In the early 1960's, Tim Kelly's Coast Guard career takes him to Galveston. Hoping to put his father's death at the hands of a union busting thug behind him. Kelly transfers to San Francisco where he meets Brenda Conrad and clashes with an overbearing and sadistic executive officer. Given a choice between courts martial and combat duty in Vietnam, he chooses Vietnam. After receiving the Silver Star Medal for gallantry in combat during an action where three of his friends are killed in action by our own Air Force. Kelly releases his rage in an Air Force officer's club, earning him a less than honorable discharge. Returning to the U.S. with the stigma of a less than honorable discharge, Kelly embarks on a new career as an undercover narcotics agent. After his rescue from the drug cartel when his cover is blown, he plans to marry Brenda, but before the wedding can take place Brenda and her best friend the daughter of the Governor of Texas are kidnapped and spirited to the cartel's secret island base off the coast of Yucatan. http://youtu.be/nsG_3rnhOrE

James mark Sullivan was part of the post-famine Irish immigration to the United States in the late 19th century. Overcoming family misfortune, he moved from newsboy to journalist to Yale-educated lawyer. Relocating to New York City, his association with Tammany Hall involved him in the "Crime of the Century" Becker-Rosenthal murder case, a role not previously explored. Sullivan's involvement won him a patronage appointment as ambassador to Santo Domingo. Scandals about graft and corruption forced his resignation. However, another factor which contributed to his dismissal, unexplained until now, was his effort at subversion of his government's policy of neutrality, which was connected to his ties to Irish nationalism. He later established the first indigenous Irish film company with a pronounced Nationalist agenda, making several films which are now classics of the silent film era. Following the death of his wife and son during the influenza epidemic of 1918, he returned to the United States. Failing to revive his legal career, he removed to Florida, dying in relative obscurity.

Danger lurks around every corner and police officer Eddie Scarlett needs to stay focused on capturing a serial killer before someone else dies. A hot, sexy, blue eyed stranger is not a distraction he can afford ... or can he? Eddie Scarlett, one of NYC's finest cops, is a tarnished hero. According to the scum on the street, Eddie is handsome, hot, and dangerous, but he has a heart as black as death. He’s called a back alley cop because he does undercover work for the NYPD, making him familiar with every back alley in the city. When a crime spree breaks out, Eddie meets what he thinks is a whore with beautiful blue eyes. During their first encounter, they slam together like two taxis on Broadway. Before their relationship can even get started, Eddie has to go undercover. It’s the kind of case that will test the resolve of a tough cop, forcing Eddie to forget his blue-eyed lover, his own identity, and even his common sense to melt into the city’s back alleys and capture a master killer wielding a cold blade.

The book of Judges presents a miniature of the human race, its ups and downs, its triumphs and its tragedies. It also presents a history of God's sovereign intervention in the affairs of men. Yet within that same enviroment of human failure and rebellion, there is the book of Ruth, a portrait of the coming Kinsman-Redeemer--showing God's message of redemption and love. This Everyman's Bible Commentary is based upon the scriptural text as found in the New American Standard Bible.

Shape-shifter pack leader Andrew Dare has found his mate in Silver, but they haven't found the pack they can call home.

In this enchanting follow-up to The Gilded Girl, Maeve and Izzy O'Donnell must adjust to a new life together at the Manhattan School for Magic—but when Maeve's magic goes rogue and their school is in danger, they'll need to lean on one another to make things right. The Manhattan School for Magic is the newest kindling school in New York, but Maeve O’Donnell knows she doesn't deserve her place there. Though her sister, Izzy, is one of the school's founders and a hero to those who can now kindle, Maeve can't control her magic and she lives in fear of anyone—especially Izzy—finding out. When Maeve’s worst fears come true and her magic goes rogue, it damages not only the new school but Izzy’s reputation as well. While trying to repair what she’s broken, Maeve discovers a mysterious garden in the tenement neighborhood of the Tarnish, a hidden place where her magic actually works. As her magic and confidence grow, she befriends the others for whom the garden is a haven: a litter of talking kittens (house dragons, of course) who need Maeve’s help to find their missing mother. But someone else is searching for the kittens, too, someone who doesn’t care how many magical sites they have to destroy to stop magic’s expansion. And Maeve’s unstable magic might be the only way to save her sister’s school from being snuffed out next. The Tarnished Garden is a sparkling middle-grade novel from Alyssa Colman.

