About the Book A NUANCED AND POWERFUL MICROHISTORY SET AGAINST THE SWEEP OF INDIAN HISTORY. Dharmman Bibi rode into battle during the revolt of 1857 shoulder to shoulder with her patron lover Babu Kunwar Singh. Sadabahar entranced even snakes and spirits with her music, but eventually gave her voice to Baba Court Shaheed. Her foster mothers Bullan and Kallan fought their malevolent brother and an unjust colonial law all the way to the Privy Council—and lost everything. Their great-granddaughter Teema paid for the family’s ruination with her childhood and her body. Bindo, Asghari, Phoolmani, Pyaari … there are so many stories in this family. And you—one of the best-known tawaifs of your times—remember the stories of your foremothers and your own. This is a history, a multi-generational chronicle of one family of well-known tawaifs with roots in Banaras and Bhabua. Through their stories and self-histories, Saba Dewan explores the nuances that conventional narratives have erased, papered over or wilfully rewritten. In a not-so-distant past, tawaifs played a crucial role in the social and cultural life of northern India. They were skilled singers and dancers, and also companions and lovers to men from the local elite. It is from the art practice of tawaifs that kathak evolved and the purab ang thumri singing of Banaras was born. At a time when women were denied access to the letters, tawaifs had a grounding in literature and politics, and their kothas were centres of cultural refinement. Yet, as affluent and powerful as they were, tawaifs were marked by the stigma of being women in the public gaze, accessible to all. In the colonial and nationalist discourse of the nineteenth and twentieth centuries, this stigma deepened into criminalisation and the violent dismantling of a community. Tawaifnama is the story of that process of change, a nuanced and powerful microhistory set against the sweep of Indian history.

Named a Best Book by: The Globe and Mail, Indigo, Out Magazine, Audible, CBC, Apple, Quill & Quire, Kirkus Reviews, Brooklyn Public Library, Writers’ Trust of Canada, Autostraddle, Bitch, and BookRiot. Finalist for the 2019 Lambda Literary Award, Transgender Nonfiction Nominated for the 2019 Forest of Reading Evergreen Award Winner of the 2018 Alcuin Society Awards for Excellence in Book Design – Prose Non-Fiction "Cultural rocket fuel." --Vanity Fair "Emotional and painful but also layered with humour, I'm Afraid of Men will widen your lens on gender and challenge you to do better. This challenge is a necessary one--one we must all take up. It is a gift to dive into Vivek's heart and mind." --Rupi Kaur, bestselling author of The Sun and Her Flowers and Milk and Honey A trans artist explores how masculinity was imposed on her as a boy and continues to haunt her as a girl--and how we might reimagine gender for the twenty-first century. Vivek Shraya has reason to be afraid. Throughout her life she's endured acts of cruelty and aggression for being too feminine as a boy and not feminine enough as a girl. In order to survive childhood, she had to learn to convincingly perform masculinity. As an adult, she makes daily compromises to steel herself against everything from verbal attacks to heartbreak. Now, with raw honesty, Shraya delivers an important record of the cumulative damage caused by misogyny, homophobia, and transphobia, releasing trauma from a body that has always refused to assimilate. I'm Afraid of Men is a journey from camouflage to a riot of colour and a blueprint for how we might cherish all that makes us different and conquer all that makes us afraid.

Wild—untamed, hostile, remote. Yet, wild can be gentle, welcoming, and inspiring, too. This is the wild that preoccupies biologist Shankar Raman as he writes about trees and bamboos, hornbills and elephants, leopards and myriad other species. Species found not just out there in far wildernesses—from the Thar desert to the Kalakad rainforests, from Narcondam Island to Namdapha—but amid us, in gardens and cities, in farms, along roadsides. And he writes about the forces that gouge land and disfigure landscapes, rip trees and shred forests, pollute rivers and contaminate the air, slaughter animals along roads and rail tracks—impelling a motivation to care, and to conserve nature. Through this collection of essays, Shankar Raman attempts to blur, if not dispel, the sharp separation between humans and nature, to lead you to discover that the wild heart of India beats in your chest, too.

Gender in Modern India brings together pioneering research on a range of themes including social reforms, caste, and contestations; Adivasis, patriarchy, and colonialism; capitalism, political economy, and labour; masculinity and sexuality; health, medical care, and institution building; culture and identity; and migration and its new dynamics. Commissioned in remembrance of the prolific social historian Biswamoy Pati, this volume examines the gender question through a multilayered and multi-dimensional frame in which interdisciplinarity and intersectionality play an important role. Using case studies on gender from diverse geographies?east, west, north, south, and northeast; community locations?Hindu, Muslim, and Christian; and marginalized socio-economic or ethnic habitations such as those of Dalits and Adivasis, the contributors highlight the complexities and diversities of women's negotiations of patriarchies in varied social, ethnic, and community contexts. Collectively, the chapters in this volume focus on three related and overlapping settings?colonial, colonial and postcolonial continuum, and postcolonial. They delineate the multiple lives of gender by focusing on its intersections with other markers of difference including race, class, caste, sexuality, culture, ethnicity, region, and occupation, thereby questioning stereotypes, challenging dated notions and interpretations of gender, and demonstrating the ubiquity of patriarchy.

