Pam, unable to identify with her parent's world and looking for deeper pathways has a chance encounter with returning Vietnam warrior Skip Royes. Skip, looking for a bridge from survival back to connection, introduces Pam to the vanishing culture of the wandering shepherd and together they embark on a four–year sojourn into the wilderness. From the back of a horse, Pam leads her packstring of readers from overlook to water crossing, down trails two thousand years old, and from the vantages she chooses for us, we feel the edges of our own experiences. It is a memoir of falling in love with a place and a man and the price extracted for that love. Written with deep lyricism, Temperance Creek is a work of haunting beauty, fresh and irreverent and rooted in the grit and pleasure of daily life. This is Pam's story, but the courage and truth in the telling is part of our human experience. Seen through a slower more primary mirror, one not so crowded with objectivity, Pam's memoir, is a kind of home–coming, a family reunion for shooting stars.

Minnesota has an almost limitless supply of fishable water, much of it only lightly flyfished. There are excellent trout streams in the southeast corner, strong salmon runs in the northeast, & more smallmouth, pike, & muskie fishing than seems possible. Other anglers have known for years what flyfishers are just discovering: Minnesota has some of the best fishing in the country -- & this book details it all. An all-in-one travel/fly fishing guidebook.

The result of twenty years of searching out and recording ancient designs on rocks in Oregon and Washington, Pictographs and Petroglyphs of the Oregon Country is now in a convenient, one-volume edition. The authors, Malcolm and Louise Loring, began their monumental task in the early 1960s as members of the Oregon Archaeological Society committee dedicated to surveying and recording rock art. Soon finding themselves a committee of two, they soldiered on with the monumental task of cataloging and illustrating rock art of the region. After Malcolm retired from the US Forest Service in 1963, he and Louise began a full-time effort to record the sites. For many of these sites, this volume is the only record. Part I describes sites in Washington along the Columbia River and sites in northern and central Oregon. Part II contains sites in southern Oregon, Idaho, and Nevada.