Nowhere else in the world is there a Fire Goddess and active Volcanoes. Only on the slopes of Hawaiian Volcanoes do silverswords, poha and` ohelo berries grow. A magical place where happy faced spiders play, nenes and menehunes help and teach. You may learn from the Kupuna about love, kindness and respect when imaginary creatures in real life situations help each other. If you follow their guidance you will learn a little of the Hawaiian language and what it truly means to be local. Enjoy! Tutu Lady

"This wonderful book should be a first choice for all collections and is strongly recommended as a springboard for discussions about differences.” —School Library Journal (starred review) In this acclaimed book, the author of the Newbery Honor Book To Be a Slave shares his own story as he explores what makes each of us special. A strong choice for sharing at home or in the classroom. Karen Barbour's dramatic, vibrant paintings speak to the heart of Lester's unique vision, truly a celebration of all of us. "This stunning picture book introduces race as just one of many chapters in a person's story" (School Library Journal). "Lester's poignant picture book helps children learn, grow, discuss, and begin to create a future that resolves differences" (Children's Literature). Julius Lester said: "I write because our lives are stories. If enough of these stories are told, then perhaps we will begin to see that our lives are the same story. The differences are merely in the details." I am a story. So are you. So is everyone.

The ballet for hippo ballerinas and their crocodile cavaliers (plus a corps de ballet of ostriches and elephants) set to Ponchielli’s “Dance of the Hours” in Fantasia (1940) is one of the best-loved scenes in all the Disney animated features. Many viewers may not realize, however, that this ballet is no mere generalized parody of ballet mannerisms, but is in fact a deeply informed, affectionate parody of a famous scene choreographed by George Balanchine for the film Goldwyn Follies (1938) and starring his wife, the ballerina movie star Vera Zorina. With this sequence as a point of departure, Hippo in a Tutu examines the roles that dance, dancing, and choreography play in the Disney animated shorts and features. This profusely-illustrated chronicle both analyzes and celebrates dance in the Disney studios’ work, while also investigating behind the scenes to find out how Disney’s animated dance sequences have been made.

Pacific Voices Talk Story invites Pacific Americans to record their hearts and minds to be turned into pages not only Pacific Americans want to read, but our neighbors up the street. We've much to learn about ourselves, other Islanders here, and the diversity of America. If we're not talking to each other now, reading Pacific Voices Talk Story will tell you that tribalism and village mentalities followed us to the mainland. Read and join the dialogue of Pacific Americans claiming new identities and finding a place in the mainland that trumps their nostalgic past.

Tallulah just knew she could be a great ballerina, if only she had a tutu. So she starts ballet class. When she does not receive a tutu, she quits. But everywhere she goes, things keep reminding her of ballet. Her neighbor’s basset hound always stands in second position. The kitchen clock performs perfect ronds de jambe. And Tallulah can’t seem to stop doing ballet, either. A park bench makes a perfect barre, and what better way to pet the dog than with a graceful plié? This well-told, funny story with a smart new character will satisfy girls’ cravings for pretty and pink, but also shows that ballet is about more than just the tutu.

NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, SAN FRANCISCO CHRONICLE, AND PUBLISHERS WEEKLY For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, as Entertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.”

A heartwarming book about unconditional love and one remarkable family. Dyson loves pink, sparkly things. Sometimes he wears dresses. Sometimes he wears jeans. He likes to wear his princess tiara, even when climbing trees. He’s a Princess Boy. Inspired by the author’s son, and by her own initial struggles to understand, this heartwarming book is a call for tolerance and an end to bullying and judgments. The world is a brighter place when we accept everyone for who they are.

A reckoning with one of our most beloved art forms, whose past and present are shaped by gender, racial, and class inequities—and a look inside the fight for its future Every day, in dance studios all across America, legions of little children line up at the barre to take ballet class. This time in the studio shapes their lives, instilling lessons about gender, power, bodies, and their place in the world both in and outside of dance. In Turning Pointe, journalist Chloe Angyal captures the intense love for ballet that so many dancers feel, while also grappling with its devastating shortcomings: the power imbalance of an art form performed mostly by women, but dominated by men; the impossible standards of beauty and thinness; and the racism that keeps so many people of color out of ballet. As the rigid traditions of ballet grow increasingly out of step with the modern world, a new generation of dancers is confronting these issues head on, in the studio and on stage. For ballet to survive the twenty-first century and forge a path into a more socially just future, this reckoning is essential.

Annabel Tippens seems like an ordinary little girl, with short blond hair and very good manners. But Annabel is actually quite unusual. Instead of parents, she has Gloria, a tiny white dog who talks and wears a gold collar. Annabel never wonders why her life is different, until one day a cat named Belinda tells her the truth -- she′s not just a little girl, she′s half fairy! But now that she knows the truth, will her whole life have to change?

A Choice Outstanding Academic Title of the Year Beginning with metaphysical debates in the sixteenth century over the nature of Christ’s presence in the host, the distinguished historian and scholar of religion Robert Orsi imagines an alternative to the future of religion that early moderns proclaimed was inevitable. “Orsi’s evoking of the full reality of the holy in the world is extremely moving, shot through with wonder and horror.” —Caroline Walker Bynum, Common Knowledge “This is a meticulously researched, humane, and deeply challenging book. The men and women studied in this book do not belong to ‘a world we have lost.’ They belong to a world we have lost sight of.” —Peter Brown, Princeton University “[A] brilliant, theologically sophisticated exploration of the Catholic experience of God’s presence through the material world... On every level—from its sympathetic, honest, and sometimes moving ethnography to its astute analytical observations—this book is a scholarly masterpiece.” —A. W. Klink, Choice “Orsi recaptures God’s breaking into the world ... The book does an excellent job of explaining both the difficulties and values inherent in recognizing God in the world.” —Publishers Weekly “This book is classic Orsi: careful, layered, humane, and subtle...a thought-provoking, expertly arranged tour of precisely those abundant, excessive phenomena which scholars have historically found so difficult to think.” —Sonja Anderson, Reading Religion