For centuries, the "great man" format and masculine discourse of biography and autobiography have eclipsed women. If we accept this history, we remain ignorant of "Lady Sarashina," a Japanese woman of the Han period, whose book survives from the 11th century. We overlook Margaret Cavendish and Dame Julian, two early English autobiographers. And we fail to consider sufficiently slave narratives, oral histories, or lesbian "coming out" stories. Telling Women's Lives assesses existing traditions of autobiography and biography in search of a method capable of conveying the distinctive content of women's lives while retaining the tenor of feminine subjectivity. Drawing on feminist research methodologies of the past two decades as well as anthropology and sociology, Long paves the way for the formulation of an emergent feminist methodology for telling women's lives. This highly original study seeks to revise and recreate the genre so as to accommodate a feminine discourse, narrator, reader, and subject. The "messiness" of women's lives-the daily work and detail that men have programmatically excluded-acquires new meaning as Long develops here an innovative theory of sociobiography.

In this fascinating collection of translations, Telling Lives looks at the self-writing of five Japanese women who came of age during the decades leading up to World War II. Following an introduction that situates women’s self-writing against the backdrop of Japan during the 1920s and 1930s, Loftus takes up the autobiographies of Oku Mumeo, a leader of the prewar women’s movement, and Takai Toshio, a textile worker who later became a well-known labor activist. Next is the moving story of Nishi Kyoko, whose Reminiscences tells of her life as a young woman who escapes the oppression of her family and establishes her financial independence. Nishi’s narrative precedes a detailed look at the autobiography of Sata Ineko. Sata’s Between the Lines of My Personal Chronology recounts her years as a member of a proletarian arts circle and her struggle to become a writer. The collection ends with the Marxist Fukunaga Misao’s frank and explosive text Memoirs of a Female Communist, which is examined as a manifesto condemning the male chauvinism of the prewar Japanese Communist Party.

For centuries, the "great man" format and masculine discourse of biography and autobiography have eclipsed women. If we accept this history, we remain ignorant of "Lady Sarashina," a Japanese woman of the Han period, whose book survives from the 11th century. We overlook Margaret Cavendish and Dame Julian, two early English autobiographers. And we fail to consider sufficiently slave narratives, oral histories, or lesbian "coming out" stories. Telling Women's Lives assesses existing traditions of autobiography and biography in search of a method capable of conveying the distinctive content of women's lives while retaining the tenor of feminine subjectivity. Drawing on feminist research methodologies of the past two decades as well as anthropology and sociology, Long paves the way for the formulation of an emergent feminist methodology for telling women's lives. This highly original study seeks to revise and recreate the genre so as to accommodate a feminine discourse, narrator, reader, and subject. The "messiness" of women's lives-the daily work and detail that men have programmatically excluded-acquires new meaning as Long develops here an innovative theory of sociobiography.

The debut book from a celebrated artist on the urgent topic of street harassment Every day, all over the world, women are catcalled and denigrated simply for walking down the street. Boys will be boys, women have been told for generations, ignore it, shrug it off, take it as a compliment. But the harassment has real consequences for women: in the fear it instills and the shame they are made to feel. In Stop Telling Women to Smile, Tatyana Fazlalizadeh uses her arresting street art portraits to explore how women experience hostility in communities that are supposed to be homes. She addresses the pervasiveness of street harassment, its effects, and the kinds of activism that can serve to counter it. The result is a cathartic reckoning with the aggression women endure, and an examination of what equality truly entails.

A new and exciting collection from Patricia Bell-Scott, the editor of the enormously successful Life Notes and the award-winning Double Stitch. With a foreword by Marcia Ann Gillespie. To tell the flat-footed truth is a southern saying that means to tell the naked truth. This revealing and inspiring anthology brings together twenty-seven creative spirits who through essays, interviews, poetry, and photographic images tell black women's lives. In the opening section that discusses the risks involved in sharing your life with others, Sapphire tells us about the challenges in recording her experiences when there has never been any validation that her life was important. The next section chronicles the adventure in claiming the lives of those who have been lost or neglected, such as Alice Walker's search for the real story of Zora Neale Hurston. The third part, which affirms lives of resistance, includes Audre Lorde's acclaimed essay "Poetry Is Not a Luxury." The final chapter, focusing on transformed lives, presents an insightful interview with Sonia Sanchez. This wonderful collection, featuring such writers as bell hooks, Barbara Smith, Marcia Ann Gillespie, and Pearl Cleage, is testimony to a flourishing literary tradition, filled with daring women, that will inspire others to tell their own stories.

