The classic story of an otter living in the Devonshire countryside which captures the feel of life in the wild as seen through the otter's own eyes.

Salar is a five-year-old salmon returning to the stream of his birth. He faces great dangers - cruising lampreys, poachers with their cruel nets and spears, sharp-eyed otters, cascading falls - all between Salar and his goal in the spawning sands.

A classic of nature writing beloved by Rachel Carson, Ted Hughes, and Thomas Hardy. Tarka the Otter is one of the defining masterpieces of modern nature writing, a model for books like J. A. Baker’s The Peregrine that seek to transcend the boundaries between the human and the animal worlds. Henry Williamson’s tale of the struggle for survival draws on his years of observing otters in the wild. It is also thought to reflect his traumatic experiences in the First World War.

Although rarely seen in the wild, the otter is admired for its playful character and graceful aquatic agility, fixed in the popular imagination through books and films such as Tarka the Otter and Ring of Bright Water. This is just a small part of its story, however: throughout history, the otter has been hunted for its fur and to prevent it from killing fish. Featuring numerous images from nature and culture, as well as examples from folklore, sports, and literature, this wide-ranging book also explores the movement against otter hunting, and the ongoing efforts promoting otter conservation. A fittingly lively study of its subject, Otter offers a new way of thinking about this much-loved but endangered animal.

Shortlisted for THE WAINWRIGHT PRIZE 2017‘The best popular account of the lives of otters written so far’ Richard Shelton, Times Literary Supplement

Enter the world of Scottish folklore with this unique hardcover guide. Retellings of traditional tales, full-color photographs of knitted costumes inspired by the stories, plus patterns for simpler versions of the original designs.

This volume weaves together the Scottish otter stories from Gavin Maxwell's three non-fiction books, Ring of Bright Water (1960), The Rocks Remain (1963), and Raven Meet Thy Brother (1969). Maxwell was both an extraordinarily evocative writer and a highly unusual man. While touring the Iraqi marshes, he was captivated by an otter and became a devoted advocate of and spokesman for the species. He moved to a remote house in the Scottish highlands, co-habiting there with three otters and living an idyllic and isolated life – at least for a while. Fate, fame, and fire conspired against this paradise, and it, too, came to an end, though the journey was filled with incident and wonder. Maxwell was also talented as an artist, and his sinuous line drawings of these amphibious and engaging creatures, and the homes they occupied, illustrate his story. This book stands as a lasting tribute to a man, his work, and his passion. It was received and has endured as a classic for its portrait not only of otters but also of a man who endured heartaches and disappointments, whose life embodied both greatness and tragedy. He writes with rare eloquence about his birth, his devotion to the beloved Scottish highlands, and the wildlife he loved, while refusing to ignore the darker aspects of his nature and of nature in its larger sense.

‘An outstanding book’ Spectator The story of the short life and tragic death of Bowland Beth – an English Hen Harrier – which dramatically highlights the major issues in UK conservation.

Edited and introductions by Roderick Watson. The Quarry Wood, although published well before Sunset Song, inhabits a similar world; the progress of its heroine could almost be the alternative story of a Chris Guthrie who did go to university. Compassionate and humorous, the grace and style of Shepherd’s prose is heightened by a superb ear for the vigorous language of the north-east. The Weatherhouse, Shepherd’s masterpiece, is an even more substantial achievement which belongs to the great line of Scottish fiction dealing with the complex interactions of small communities, and especially the community of women – a touching and hilarious network of mothers, daughters, spinsters and widows. It is also a striking meditation on the nature of truth, the power of human longing and the mystery of being. The third and final novel, A Pass in the Grampians, describes Jenny Kilgour’s coming of age as she has to choose between the kindly harshness of her grandfather’s life on a remote hill farm, and the vulgar and glorious energy of Bella Cassie, a local girl who left the community to pursue success as a singer, and has now returned to scandalise them all. The Living Mountain is a lyrical testament in praise of the Cairngorms. It is a work deeply rooted in Shepherd’s knowledge of the natural world, and a poetic and philosophical meditation on our longing for high and holy places. This is the first omnibus edition of Shepherd’s prose works – her sensitivity and powers of observation raise her work far above the status of regional literature and into the front rank of Scottish writing.