War makes heroes of men, but at what price? Sure to enthral fans of Masters of the Air and Fall of Giants, A Time for Heroes is a magnificent, sweeping, three-generation historical epic encompassing both World Wars, about heroism, the romance of aviation and the conflict between fathers and sons. As the twentieth century dawns, Guv Sutro, against his father's will, becomes a pioneer of aviation, a fighter ace on the Western Front during the Great War and a record-breaker between the wars. From his first flight in a primitive glider over the fields of Sussex, helped by the dogged loyalty of his friend Stan Kemp, he charts his ruthless course to fame and adulation. But with the outbreak of World War Two 'the best of Old England' begins to crumble. Guv's son Tim is fighting a more covert war, desperate to shed the burden of his father's reputation, while Tim's childhood companion Will Kemp, the son Guv felt he deserved, is fighting heroically, against overwhelming odds, as a Spitfire pilot. The fates of the men are bound together in the monumental ambitions and terrible tragedies of an age of heroes. What readers are saying about A Time for Heroes 'A beautifully told epic of human love and error. A truly great read' 'Highly entertaining, with great action scenes and moments of gut-wrenching excitement. A very human novel, about people and strife, and survival in extreme circumstances that have universal resonances' '[Frank Barnard] is without doubt the Wilbur Smith of the skies'

In the South, one can find any number of bronze monuments to the Confederacy featuring heroic images of Robert E. Lee, Stonewall Jackson, J. E. B. Stuart, and many lesser commanders. But while the tarnish on such statues has done nothing to color the reputation of those great leaders, there remains one Confederate commander whose tarnished image has nothing to do with bronze monuments. Nowhere in the South does a memorial stand to Lee's intimate friend and second-in-command James Longstreet. In Lee's Tarnished Lieutenant, William Garrett Piston examines the life of James Longstreet and explains how a man so revered during the course of the war could fall from grace so swiftly and completely. Unlike other generals in gray whose deeds are familiar to southerners and northerners alike, Longstreet has the image not of a hero but of an incompetent who lost the Battle of Gettysburg and, by extension, the war itself. Piston's reappraisal of the general's military record establishes Longstreet as an energetic corps commander with an unsurpassed ability to direct troops in combat, as a trustworthy subordinate willing to place the war effort above personal ambition. He made mistakes, but Piston shows that he did not commit the grave errors at Gettysburg and elsewhere of which he was so often accused after the war. In discussing Longstreet's postwar fate, Piston analyzes the literature and public events of the time to show how the southern people, in reaction to defeat, evolved an image of themselves which bore little resemblance to reality. As a product of the Georgia backwoods, Longstreet failed to meet the popular cavalier image embodied by Lee, Stuart, and other Confederate heroes. When he joined the Republican party during Reconstruction, Longstreet forfeited his wartime reputation and quickly became a convenient target for those anxious to explain how a "superior people" could have lost the war. His new role as the villain of the Lost Cause was solidified by his own postwar writings. Embittered by years of social ostracism resulting from his Republican affiliation, resentful of the orchestrated deification of Lee and Stonewall Jackson, Longstreet exaggerated his own accomplishments and displayed a vanity that further alienated an already offended southern populace. Beneath the layers of invective and vilification remains a general whose military record has been badly maligned. Lee's Tarnished Lieutenant explains how this reputation developed—how James Longstreet became, in the years after Appomattox, the scapegoat for the South's defeat, a Judas for the new religion of the Lost Cause.

Recovers a comparative literary history of migrationThis collection initiates transnational, transcultural and interdisciplinary conversations about migration in the eighteenth and nineteenth centuries. Migrants are by definition liminal, and many have existed historically in the murky spaces between nations, regions or ethnicities. These essays together traverse the globe, revealing the experiences - real or imagined - of eighteenth- and nineteenth-century migrants, from dispossessed Native Americans to soldiers in South America, Turkish refugees to Scottish settlers. They explore the aesthetic and rhetorical frameworks used to represent migrant experiences during a time when imperial expansion and technological developments made the fortunes of some migrants and made exiles out of others. These frameworks continue to influence the narratives we tell ourselves about migration today and were crucial in producing a distinctively modern subjectivity in which mobility and rootlessness have become normative.Key FeaturesOffers a comparative framework for understanding the modern history of migration and the aesthetics of mobilityForegrounds interdisciplinary debates about belonging, rights, and citizenshipDemonstrates how mobility unsettles the national, cultural, racialized, and gendered frames we often use to organize literary and historical studyBrings together scholars from the US and Europe to explore the connections between migrant experiences and the emergence of modernityEmphasizes the globalism of the eighteenth and early nineteenth centuries