"Joni Murphy’s inventive and beautiful allegory depicts a city enmeshed in climate collapse, blinded to the signs of its imminent destruction by petty hatreds and monstrous greed: that is, the world we are living in now. Talking Animals is an Orwellian tale of totalitarianism in action, but the animals on this farm are much cuter, and they make better puns." —Chris Kraus, author of I Love Dick and After Kathy Acker A fable for our times, Joni Murphy’s Talking Animals takes place in an all-animal world where creatures rather like us are forced to deal with an all-too-familiar landscape of soul-crushing jobs, polluted oceans, and a creeping sense of doom. It’s New York City, nowish. Lemurs brew espresso. Birds tend bar. There are bears on Wall Street, and a billionaire racehorse is mayor. Sea creatures are viewed with fear and disgust and there’s chatter about building a wall to keep them out. Alfonzo is a moody alpaca. His friend Mitchell is a sociable llama. They both work at City Hall, but their true passions are noise music and underground politics. Partly to meet girls, partly because the world might be ending, these lowly bureaucrats embark on an unlikely mission to expose the corrupt system that’s destroying the city from within. Their project takes them from the city’s bowels to its extremities, where they encounter the Sea Equality Revolutionary Front, who are either a group of dangerous radicals or an inspiring liberation movement. In this novel, at last, nature kvetches and grieves, while talking animals offer us a kind of solace in the guise of dumb jokes. This is mass extinction as told by BoJack Horseman. This is The Fantastic Mr. Fox journeying through Kafka's Amerika. This is dogs and cats, living together. Talking Animals is an urgent allegory about friendship, art, and the elemental struggle to change one’s life under the low ceiling of capitalism.

The first complete biography of the beloved children's book author Walter R. Brooks, creator of Freddy the Pig.

New York Times bestselling author Jon Katz—“a Thoreau for modern times” (San Antonio Express-News)—offers us a deeper understanding of the inner lives of animals and teaches us how we can more effectively communicate with them, made real by his own remarkable experiences with a wide array of creatures great and small. In Talking to Animals, journalist Jon Katz—who left his Manhattan life behind two decades ago for life on a farm where he is surrounded by dogs, cats, sheep, horses, cows, goats, and chickens—marshals his experience to offer us a deeper insight into animals and the tools needed for effectively communicating with them. Devoting each chapter to a specific animal from his life, Katz tells funny and illuminating stories about his profound experiences with them, showing us how healthy engagement with animals falls into five key areas: Food, Movement, Visualization, Language, and Instincts. Along the way, we meet Simon the donkey who arrives at Katz’s farm near death and now serves as his Tai Chi partner. We meet Red the dog who started out antisocial and untrained and is now a therapy dog working with veterans from Iraq and Afghanistan. And we meet Winston, the dignified and brave rooster who was injured defending his hens from a hawk and who has better interpersonal skills than most humans. Thoughtful and intelligent, lively and powerful, this book will completely change the way you think about and interact with animals. Katz’s “honest, straightforward, and sometimes searing prose will speak to those who love animals, and might well convert some who do not” (Booklist).

Don’t miss one of America’s top 100 most-loved novels, selected by PBS’s The Great American Read. This beloved book by E. B. White, author of Stuart Little and The Trumpet of the Swan, is a classic of children's literature that is "just about perfect." Illustrations in this ebook appear in vibrant full color on a full-color device and in rich black-and-white on all other devices. Some Pig. Humble. Radiant. These are the words in Charlotte's Web, high up in Zuckerman's barn. Charlotte's spiderweb tells of her feelings for a little pig named Wilbur, who simply wants a friend. They also express the love of a girl named Fern, who saved Wilbur's life when he was born the runt of his litter. E. B. White's Newbery Honor Book is a tender novel of friendship, love, life, and death that will continue to be enjoyed by generations to come. It contains illustrations by Garth Williams, the acclaimed illustrator of E. B. White's Stuart Little and Laura Ingalls Wilder's Little House series, among many other books. Whether enjoyed in the classroom or for homeschooling or independent reading, Charlotte's Web is a proven favorite.

