This book brings together fourteen studies by Alan Sommerstein on Aristophanes and his fellow comic dramatists, some of which have not previously appeared in print. The studies cover almost all the major topics of Sommerstein's work - the nature and functions of comedy in Aristophanes' time, its connections with the society and politics of its day, the question of Aristophanes' own political stances, the light comedy can throw on classical Athenians' perception of basic social divisions (age, gender, citizen/alien, free/slave), comedy's exploitation of the expressive resources of the Greek language, the composition and production history of individual plays, and the history of the genre as a whole.

Laughter is pervasive in interaction yet often overlooked in the research. This volume presents a collection of original studies revealing the highly-ordered, complex, and important phenomenon of laughter in everyday interactions. Building on 40 years of conversation analytic research, the authors show how the design and placement of laughs contribute to unfolding sequences, social activities, identities, and relationships. In this revealing study leading experts investigate laughter in a range of different contexts and across a variety of languages. The research demonstrates that laughter is not simply a reaction to humour but is used in a fascinating array of different ways. Findings reported here include its use in clinics, employment interviews, news interviews, classrooms, the discourse of children with severe autism, and ordinary conversations. The acoustics of laughter and its relationship to movement, gaze and gesture are also explored. The volume brings together new and influential research into this phenomenon to present the state-of-the-art. It will be invaluable to anyone interested in the study of interaction, conversation analysis, humour and laughter.

Laughter in Interaction is an illuminating and lively account of how and why people laugh during conversation. Bringing together twenty-five years of research on the sequential organisation of laughter in everyday talk, Glenn analyses recordings and transcripts to show the finely detailed co-ordination of human laughter. He demonstrates that its production and placement, relative to talk and other activities, reveal much about its emergent meaning and accomplishments. The book shows how the participants in a conversation move from a single laugh to laughing together, how the matter of 'who laughs first' implicates orientation to social activities and how interactants work out whether laughs are more affiliative or hostile. The final chapter examines the contribution of laughter to sequences of conversational intimacy and play and to the invocation of gender. Engaging and original, the book shows how this seemingly insignificant part of human communication turns out to play a highly significant role in how people display, respond to and revise identities and relationships.

Do men and women laugh at the same things? Is laughter contagious? Has anyone ever really died laughing? Is laughing good for your health? Drawing upon ten years of research into this most common-yet complex and often puzzling-human phenomenon, Dr. Robert Provine, the world's leading scientific expert on laughter, investigates such aspects of his subject as its evolution, its role in social relationships, its contagiousness, its neural mechanisms, and its health benefits. This is an erudite, wide-ranging, witty, and long-overdue exploration of a frequently surprising subject.

"The nature of laughter has recently attracted the attention of a number of different disciplines. In two recent colloquia, TRIO (Translation Research in Oxford) brought together international authorities from fields as diverse as physiology, psychology, linguistics, translation and literary studies, and sociology, with scant regard for political correctness. This fascinating and often hilarious collection of essays is the result. With the contributions: Jane Taylor - Introduction Dominique Bertrand - Anatomie et etymologie: ordre et desordre du rire selon Laurent Joubert Silke Kipper, Dietmar Todt - The Sound of Laughter: Recent Concepts and Findings in Research into Laughter Vocalizations Sarah-Jayne Blakemore - Why Can't You Tickle Yourself? Michael Holland - Belly Laughs Walter Redfern - Upping the Ante/i: Exaggeration in Celine and Valles Giselinde Kuipers - Humour Styles and Class Cultures: Highbrow Humour and Lowbrow Humour in the Netherlands Christie Davies - Searching for Jokes: Language, Translation, and the Cross-Cultural Comparison of Humour Ted Cohen - And What If They Don't Laugh? Iain Galbraith - Without the Rape the Talk-Show Would Not Be Laughable Jean-Michel Deprats - Translating a Great Feast of Languages Paul J. Memmi - Traduire le rire Natacha Thiery - Rire et desir dans les comedies americaines de Lubitsch: l'exemple de Ninotchka (1939) Adam Phillips - What's So Funny? On Being Laughed at ...Sukanta Chaudhuri - Laughing and Talking Georges Roque - Le Rire comme accident en peinture Laurent Bazin - La Couleur du rire: peinture et traduction Gerard Toulouse - Views on the Physics and Metaphysics of Laughter"

