In the late nineteenth century, an active slave trade sustained social and economic networks across the Ottoman Empire and throughout Egypt, Sudan, the Caucasus, and Western Europe. Unlike the Atlantic trade, slavery in this region crossed and mixed racial and ethnic lines. Fair-skinned Circassian men and women were as vulnerable to enslavement in the Nile Valley as were teenagers from Sudan or Ethiopia. Tell This in My Memory opens up a new window in the study of slavery in the modern Middle East, taking up personal narratives of slaves and slave owners to shed light on the anxieties and intimacies of personal experience. The framework of racial identity constructed through these stories proves instrumental in explaining how countries later confronted—or not—the legacy of the slave trade. Today, these vocabularies of slavery live on for contemporary refugees whose forced migrations often replicate the journeys and stigmas faced by slaves in the nineteenth century.

From the thrilling voice of Sacha Wunsch comes a heart-stopping psychological mystery in a world where memories can be shared—and one girl can’t trust any of them. Enhanced Memory changed everything. By sharing someone else’s memory, you can experience anything and everything with no risk at all: learn any skill instantly, travel the world from home, and safeguard all your most treasured secrets forever. Nova’s parents invented this technology, and it’s slowly taking over their lives. Nova doesn’t mind—mostly. She knows Enhanced Memory is a gift. But Kade says Nova doesn’t know the costs of this technology that’s taken the world by storm. Kade runs a secret vlog cataloging real experiences, is always on the move, and is strangely afraid of Nova—even though she feels more comfortable with him than she ever has with anyone. Suddenly there are things Nova can’t stop noticing: the way her parents don’t meet her eyes anymore, the questions no one wants her to ask, and the relentless feeling that there’s something she’s forgotten…

Perfect for fans of Everything, Everything and Five Feet Apart, a bittersweet story of love and loss, told one journal entry at a time. Sammie McCoy is a girl with a plan: graduate at the top of her class and get out of her small town as soon as possible. Nothing will stand in her way-not even the rare genetic disorder the doctors say will slowly steal her memories and then her health. So the memory book is born: a journal written to Sammie's future self. It's where she'll record every perfect detail of her first date with longtime-crush Stuart, and where she'll admit how much she's missed her childhood friend Cooper. The memory book will ensure Sammie never forgets the most important parts of her life-the people who have broken her heart, and those who have mended it. If Sammie's going to die, she's going to die living.

This beautiful memory book, graced with pink primroses and delicate tea cups by inspirational artist Susan Wheeler, is a sweet invitation to grandmother to share her life. Celebratory quotes and floral borders adorn the guided questions and the ample space for responses. Here, a special woman can share about childhood, family, hopes as a parent and grandparent, dreams and delights, and special life moments. Designed for a family to give to Grandma with the invitation to share her life with them, this unique keepsake will be treasured for years to come. A grandmother's legacy of love expressed through stories, memories, and favorite things is ultimately the gift of a life celebrated by all generations.

"A hauntingly witty, illustrated debut in the vein of Edward Gorey, that explores the power and mystery of human memory, by artist Cecilia Ruiz"--

The groundbreaking, bestselling history of slavery, with a new foreword by Pulitzer Prize–winning historian Annette Gordon-Reed With the publication of the 1619 Project and the national reckoning over racial inequality, the story of slavery has gripped America’s imagination—and conscience—once again. No group of people better understood the power of slavery’s legacies than the last generation of American people who had lived as slaves. Little-known before the first publication of Remembering Slavery over two decades ago, their memories were recorded on paper, and in some cases on primitive recording devices, by WPA workers in the 1930s. A major publishing event, Remembering Slavery captured these extraordinary voices in a single volume for the first time, presenting them as an unprecedented, first-person history of slavery in America. Remembering Slavery received the kind of commercial attention seldom accorded projects of this nature—nationwide reviews as well as extensive coverage on prime-time television, including Good Morning America, Nightline, CBS Sunday Morning, and CNN. Reviewers called the book “chilling . . . [and] riveting” (Publishers Weekly) and “something, truly, truly new” (The Village Voice). With a new foreword by Pulitzer Prize–winning scholar Annette Gordon-Reed, this new edition of Remembering Slavery is an essential text for anyone seeking to understand one of the most basic and essential chapters in our collective history.

An autobiography in the form of a philosophical diary, Little Did I Know's underlying motive is to describe the events of a life that produced the kind of writing associated with Stanley Cavell's name. Cavell recounts his journey from early childhood in Atlanta, Georgia, through musical studies at UC Berkeley and Julliard, his subsequent veering off into philosophy at UCLA, his Ph.D. studies at Harvard, and his half century of teaching. Influential people from various fields figure prominently or in passing over the course of this memoir. J.L. Austin, Ernest Bloch, Roger Sessions, Thomas Kuhn, Robert Lowell, Rogers Albritton, Seymour Shifrin, John Rawls, Bernard Williams, W. V. O. Quine, and Jacques Derrida are no longer with us; but Cavell also pays homage to the living: Michael Fried, John Harbison, Rose Mary Harbison, Kurt Fischer, Milton Babbitt, Thompson Clarke, John Hollander, Hilary Putnam, Sandra Laugier, Belle Randall, and Terrence Malick. The drift of his narrative also registers the decisiveness of the relatively unknown and the purely accidental. Cavell's life has produced a trail of some eighteen published books that range from treatments of individual writers like Wittgenstein, Austin, Emerson, Thoreau, Heidegger, Shakespeare, and Beckett to studies in aesthetics, epistemology, moral and political philosophy, cinema, opera, and religion.

The 20th anniversary edition of Edwidge Danticat's groundbreaking debut, now an established classic--revised and with a new introduction by the author, and including extensive bonus materials At the age of twelve, Sophie Caco is sent from her impoverished Haitian village to New York to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti—to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence. In her stunning literary debut, Danticat evokes the wonder, terror, and heartache of her native Haiti—and the enduring strength of Haiti’s women—with vibrant imagery and narrative grace that bear witness to her people’s suffering and courage.

“A deeply moving account of Henning Mankell’s personal responses to AIDS and its victims, both parents and children left behind far too soon.” —Archbishop Desmond Tutu The internationally famous creator of the bestselling Kurt Wallander mysteries tells the true story of a heartrending tradition spawned by a major health crisis: the invaluable Memory Book Project, which gives those dying of AIDS an opportunity to record their lives in words and pictures for the children they leave behind. In Uganda, Mankell finds village after village populated only by children and the elderly—those left behind after AIDS swept away an entire generation. These slim, intensely personal volumes can contain words, pictures, a pressed butterfly, or even grains of sand as ways to represent the lives lost to this devastating plague. Excerpts from Ugandan memory books appear throughout I Die, but My Memory Lives On and, together with Mankell’s narrative, they tell the stories of individual lives while sounding a powerful warning about the threat of AIDS. Featuring a foreword by Archbishop Desmond Tutu, the book includes an appendix listing AIDS organizations and resources. A portion of the book’s proceeds will be donated to AIDS charities in Africa.