Talking-animal tales have conveyed anticruelty messages since the 18th-century beginnings of children's literature. Yet only in the modern period have animal characters become true subjects rather than objects of human neglect or benevolence. Modern fantasies reflect the shift from animal welfare to animal rights in 20th-century public discourse. This revolution in literary animal-human relations began with Lewis Carroll's Alice's Adventures in Wonderland and continued with the work of Kenneth Grahame, Hugh Lofting, P.L. Travers and E. B. White. Beginning with the ideas of literary theorist Mikhail Mikhailovich Bakhtin, this book examines ways in which animal characters gain an aura of authority through using language and then participate in reversals of power. The author provides a close reading of 10 acclaimed British and American children's fantasies or series published before 1975. Authors whose work has received little scholarly attention are also covered, including Robert Lawson, George Selden and Robert C. O'Brien.

In her reappraisal of canonical works such as Black Beauty, Beautiful Joe, Wind in the Willows, and Peter Rabbit, Tess Cosslett traces how nineteenth-century debates about the human and animal intersected with, or left their mark on, the venerable genre of the animal story written for children. Effortlessly applying a range of critical approaches, from Bakhtinian ideas of the carnivalesque to feminist, postcolonial, and ecocritical theory, she raises important questions about the construction of the child reader, the qualifications of the implied author, and the possibilities of children's literature compared with literature written for adults. Perhaps most crucially, Cosslett examines how the issues of animal speech and animal subjectivity were managed, at a time when the possession of language and consciousness had become a vital sign of the difference between humans and animals. Topics of great contemporary concern, such as the relation of the human and the natural, masculine and feminine, child and adult, are investigated within their nineteenth-century contexts, making this an important book for nineteenth-century scholars, children's literature specialists, and historians of science and childhood.

First published in 1973, this book is about Shakespeare, language and drama. The first part introduces some common ideas of anthropology and linguistics into an area where they serve as a base for the discussion of usually literary matters. It attempts to link language to our experience of speech — examining its range, texture, and social functions. In part two, the author argues that in Elizabethan culture there was a greater investment in the complexities and demands of speech due to the widespread illiteracy of the time. It examines eight of Shakespeare’s plays, together with one of Ben Jonson’s, in light of their concern with various aspects of the role of spoken language in society.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

"Animal communication doesn’t need to resemble human language to be full of meaning and nuance. Arik Kershenbaum delivers an expert overview of the astonishing discoveries made in the last few decades" —Frans de Waal From leading zoologist Arik Kershenbaum, a delightful and groundbreaking exploration of animal communication and its true meaning Animal communication has forever seemed intelligible. We are surrounded by animals and the cacophony of sounds that they make—from the chirping of songbirds to the growls of lions on the savanna—but we have yet to fully understand why animals communicate the way they do. What are they saying? This is only part of the mystery. To go deeper, we must also ask, what is motivating them? Why Animals Talk is an exhilarating journey through the untamed world of animal communication. Following his international bestseller, The Zoologist’s Guide to the Galaxy, acclaimed zoologist Arik Kershenbaum draws on extensive original research to reveal how many of the animal kingdom’s most seemingly confusing or untranslatable signals are in fact logical and consistent—and not that different from our own. His fascinating deep dive into this timeless subject overturns decades of conventional wisdom, inviting readers to experience for the first time communication through the minds of animals themselves. From the majestic howls of wolves and the enchanting chatter of parrots to the melodic clicks of dolphins and the spirited grunts of chimpanzees, these often strange expressions are far from mere noise. In fact, they hold secrets that we are just beginning to decipher. It’s one of the oldest mysteries that has haunted Homo sapiens for hundreds of thousands of years: Are animals talking just like us, or are we the only animals on the planet to have our own language?

For thousands of years, in the myths and folktales of people around the world, animals have spoken in human tongues. Western and non-Western literary and folkloric traditions are filled with both speaking animals, some of whom even narrate or write their own autobiographies. Animals speak, famously, in children’s stories and in cartoons and films, and today, social networking sites and blogs are both sites in which animals—primarily pets—write about their daily lives and interests. Speaking for Animals is a compilation of chapters written from a variety of disciplines that attempts to get a handle on this cross cultural and longstanding tradition of animal speaking and writing. It looks at speaking animals in literature, religious texts, poetry, social networking sites, comic books, and in animal welfare materials and even library catalogs, and addresses not just the "whys" of speaking animals, but the implications, for the animals and for ourselves.