What story would Eve have told about picking the apple? Why is Pandora blamed for opening the box? And what about the fate of Cassandra who was blessed with knowing the future but cursed so that no one believed her? What if women had been the storytellers? Elizabeth Lesser believes that if women’s voices had been equally heard and respected throughout history, humankind would have followed different hero myths and guiding stories—stories that value caretaking, champion compassion, and elevate communication over vengeance and violence. Cassandra Speaks is about the stories we tell and how those stories become the culture. It’s about the stories we still blindly cling to, and the ones that cling to us: the origin tales, the guiding myths, the religious parables, the literature and films and fairy tales passed down through the centuries about women and men, power and war, sex and love, and the values we live by. Stories written mostly by men with lessons and laws for all of humanity. We have outgrown so many of them, and still they endure. This book is about what happens when women are the storytellers too—when we speak from our authentic voices, when we flex our values, when we become protagonists in the tales we tell about what it means to be human. Lesser has walked two main paths in her life—the spiritual path and the feminist one—paths that sometimes cross but sometimes feel at cross-purposes. Cassandra Speaks is her extraordinary merging of the two. The bestselling author of Broken Open and Marrow, Lesser is a beloved spiritual writer, as well as a leading feminist thinker. In this book she gives equal voice to the cool water of her meditative self and the fire of her feminist self. With her trademark gifts of both humor and insight, she offers a vision that transcends the either/or ideologies on both sides of the gender debate. Brilliantly structured into three distinct parts, Part One explores how history is carried forward through the stories a culture tells and values, and what we can do to balance the scales. Part Two looks at women and power and expands what it means to be courageous, daring, and strong. And Part Three offers “A Toolbox for Inner Strength.” Lesser argues that change in the culture starts with inner change, and that no one—woman or man—is immune to the corrupting influence of power. She provides inner tools to help us be both strong-willed and kind-hearted. Cassandra Speaks is a beautifully balanced synthesis of storytelling, memoir, and cultural observation. Women, men and all people will find themselves in the pages of this book, and will come away strengthened, opened, and ready to work together to create a better world for all people.

In Telling Memories Among Southern Women, Susan Tucker presents a revealing collection of oral-history narratives that explore the complex, sometimes enigmatic bond between black female domestic workers and their white employers from the turn of the twentieth century to the civil rights revolution of the 1960s. Based on interviews with forty-two women of both races from the Deep South, these narratives express the full range of human emotions and successfully convey the ties that united—and the tensions and conflicts that separated—these two mutually dependent groups of women.

Funny, poignant, macabre — a delicious spread, showcasing bestselling author Bulbul Sharma’s mastery of the stories of small actors and the drama and richness of women’s everyday lives. 'Bulbul Sharma’s stories make for entertaining reading, but, be warned, they will whet the appetite and inflame the senses.’— Grass Roots ‘Lovers of food and fine literature... will relish the journey through the tempestuous nature of cookery, the struggle for the perfect pakora, and the aftermath of a divine meal.’ — The Melbourne Times Published by Zubaan.

These collected biographies on the wacky secrets and scandals of the first ladies of the United States casts American history in a whole new light Whether she’s a leading lady, loyal spouse, or lightning rod for scandal, the First Lady of the United States has always been in the spotlight—and in 2017 that was truer than ever. This revised and expanded edition from Quirk’s best-selling Secret Lives series features outrageous and uncensored profiles of the women of the White House, from Martha Washington to Melania Trump, it comes complete with hundreds of little-known, politically incorrect, and downright wacko facts. Did you know that: • Dolley Madison loved to chew tobacco • Mary Todd Lincoln conducted séances on a regular basis • Eleanor Roosevelt and Ellen Wilson both carried guns • Jacqueline Kennedy spent $121,000 on her wardrobe in a single year • Betty Ford liked to chat on CB radios—her handle was “First Mama” With chapters on every woman who’s ever made it to the White House, Secret Lives of the First Ladies tackles all the tough questions that other history books are afraid to ask: How many of these women owned slaves? Which ones were cheating on their husbands? And why was Eleanor Roosevelt serving hot dogs to the King and Queen of England? American history was never this much fun in school!

The first book to explore the role of hair in women's lives and what it reveals about their identities, intimate relationships, and work lives Hair is one of the first things other people notice about us--and is one of the primary ways we declare our identity to others. Both in our personal relationships and in relationships with the larger world, hair sends an immediate signal that conveys messages about our gender, age, social class, and more. In Rapunzel's Daughters, Rose Weitz first surveys the history of women's hair, from the covered hair of the Middle Ages to the two-foot-high, wildly ornamented styles of pre-Revolutionary France to the purple dyes worn by some modern teens. In the remainder of the book, Weitz, a prominent sociologist, explores--through interviews with dozens of girls and women across the country--what hair means today, both to young girls and to women; what part it plays in adolescent (and adult) struggles with identity; how it can create conflicts in the workplace; and how women face the changes in their hair that illness and aging can bring. Rapunzel's Daughters is a work of deep scholarship as well as an eye-opening and personal look at a surprisingly complex-and fascinating-subject.