Born in the impoverished barrios of Buenos Aires during the late 19th Century, the tango has become one of the most important music and dance forms of our time. Tangos for Accordion presents a distinctive collection of predominantly Argentinian tangos arranged for solo piano accordion. The book’s introduction includes a brief history of the tango and an explanation of tango rhythms. Preparatory exercises explore the differences between various rhythms (habanera, marcato, etc) and how to perform them on the accordion. Includes many of the best-known tangos, such as La Cumparsita, Caminito, El Choclo, El Marne, Catamarca, La Paloma, and many more. Includes chords symbols for accompanying instruments. For intermediate to advanced players.

Tango: A ballroom dance of Latin-American origin characterized by long pauses and stylized body positions. This musical form was subsequently adopted by other countries, primarily France, Spain and Italy. Many prominent composers have applied it to a wide variety of compositions. Using piano scores in both the Latin-American and Spanish rhythmic traditions, Gary Dahl has skillfully compiled and arranged French Tangos for Accordion. the music in this anthology was originally published from the late 1930's to 60's and is characterized by its romanticism, rich harmonies, and emotive melodies. These arrangements are orchestral in nature, befitting the accordion's various timbres and capabilities. In standard notation.

Welcome to the world of international accordion music. This collection contains a sampling of ethnic folk music from Europe and the Americas and forms the foundation of a basic folk accordion repertoire. These songs are from many nations. They are crowd pleasers and they are fun to play. I have played most of these songs in the various bands I have played with over the years. These melodies have stood the test of time, so what are you waiting for? Open the book, get your accordion out and let's play some music!One word about these songs: I generally learn a song and then play it by heart-by memory as opposed to playing it by reading from a sheet of music. I believe this allows for more personal expression and interpretation which can be affected by audience response or the way I feel at the time. You'll notice that on most of the performances on the CD I didn't play repeats. Because of the limited time available on a disc we found we couldn't fit all the tunes if we played them as written. Written by Bruce Bollerud, June 2007.

(Accordion). 17 holiday hits, including: The Chipmunk Song * Frosty the Snow Man * A Holly Jolly Christmas * Jingle-Bell Rock * Pretty Paper * Rudolph the Red-Nosed Reindeer.

Count Guido Deiro (1886-1950), Italian-born composer and accordion virtuoso. Deiro was a major force in the popularization of the accordion in the early 20th century. Concert accordionist and scholar Henry Doktorski has transcribed and edited all of Deiro's original music for accordion-45 pieces including waltzes, rags, marches, polkas, fox trots, tangos, and popular Deiro favorites: My Florence Waltz, Egypto Fantasia, Sharpshooter's March, and the Broadway hit, Kismet.A lengthy essay and rare photos from the Deiro family archive complete the 192-page book.

(Accordion). If you're new to the accordion, you are probably eager to learn some songs. This book provides 50 simplified arrangements of popular standards, folk songs and showtunes that accordion players like to play, including: All of Me * Beer Barrel Polka * Carnival of Venice * Edelweiss * Hava Nagila (Let's Be Happy) * Hernando's Hideaway * Jambalaya (On the Bayou) * Lady of Spain * Moon River * 'O Sole Mio * Sentimental Journey * Somewhere, My Love * That's Amore (That's Love) * Under Paris Skies * and more.

The Mighty Accordion is a truly unique and much-needed guide to playing the bass side of the accordion. A comprehensive collection of progressive exercises guide the student in learning and mastering bass/chord patterns.For the beginner, the first few chapters assume little or no knowledge of the instrument and teach how to play simple accompaniment patterns.For the intermediate player, numerous exercises using the major, minor, seventh and diminished chords are included to develop skill in executing various bass/chord accompaniment patterns.For the advanced player, latter chapters present exercises on chord combinations needed to play sixth, minor seventh, major seventh, ninth and other advanced chords.Throughout the book, explanations are offered on the workings of the instrument and relevant music theory. Play along with a 2-CD companion set featuring many of the book's exercises played at both a slow and moderate tempo.A much-needed and complete guide to playing the bass side of the accordionA comprehensive collection of progressive exercises for learning bass/chord patterns on the accordionBeginner students learn simple accompaniment patterns and use of the major, minor and seventh chordsAdvanced students learn how to play sixth, minor and major sevenths and ninth chords, and other advance techniquesCompanion CDs feature many of the book's exercises

A stunning sampler of romantic piano solos from the early days of the tango. Here is the first extensive collection of early tango music ever published outside of Argentina. This anthology presents 42 facsimile piano scores in a wide range of tango styles found in 19th century Argentina and Uruguay. Selections include classics by Argentina's and Uruguay's most famous guardia vieja (old guard) composers, written druring the tango's formative years between 1900 and 1920. Many off these pieces evoke musical parallels with American piano rags of the same era. These wonderful early tangos embody the full emotional depth and rhythmic complexity of this fascinating genre, yet are accessible to players of varied abilities.

From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti

(Boosey & Hawkes Chamber Music). 25 tangos by the revolutionary tango musician and composer Astor Piazzolla, arranged for alto saxophone and piano. These crowd-pleasing tangos borrow from classical, jazz, and Latin traditions. Includes Piazzolla's most famous tangos "Libertango" and "Oblivion." Appropriate for the intermediate to early advanced player. Contents: ARTISANE 1 from A Midsummer Night's Dream AUSENCIAS (The Absent) CHANSON DE LA NAISSANCE (Song of the Birth) DANSEE (Dance) from A Midsummer Night's Dream DUO 1 from A Midsummer Night's Dream EL VIAJE (The Voyage) FRACANAPA LA CHANSON DU POPO (The Song of Popo) from Famille d'artistes LIBERTANGO LOS SUENOS (Dreams) MILONGA from A Midsummer Night's Dream MILONGA FOR THREE MILONGA PICARESQUE MUMUKI NUEVO MUNDO (New World) OBLIVION OUVERTURE from A Midsummer Night's Dream PSICOSIS (Psychosis) SENSUEL (Sensual) from Famille d'artistes SIN RUMBO (Aimless) STREET TANGO TANGO FINAL from Famille d'artistes TODO FUE (It All Was) VUELVO AL SUR (I'm Returning South)