Her father and her uncle were U.S. congressmen. Her grandfather was a U.S. senator. Although born to privilege in Alabama and groomed in a convent school, Tallulah Bankhead resolved not to be just another southern belle. Quickly she rose to the top and became an acclaimed actress of London's West End and on the Broadway stage. Her performances in many plays of the 1920s brought her to the notice of Hollywood. She starred in such Paramount films as My Sin, Faithless, The Devil and the Deep, and Thunder Below. Even though she won a New York Film Critics Circle Award for her leading role in Alfred Hitchcock's Lifeboat (1944), she never achieved the prominence in movies that she enjoyed in the theater and on radio. On the New York stage she originated the starring roles of Regina Giddens in Lillian Hellman's The Little Foxes and of Sabina in Thornton Wilder's The Skin of Our Teeth. Tallulah, like Eudora, Flannery, and Coretta, was a southern woman identifiable by her first name. Her flamboyant public personality may be the most fully realized and memorable character Bankhead ever played. She became famous for her snappy repartee, candid quotes, and scandalous lifestyle. She was disposed to remove her clothes and chat in the nude. Overfond of Kentucky bourbon and wild parties, she was a lady baritone who called everybody “Dahling.” In Tallulah, first published in 1952 and a New York Times bestseller for twenty-six weeks, Bankhead's literary voice is as lively and forthright as her public persona. She details her childhood and adolescence, discusses her dedication to the theater, and presents amusing anecdotes about her life in Hollywood, New York, and London. Along with a searing defense of her lifestyle and rambunctious habits, she provides a fiercely opinionated, wildly funny account of American stage at a time when the movies were beginning to cast theater into eclipse. This is not only a memoir of an independent woman but also an inside look at American entertainment during a golden age.

Tallulah BankheadTallulah Bankhead was known just as much for her off-stage presence as she was for her on-stage performances. Fearless from birth, Tallulah charted her own course in life. She trudged off to New York to make it big in theater when she was still a teen. She then saw opportunity calling on the other side of the Atlantic and didn't hesitate to hop on a steamship and head to England, chasing her dreams until they became a certain reality. Inside you will read about...✓ Early Life and Discovery ✓ The Road to England ✓ The Suicide Attempt ✓ Tallulah's Return to America ✓ Hollywood Success ✓ Late Life and Death And much more! Tallulah Bankhead was a legendary stage performer, a strong voice in both radio and television, and an occasional blockbuster at the movie house. But more than any accolades from theater or film critics, Tallulah is celebrated for her personality and no-holds-barred approach to life. She was someone who refused to conform to anyone's standards, determined to live life to its fullest and on her own terms. The life and legacy of Tallulah Bankhead is an impressive one by anyone's standards.

An important figure during the golden age of Broadway, John C. Wilson staged such famous productions as Kiss Me, Kate and Gentlemen Prefer Blondes. He also worked with many of the greatest actors, playwrights, producers, and other artists from the 1920s through the 1950s, including Alfred Lunt, Lynn Fontanne, Laurence Olivier, Vivien Leigh, Carol Channing, and Tennessee Williams. In his twenties, Wilson met Noel Coward and became both his lover and manager. Following Wilson’s marriage to Russian princess Natalie Paley in 1937, he remained close friends with Coward until John’s death in 1961. In Noel, Tallulah, Cole, and Me: A Memoir of Broadway’s Golden Age, producer-director Wilson provides an eye witness account of a never-to-be-seen-again period in American theatre and culture. The narrative covers Wilson’s youth, his education at Yale, his experience working in silent films, and details of his professional and personal relationship with Coward. Wilson also recounts his theatrical career on Broadway and in London, his marriage to Paley, and life within international high society. The people Wilson befriended—Tallulah Bankhead, Cecil Beaton, Claudette Colbert, Cole Porter, and Richard Rodgers, among others—are described with affection, candor, and colorful panache. Wilson also shares behind-the-scenes stories about such landmark theatre productions as Private Lives, Blithe Spirit, Gentlemen Prefer Blondes, and Kiss Me, Kate. Completed in 1958, just three years before his death, Wilson’s autobiography sat idle for decades. Wilson’s great nephew Jack Macauley and theatre historian Thomas Hischak have edited the original manuscript and added commentary to help guide the reader through the myriad names and productions that are mentioned. From his long-term relationship with Coward to his enduring marriage to Paley, Wilson’s life was as charmed as it was celebrated. Featuring nearly forty photos, Noel, Tallulah, Cole, and Me is an engaging account of one of the most important periods in Broadway’s history, as well as a fascinating look into the lives of the glamorous men and women of the era.