The definitive biography of the eldest son of Emperor Shah Jahan, whose death at the hands of his younger brother Aurangzeb changed the course of South Asian history. Dara Shukoh was the eldest son of Shah Jahan, the fifth Mughal emperor, best known for commissioning the Taj Mahal as a mausoleum for his beloved wife Mumtaz Mahal. Although the Mughals did not practice primogeniture, Dara, a Sufi who studied Hindu thought, was the presumed heir to the throne and prepared himself to be India’s next ruler. In this exquisite narrative biography, the most comprehensive ever written, Supriya Gandhi draws on archival sources to tell the story of the four brothers—Dara, Shuja, Murad, and Aurangzeb—who with their older sister Jahanara Begum clashed during a war of succession. Emerging victorious, Aurangzeb executed his brothers, jailed his father, and became the sixth and last great Mughal. After Aurangzeb’s reign, the Mughal Empire began to disintegrate. Endless battles with rival rulers depleted the royal coffers, until by the end of the seventeenth century Europeans would start gaining a foothold along the edges of the subcontinent. Historians have long wondered whether the Mughal Empire would have crumbled when it did, allowing European traders to seize control of India, if Dara Shukoh had ascended the throne. To many in South Asia, Aurangzeb is the scholastic bigot who imposed a strict form of Islam and alienated his non-Muslim subjects. Dara, by contrast, is mythologized as a poet and mystic. Gandhi’s nuanced biography gives us a more complex and revealing portrait of this Mughal prince than we have ever had.

Here are poems that celebrate an expanding kinship: of passion and friendship, mythic quest and modern-day longing, in a world animated by dialogue and dissent, delirium and silence. Circling themes of intimacy and time, they return to the urgency of conversation: that fragile bridge across the frozen attitudes that divide our world. But at the heart of the collection is a deeper preoccupation, with those blurry places where humans might walk with gods, where the body might touch the beyond, where the enchanted might intersect effortlessly with the everyday. Where one stumbles upon what the poet simply calls 'love without a story'. Arundhathi Subramaniam's previous book from Bloodaxe, When God Is a Traveller, was shortlisted for the T.S. Eliot Prize. Love Without a Story is her fourth collection of poetry. Her earlier work is available in Where I Live: New & Selected Poems.

India Retold: Dialogues with Independent Documentary Filmmakers in India is an attempt to situate and historicize the engagement of independent documentary filmmakers with the postcolonial India and its discourses with a focus on their independent documentary practices. Structured as an interview collection, the book examines how these documentary filmmakers, though not a homogeneous category, practice their independence through their ideology, their filmmaking praxis, their engagement with the everyday and their formal experiments. As a sparsely studied filmmakers, the book through meticulously tracing a wide ranging historical transitions (often marked by communal conflicts and the forces of globalization) not only details the ways in which independent filmmakers in India address the questions of postcolonial nation and its modernist projects but also explores their idiosyncratic views of these filmmakers which are characterized by a definitive departure from the logic of commercial films or state-sponsored documentary films. More important in many ways, these documentary filmmakers expose incongruences in national institutions and programs, embrace the voice of the underrepresented, and thus, imagine an alternative vision of the nation. During the last three years of the execution of the project, thirty Indian documentary filmmakers are interviewed in this book. Given the dearth of quality interviews and little theoretical engagement with documentary as a genre, this book would not only fill in the gap in scholarship but also would serve as an authentic guide for interested readers and for documentary filmmakers alike.

This cross-disciplinary book engages with the provocation, "Is lesbian identity obsolete?". In this volume, researchers offer diverse perspectives on the question of lesbian identity past, present, and future. This eclectic, multidisciplinary compilation composed of chapters and shorter commentaries helps readers understand the roots of conflict and current tensions between the queer and the trans movements and the lesbian community. Using a historical lens, authors examine the 1970s lesbian communities' practices of racial and trans inclusion and exclusion. Several contributions from across the social sciences utilize qualitative and quantitative methods to illuminate the shifting meaning of lesbian identity today. These contributions help explain why some cis and trans women and nonbinary folx come to either be attached to or disavow lesbian identification. An additional set of chapters engage in theoretical analysis to explore the fraught relationship between queer theory and lesbian thought and the importance of lesbian theory in the formation of transgender scholarship. This collection's eclectic engagement with the question of lesbian identity's obsoleteness helps draw an ethical blueprint for a more sustainable, inclusive, and coalitional future for lesbian communities and identities. This book will be of great value to students, researchers and scholars in the fields of Sociology, Psychology and Anthropology including Gay and Lesbian studies as well as the intersectionality of gender and sexuality. The chapters in this book were originally published in the Journal of Lesbian Studies.