A fascinating survey of the entire history of tall tales, folklore, and mythology in the United States from earliest times to the present, including stories and myths from the modern era that have become an essential part of contemporary popular culture. Folklore has been a part of American culture for as long as humans have inhabited North America, and increasingly formed an intrinsic part of American culture as diverse peoples from Europe, Africa, Asia, and Oceania arrived. In modern times, folklore and tall tales experienced a rejuvenation with the emergence of urban legends and the growing popularity of science fiction and conspiracy theories, with mass media such as comic books, television, and films contributing to the retelling of old myths. This multi-volume encyclopedia will teach readers the central myths and legends that have formed American culture since its earliest years of settlement. Its entries provide a fascinating glimpse into the collective American imagination over the past 400 years through the stories that have shaped it. Organized alphabetically, the coverage includes Native American creation myths, "tall tales" like George Washington chopping down his father's cherry tree and the adventures of "King of the Wild Frontier" Davy Crockett, through to today's "urban myths." Each entry explains the myth or legend and its importance and provides detailed information about the people and events involved. Each entry also includes a short bibliography that will direct students or interested general readers toward other sources for further investigation. Special attention is paid to African American folklore, Asian American folklore, and the folklore of other traditions that are often overlooked or marginalized in other studies of the topic.

What are "snow worms"? Are there more moose than people in the Yukon? What is the meaning of the word "Niagara"? Where will you find the world’s largest perogy? Does Elvis have a street in Ottawa named after him? What was Pierre Elliott Trudeau’s favourite snack food? Which province was the last to shift traffic from the left-hand side of the road to the right? These are some of the questions that are asked - and answered - in 1000 Questions About Canada. Every reader with an ounce (or a gram) of curiosity will find these intriguing questions and thoughtful answers fascinating to read and ponder. This book is for people who love curious lore and who want to know more about the country in which they live.

Made-in-Canada-Humour is an interdisciplinary survey and analysis of Canadian humour and humorists in the nineteenth and twentieth centuries. The book focuses on a variety of genres. It includes celebrated Canadian writers and poets with ironic and satiric perspectives; oral storytellers of tall tales in the country and the city; newspaper print humorists; representative national and regional cartoonists; and comedians of stage, radio and television. The humour gives voice to Canadian values and experiences, and consequently, techniques and styles of humour particular to the country. While a persistent comic theme has been joking at the expense of the United States, both countries have influenced one another’s humour. Canada’s unique humorous tradition also reflects its emergence from a colonial country to a postcolonial and postmodern nation with contemporary humour that addresses gender and racial issues.

George Magoon (1851-1929), a notorious moose and deer poacher in Maine, was the hero of scores of funny stories of how he outwitted game wardens. Preserving these oral histories, Edward Ives documents Magoon's life and explores his significance as a folk hero within the context of the conservation movement, the cult of the sportsman, and Maine's increasingly restrictive game laws. "A rich and subtle book, an important work by a major scholar. . . . It is a major contribution to folklore studies, and to history and American studies as well." -- Journal of American Folklore

This definitive collection of work from Hans Christian Andersen—one of the immortals of world literature—not only includes his own notes to his stories but is the only version available in trade paperback that presents Andersen's fairy tales exactly as he collected them in the original Danish edition of 1874. Recognizing the literary merit of Andersen's own simple colloquial language, which Victorian translators and their imitators very often altered to sentimentalize or vulgarize, translator Erik Haugaard has remained faithful to the original text. The fairy tales Hans Christian Andersen wrote, such as "The Snow Queen," "The Ugly Duckling," "The Red Shoes," and "The Nightingale," are remarkable for their sense of fantasy, power of description, and acute sensitivity, and they are like no others written before or since. Unlike the Brothers Grimm, who collected and retold folklore, Andersen adopted the most ancient literary forms of the fairy tale and the folktale and distilled them into a genre that was uniquely his own.

Includes: The story of life in the "railroad track crowd" in the late 1930's as viewed by a teenager paper boy. The "inside story" at a small New England college that turned a sex scandal into an "academic affair." The uncommon story of a soldier in Viet Nam that "chose" not to return home to the U.S. after the conflict ended. The story of the first soccer team at Delhi A & T and a tribute to Harry Wilkerson. The story of an immaculate perception, criminally abused.

This collection of Groucho's most side-achingly funny pieces is a must for any Groucho fan and for all who love to laugh. Groucho was a comic genius who conquered stage, film, radio, and television--but he was also a gifted writer of these short pieces, which appeared in the New York Times, the Saturday Evening Post and Variety, among others.

This book is the only comprehensive bibliography of Canadian folklore in English. The 3877 different items are arranged by genres: folktales; folk music and dance; folk speech and naming; superstitions, popular beliefs, folk medicine, and the supernatural; folk life and customs; folk art and material culture; and within genres by ethnic groups: Anglophone and Celtic, Francophone, Indian and Inuit, and other cultural groups. The items include reference books, periodicals, articles, records, films, biographies of scholars and informants, and graduate theses. Each items is annotated through a coding that indicates whether it is academic or popular, its importance to the scholar, and whether it is suitable for young people. The introduction includes a brief survey of Canadian folklore studies, putting this work into academic and social perspective. The book covers all the important items and most minor items dealing with Canadian folklore published in English up to the end of 1979. It is concerned with legitimate Canadian folklore – whether transplanted from other countries and preserved here, or created here to reflect the culture of this country. It distinguishes between authentic folklore presented as collected and popular treatments in which the material has been rewritten by the authors. Intended primarily for scholars of folklore, international as well as Canadian, the book will also be of use to scholars in anthropology, cultural geography, oral history, and other branches of Canadian culture studies, as well as to librarians, teachers, and the general public.

With Inside Stories, Rich Murphy has as an initial impetus plumbing the physical and emotional interior of Homo sapiens. Friedrich Schiller’s play drive may best describe the style: “It is union of the unconscious and reflection that makes the poetic artist.” Meta-modernism may best describe its heart. He agrees with philosopher Alain Badiou, who states, “Poetry in some sense portrays . . . what was impossible to say in the same language.” A peek into the anatomical language for its functions and intrigues will become evident in Murphy’s poetics, as will the use of rudimentary scientific language for aspects of interiority.