"Considered an essential text since its publication thirty-five years ago, this guide for students and practitioners of both theater and literature complements, rather than contradicts or repeats, traditional methods of literary analysis of scripts

Looking Backward: 2000-1887 is a utopian science fiction novel by Edward Bellamy, a lawyer and writer from Chicopee Falls, Massachusetts; it was first published in 1887. According to Erich Fromm, Looking Backward is "one of the most remarkable books ever published in America".

Interest in language play and linguistic creativity has increased in recent years, and the topic has been taken up from a variety of perspectives. In this book, disparate approaches to the topic are brought together, demonstrating that a number of phenomena whose similarities might not have been immediately recognized, have an academic home under the umbrella of language play and linguistic creativity. The contributions to this collection illustrate the variety of questions that can be asked regarding the social, cognitive, emotional, political, and cultural mechanisms and significance of innovative linguistic practices and point to new directions of inquiry. Furthermore, the work exemplifies a variety of ways in which this research can be carried out, as well as the range of contexts in which it might be investigated, including second language classrooms, online settings, and workplaces. Taken together, the chapters serve to illustrate the range of work that we will be accepting in the Language Play and Creativity series; viewed individually, each makes a unique contribution to some aspect of our understanding of creative language use.

This volume highlights the role of language ideologies in the process of negotiation of identities and shows that in different historical and social contexts different identities may be negotiable or non-negotiable.

This volume contains 17 studies on historical Romance linguistics within a variety of current theoretical frameworks; it includes studies on phonology, morphology and syntax, focusing solely or comparatively on all five 'major' Romance languages: French, Italian, Portuguese, Romanian and Spanish. An introduction by the eminent Romance Linguist Jürgen Klausenburger addresses the fit of these studies in the overall development of the field of historical Romance linguistics since the 19th century. The studies in this volume demonstrate an organic link between Malkiel's (1961) 'classic' definition of Romance linguistics and the field of Romance linguistics today, because just as scholars of the field in the 19th century successfully applied the dominant paradigm of (historical) linguistics of their time, Neogrammarian theory, so do the authors contained in the present volume avail themselves of current linguistic advances to achieve equally significant results.

Ever since he was a child, David "Mr. Backwards" Fuhrer has had the rare ability to speak backwards as fast and as easily as others speak forwards. In this book, the author shows youngsters how to impress their peers - and confound their parents - by mastering this unusual skill. Backwords not only teaches the amazing art of speaking backwards, it reveals a world of crazy word jokes, trivia, cartoons and games that will amuse and amaze people of all ages including: --Backwards talking and other secret languages to speak with your friends! --Tongue Twisters to tangle your tonsils! --Tips to win at Hangman every time! --Hysterical anagrams and much, much more! --Create a lifelong love of word and language fun with Backwords! The accompanying free DVD contains jaw-dropping demonstrations by Fuhrer, Guiness World Record holder for talking backwards. Also included are games, challenges and tips to master your backwards speaking skills.

This study is based on an analysis of videos and transcripts of five films Fric-frac, Circonstances atténuantes, Le Jour se lève, La Règle du jeu and Hôtel du Nord. These films are examples of planned and artificial language. The book looks at the evidential value of these data and assesses the extent to which stereotyped and scripted language can contribute to an understanding of spoken Parisian usage by looking at phonetics, syntax, discourse, lexis and pragmatics. By comparing traditional research carried out by scholars in the nineteenth century and earlier with Parisian data collected and analysed by twentieth-century researchers, the work attempts to identify the salient features that both script-writers and actors in these films considered to be characteristic of social-group differences at that time.

As a testament to the scope of Peter MacNeilage’s scholarly work across his 40 year career, contributions to this tribute volume represent a broad spectrum of the seminal issues addressed by phonetic and evolutionary science over a number of years. Approaches to the problems raised by attempting to understand these fundamental topics are illustrated in the broad diversity of paradigms represented in the volume. This diversity in itself is a tribute to the breadth of scholarly questions pursued by MacNeilage across his career. Chapters are arranged around five thematic areas. Two themes, Evolutionary Perspectives on Speech Production and Acquisition of Speech, reflect the major thrust of Peter’s scholarly career over the past 25 years. The other themes are reflective of the broad implications of MacNeilage’s work for scholars in disparate scientific domains. One of the strengths of this volume is the unitary focus of contributions by scientists from diverse scientific backgrounds in considering the applicability of the Frame Content Theory within their own scholarly perspectives. Thematic strands in the volume include: - Evolutionary Perspectives on Speech Production - Neurobiological Aspects of Speech - Perception / Action Relationships - Acquisition of Speech Production Skill - Modeling and Movement - Alternative Perspectives on the Syllable.