Olivia, the feisty heroine of three bestselling books, now has her very own theatre. This set includes a stage, dressing room, and wings; enchanting scenery and props, 12 figures; a booklet with synopses of each performan ce of Swan Lake, Turandot, and Romeo and Juliet. Pkg. Consumable.

Welcome to Opening Night! OLIVIA, the spirited heroine of the bestselling booksOlivia, Olivia Saves the Circus,and?Olivia...and the Missing Toy,has a new showcase for her inimitable talents and imagination; her very own theater designed to introduce children of all ages to the magic of the stage. OLIVIA is good at lots of things, including singing, dancing, and being in the spotlight. Starring in productions ofSwan Lake, Turandot,andRomeo and Juliet,Olivia is in her element as leading lady extraordinaire in this elegantly constructed set that promises hours of fun. TEATRO OLIVIA INCLUDES: • Enchanting scenery, including three full stage sets! • Six Olivia paper dolls in ravishing costumes, and three Ian paper dolls! • Teatro Olivia's very own Playbill (trademark sign), featuring revealing plot summaries and scintillating biographies of the players! • Extra stock for budding set designers to create their own backdrops! Pull the doors open. Fold down stage. Hang backdrops. Play!

Olivia is back! She has decided to form a band: a one-pig band, to be exact. And, as we all know, Olivia is certainly capable of making enough noise to sound like an entire orchestra . . . Featuring gatefold flaps, fireworks, experiments with lipstick an a very cross mummy, the fourth Oliviabook is simply and hilariously told and gorgeously rendered - sure to delight Olivia fans of all ages!!

In her newest hilarious endeavour, Olivia embarks upon a quest for identity and individuality. It seems there are far too many pink and sparkly princesses around these days and Olivia has had quite enough! She needs to stand out. And so, in typical 'Olivia' style, she sets about creating a whole array of fantastically dressed princesses… and shows us that everyone can be individual and special.

Alice is a scientist. She lives in Geneva. As the Large Hadron particle collider starts up in 2008, she is on the brink of the most exciting work of her life, searching for the Higgs Boson. Jenny is her sister. She lives in Luton. She spends a lot of time googling. When tragedy throws them together, the collision threatens them all with chaos.

The Mexican and Chicana/o residents of San Diego have a long, complicated, and rich history that has been largely ignored. This collection of essays shows how the Spanish-speaking people of this border city have created their own cultural spaces. Sensitive to issues of gender—and paying special attention to political, economic, and cultural figures and events—the contributors explore what is unique about San Diego’s Mexican American history. In chronologically ordered chapters, scholars discuss how Mexican and Chicana/o people have resisted and accommodated the increasingly Anglo-oriented culture of the region. The book’s early chapters recount the historical origins of San Diego and its development through the mid-nineteenth century, describe the “American colonization” that followed, and include examples of Latino resistance that span the twentieth century—from early workers’ strikes to the United Farm Workers movement of the 1960s. Later chapters trace the Chicana/o Movement in the community and in the arts; the struggle against the gentrification of the barrio; and the growth of community organizing (especially around immigrants’ rights) from the perspective of a community organizer. To tell this sweeping story, the contributors use a variety of approaches. Testimonios retell individual lives, ethnographies relate the stories of communities, and historical narratives uncover what has previously been ignored or discounted. The result is a unique portrait of a marginalized population that has played an important but neglected role in the development of a major American border city.

Olivia has one toy that she loves more than anything. She feeds him, dresses him and takes him everywhere. So when he disappears, Olivia is FURIOUS! She looks under the rug, under the sofa, under the cat. She shouts at Ian and baby William, she cries, she stomps... all to no avail. Then, one dark and stormy night, Olivia hears a noise... Clutching a candelabra, she creeps bravely into her bedroom, and sees a huge menacing shadow on the wall. Who is this monster, and what's that hanging from his jaws? All is resolved peacefully in this entertaining story starring our favourite pig and her favourite toy.

It's show-and-tell time at Olivia's school and she's telling her class about the time she went to the circus and all the performers were sick... so Olivia had to do everything. She tamed the lions, balanced on stilts, juggled and even played the clown. 'Was that true?' Olivia's teacher asks. 'Quite true,' says Olivia. 'Are you sure Olivia?' 'To the best of my recollection,' she says.

Modern North American Criticism and Theory presents the reader with a comprehensive and critical introduction to the development and institutionalization of literary and cultural studies throughout the twentieth century and at the beginning of the twenty-first. Focusing on the growth and expansion of critical trends and methodologies, with particular essays addressing key figures in their historical and cultural contexts, the book offers a narrative of change, transformation, and the continuous quest for and affirmation of multiple cultural voices and identities. From semiotics and the New Criticism to the identity politics of whiteness studies and the cultural study of masculinity, this book provides an overview of literary and cultural study in North America as a history of questioning, debate, and exploration.