Description: This Book provides a quick glimpse about the life of Tallulah Bankhead

"Entertainment guaranteed!" Los Angeles Times "Matthew Lombardo's riveting new play is as funny as it gets in theatre! ...A seductive, funny and frequently moving piece." The Hollywood Reporter "Howlingly funny! ...Fun, touching and exceedingly funny! A must see! Pasadena Star News "Hilarious!" L A Weekly "This play is a masterpiece!" Santa Monica Press "Scores of zingers, one-liners, retorts and anecdotes leaves the audience roaring so loud the actors often struggle to be heard!" Daily Variety "A]... Matthew Lombardo's brilliant script crackles with a number of zingy one-liners! His screamingly funny play will have you rolling in the aisles"! Palm Beach Post "A raucous comedy! Lombardo has penned a hysterically funny script with serious undertones that features a cascade of PG-rated zingers, R-rated retorts and X-rated anecdotes." Sun Sentinel "Fours stars! ...A terrific play! The biting wit is bawdy and hysterical! May LOOPED live on and on. I'll drink to that." The Washingtonian "Pure theatrical magic! Scathingly funny! Deliciously inappropriate. Sometimes, the saying goes, you have to laugh to keep from crying. Try to fight either as hard as you can. You will end up doing both." The Washington Times

Introduction: Family biography as regional history -- Ascension. Becoming the Bankheads of Alabama ; A slaveholder's son in the postwar South, 1865-1885 ; "He was a getter, and he got" : the making of a New South congressman ; Establishing the new order ; Political challenges, 1904-1907 ; Roads and redemption ; Party men, city women -- Succession. New directions ; Senator from Alabama ; Burning bridges, taking chances ; Mr. Speaker ; "A good soldier in politics" : the last campaign ; At the crossroads.

Diana McLellan reveals the complex and intimate connections that roiled behind the public personae of Greta Garbo, Marlene Dietrich, Tallulah Bankhead, and the women who loved them. Private correspondence, long-secret FBI files, and troves of unpublished documents reveal a chain of lesbian affairs that moved from the theater world of New York, through the heights of chic society, to embed itself in the power structure of the movie business. The Girls serves up a rich stew of film, politics, sexuality, psychology, and stardom.

Theatre program.

Marlene Dietrich called her "The most immoral woman who ever lived"; Cecil Beaton described her as a "wicked archangel"; but no one better summed up this fascinating woman than Tallulah herself in an unending succession of anecdotes and one-liners, peppered with expletives that became her trademark. Born in Alabama in 1903, she became a big star in London, England in the early 1920's. Branded "an unsafe and unsavory person" by the Hays commission in the 1930's her career went from tremendous stage success in such hits as The Little Foxes and Fallen Angels, to appearances in some of the worst plays ever written, which she turned into triumphs by improvising lewd and outrageous asides to satisfy the cravings of her largely gay audiences. Confessing to over 500 love affairs with both men and women, Tallulah married just once...to a man who divorced her citing mental cruelty. A headline writer's dream throughout her life, at the height of her fame she was said to drink two bottles of bourbon a day, smoke 100 cigarettes and take pills to help her sleep, pills to keep her awake, and pills to help her cope with the pills. But while there always seemed to be someone on hand to record Tallulah's indiscretions, the other side of her personality went largely unrecorded. She raised vast amounts of money for children's charities, delivered stringent speeches against communism and racial and sexual prejudice, and actively supported the presidential campaigns of two friends: Truman and Kennedy. In this highly entertaining book David Bret tells Tallulah's story in the only way it could be told: with shocking honesty and wit. What emerges is a vivid portrait of an immoral and wicked woman whowas every inch a star and remains one of the greatest legends this century has seen.