Annabelle Applegate will not stop tap-dancing no matter what the frustrated citizens of Fiddlers Creek do to make her quit.

Liz, having agreed to go to the dance with Ronald, is dismayed when Blue, the guy she really wanted to go with, brings a fabulous date.

This gorgeously designed retelling of The Nutcracker will make the perfect Christmas present for ballet fans everywhere! In snow white covered St. Petersburg, young dancer Stana’s dreams have finally come true – she has been chosen to play the lead role in Tchaikovsky’s new ballet, The Nutcracker. But with all eyes looking at her, can Stana overcome her nerves and dance like she’s never danced before? From the author of the bestselling The Sinclair Mysteries, Katherine Woodfine, and Waterstone’s Book Prize winner, Lizzy Stewart, this sumptuous and magical retelling of The Nutcracker will transport you on a journey fay beyond the page. Praise for Katherine Woodfine's The Sinclair's Mysteries series: ‘A wonderful book, with a glorious heroine and a true spirit of adventure’ Katherine Rundell, award-winning author of Rooftoppers 'Dastardliness on a big scale is uncovered in this well-plotted, evocative novel' The Sunday Times 'It's a dashing plot, an atmospheric setting and an extensive and imaginative cast. Katherine Woodfine handles it all with aplomb' The Guardian Praise for Lizzy Stewart's There's a Tiger in the Garden (Winner of the Waterstones Children's Book Prize 2017, Illustrated Books Category): ‘A journey of discovery’ The Guardian ‘A stunning testament to the power of imagination’ Metro

Magisterial, revelatory, and-most suitably-entertaining, What the Eye Hears offers an authoritative account of the great American art of tap dancing. Brian Seibert, a dance critic for The New York Times, begins by exploring tap's origins as a hybrid of the jig and clog dancing from the British Isles and dances brought from Africa by slaves. He tracks tap's transfer to the stage through blackface minstrelsy and charts its growth as a cousin to jazz in the vaudeville circuits and nightclubs of the early twentieth century. Seibert chronicles tap's spread to ubiquity on Broadway and in Hollywood, analyzes its decline after World War II, and celebrates its rediscovery and reinvention by new generations of American and international performers. In the process, we discover how the history of tap dancing is central to any meaningful account of American popular culture. This is a story with a huge cast of characters, from Master Juba (it was probably a performance of his in a Five Points cellar that Charles Dickens described in American Notes for General Circulation) through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, and Gene Kelly and Paul Draper to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap through individual practitioners, vividly depicting dancers both well remembered and now obscure. And he illuminates the cultural exchange between blacks and whites over centuries, the interplay of imitation and theft, as well as the moving story of African-Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy.What the Eye Hears teaches us to see and hear the entire history of tap in its every step.

The seven stories in Pam Durban's widely praised debut collection are tales of family, of love and loss, of survival and affirmation. Durban's resonant prose subtly obliges her readers to experience the rush of icy water in a stream, the taste of greens freshly snatched from an overgrown garden, the dread weight of confusion and uncertainty. In "This Heat," the opening story, a mill worker faces the long-expected loss of her teenage son when his weak heart finally gives out. In the title story, which concludes the collection, a formidably eccentric woman abruptly leaves her daughter and granddaughter to answer a "calling" to do missionary work in Africa. Framed between these two stories is a gathering of characters made real and consequential by Durban's touch: a country singer more than a few big breaks short of stardom, a preadolescent boy lovestruck over his private swimming instructor, a father cut off from his children by haunting war memories, and others.

Julie, Lucy, and Alia are best friends who share the same passion: dance! A new year of classes has begun and this year, in addition to their regular ballet and modern dance classes, the three girls are introduced to a new style of dance — African folk! Powered by deep percussion-based music, this style is unlike anything they've ever tried before. While the girls enjoy their new art form, problems at home and in the classroom threaten to cause them to have to stop taking their dance classes. Can the girls balance their studies and their extracurricular activities, or will they have to give up dancing for good?

From the propulsive rhythm of the African dancer, to the swinging ragtime of the American jazz age, tap dancing has evolved into a unique blend of cultural expression, improvisation and creativity, open to all ages and abilities. With clear step-by-step instructions, The Essential Guide to Tap Dance covers basic steps such as the shuffle, pick up and paddle, before building these into traditional combinations such as the time step and shim sham. Additional material includes the history and development of tap dancing; rhythm and musicality; learning the language of tap dancing; the role of improvisation and choreography and finally, the basic steps to advanced techniques. This is the perfect companion to instruct the beginner tap dancer and expand the more experienced dancer's technique, offering full-colour pictures, helpful instruction and essential notes on this vibrant and accessible dance form. Illustrated throughout with 138 colour photographs and line artworks.

Teaches the national versions of the 22 most popular line dances.

Little Martina loves to dance! She leaps in the grocery aisles, shimmies in the park, and plis in her kindergarten classroom. Each week, she attends ballet and sets her spirit free. The music fills her with great joy, and she dances to her hearts contentbut she doesnt listen to her teacher. Martina just does whatever she wants to do instead. Her lack of discipline inspires her parents to take her to a ballet performance so that she can see the hard work of a real ballerina. She does learn a few things at the show, but Martina is still a wild thing at the barre. When the director of the Nouvelle Ballet Troupe comes to Martinas class in search of a young ballet dancer with promise, Martina is thrilled. The director needs a young lady to be featured in The Nutcracker, so at the audition, Martina gives it her allbut she still wont listen. Martina must learn the hard way that ballerinas are calm, poised, and good at taking instruction. Will little Martina achieve her dream of making it onstage or will a difficult lesson and a setback make her want to give up?

Jess teaches her best friend Sophie, who is nervous about her first dance party, some good dance moves while Sophie's brother does his best to annoy them.