"There has never been a time in Western history that humor and laughter were not topics of intellectual debate and interest. That is still true. John Morreall's broad-ranging concerns in Taking Laughter Seriouslymake it a book that will interest those in the social and behavioral sciences, philosophy, English literature and criticism, drama, and folklore. Morreall has done an admirable job of analyzing earlier theories. His discussions of humor as aesthetic experience, social lubricant, and valuable human feature are original and provocative." -- Jeffrey H. Goldstein, Professor of Psychology, Temple University "The attempt at providing a theoretical framework which will include all forms of laughter and humor and will accommodate the main types of theories previously advanced, is the principal thrust and success ofTaking Laughter Seriously. The topic is important and is one which philosophers have tended to ignore, as have most disciplines. It needs periodic philosophical reflection. The book is clearly written, well organized, and well illustrated. Morreall's style, sometimes almost conversational, fits the subject matter. One would hope that a book on laughter and humor, even a scholarly one, would not be so ponderous and officious that it evidenced little relationship to its announced topic. Taking Laughter Seriously avoids that contradiction and strikes a good balance." -- Conrad Hyers, Professor of Religion, Gustavus Adolphus College, author of The Comic Vision and the Christian Faith. "The book's qualities are, first, its scope and persuasiveness. The whole book demonstrates the seriousness of humor and its central place in human life. I know of no comparable work. The second quality of Taking Laughter Seriously is its clarity and its engaging style. It knocks out previous theories of laughter (including Freud's) and replaces them with a comprehensive one of its own. It is bloody funny. It will be enjoyed by philosophers, psychologists, teachers, and anyone who can read." -- G. J. Barker-Benfield, Associate Professor of History, State University of New York at Albany

The thesis of this book is that neither laughter nor humor can be understood apart from the feeling that underlies them. This feeling is a mental state in which people exclude some situation from their knowledge of how the world really is, thereby inhibiting seriousness where seriousness would be counterproductive. Laughter is viewed as an expression of this feeling, and humor as a set of devices designed to trigger it because it is so pleasant and distracting. Beginning with phonetic analyses of laughter, the book examines ways in which the feeling behind the laughter is elicited by both humorous and nonhumorous situations. It discusses properties of this feeling that justify its inclusion in the repertoire of human emotions. Against this background it illustrates the creation of humor in several folklore genres and across several cultures. Finally, it reconciles this understanding with various already familiar ways of explaining humor and laughter.

Dr. Brian King is a psychologist and stand-up comedian whose humor therapy seminars are attended by more than ten thousand people each year. In The Laughing Cure, King combines wit with medical research to reveal the benefits of laughter and humor on physical and emotional health. King’s language is humorous and uplifting, and his advice is backed in science. The Laughing Cure features clinical studies and interviews with some of the nation’s top doctors that prove that laughter lowers blood pressure, reduces stress hormones, increases muscle flexion, boosts immune systems, and triggers endorphins. It’s been shown to relieve depression, to produce a general sense of wellbeing, even to make us more productive, loving, and kind. The Laughing Cure presents step-by-step guidance and proven techniques to embrace laughter as both medicine for current conditions and preventative medicine. This highly unique and enjoyable read explains why much-talked about, but little understood methods of therapy like those embraced by acclaimed humor doctor Patch Adams—played by Robyn Williams in a 1998 film—and laughter yoga actually work. Growing up, King wanted to be a stand-up comic; his PhD. was his backup plan. Little did he know, the impact his unique situation would put him in, the way it would allow him to help others. Very few doctors have the ability to heal the way that King does; his method is cheap, easy, chemical-free—even fun. With The Laughing Cure, readers will learn how—and why—laughter saves lives.