(Book). Talkin' 'Bout a Revolution is a comprehensive guide to the relationship between American music and politics. Music expert Dick Weissman opens with the dawn of American history, then moves to the book's key focus: 20th-century music songs by and about Native Americans, African-Americans, women, Spanish-speaking groups, and more. Unprecedented in its approach, the book offers a multidisciplinary discussion that is broad and diverse, and illuminates how social events impact music as well as how music impacts social events. Weissman delves deep, covering everything from current Native American music to "music of hate" racist and neo-Nazi music to the music of the Gulf wars, union songs, patriotic and antiwar songs, and beyond. A powerful tool for professors teaching classes about politics and music and a stimulating, accessible read for all kinds of appreciators, from casual music fans to social science lovers and devout music history buffs.

Keynote: A lively collection of short, original interviews with leading thinkersOn its twentieth anniversary, the South End Press collective has gathered the left's most prominent intellectuals for a wide-ranging discussion of the past twenty years and the next twenty years of progressive social movements in the United States.In 7 accessible, personal interviews, Zinn et al let readers know their most deeply held beliefs and hopes for the progressive movements they have led and nurtured over the last 2 decades.Every one who would like to see a revitalized, more effective movement for social change in the United States whether feminist, anti-racist, populist, anarchist, socialist, union activist, or unsure will want to read Talking About a Revolution.

Talking about a Revolution tells the story of school reform from the perspective of teachers engaged in it, illuminating the complexity of teachers' roles in transforming policy into practice. Al, Brian, and Camille teach at a large, comprehensive high school in a suburb of a major mid-western city. They use the languages of educational reform to inspire new ways to think about teaching, to shield themselves from the confusion of contradictory understandings of reform, and to construct a shared understanding of what reformed teaching might mean.

This kaleidoscopic portrait of an unprecedented time brings together some of our most treasured writers today—Edwidge Danticat, Layli Long Soldier, Monica Youn, Julia Alvarez, Reginald Dwayne Betts, Keeanga-Yamahtta Taylor—to give voice to the unthinkable grief and hopeful possibilities born in an era of revolution and change. “A maelstrom of grief, anger, fear and confusion, with glimmers of gratitude and hope: a comprehensive emotional document of a moment.”—New York Times Book Review Now is an extraordinary time. Across the country, people are losing their loved ones, their livelihoods, their homes, and even their own lives to COVID-19. Despite the pandemic, countless protests erupted this summer over the recurring loss of Black lives. Reverberations of shock and outrage remain with us all. There's a Revolution Outside, My Love captures and articulates all of these roiling sentiments unleashed by a profound national reckoning. Drawing its title from a powerful letter to her son by Kirsten West Savali, the book fans out from there, offering a rich and intimate view of the change we underwent. Composed of searing letters, essays, poems, reflections, and screeds, There's a Revolution Outside, My Love highlights the work of some of our most powerful and insightful writers who hail from across a range of backgrounds and from almost all fifty states. Among them, these writers have brought home four Pulitzers, two National Book Awards, a fistful of Whitings, and numerous citations in best American poetry, short story, and essay compilations. They are noisy with beauty, and their pieces ring louder and clearer than ever before. Galvanizing and lyrical, this is a deeply profound anthology of writing filled with pain and beauty, warmth and intimacy. A remarkable feat of empathy, There's a Revolution Outside, My Love offers solace in a time of swirling protest, change, and violence—reminding us of the human scale of the upheaval, and providing hope for a kinder future.

Embrace connectivity, increase empowerment, and achieve better work-life blending We live in a new age of global companies, hyper-access to information, and accessibility to tools that enable us to bring any idea life. Strangely, our workplaces are lagging behind the promise of this open and collaborative world. Most organizations are rule-based, top-down, dreary environments optimized for conformity and little else. The Work Revolution creates a compelling portrait of a different kind of work. “I believe that freedom in the workplace is worth fighting for and that every person and every organization can be excellent.” Julie Clow articulates the rules we follow today in our work force, the reasons they no longer work, and what we can do instead. The Work Revolution deconstructs the magic behind thriving, liberated organizations (such as Google) into clear principles that any individual, leader, and organization can adopt to create sustainable and engaging lives. Provides actionable changes anyone can make, regardless of where they work, to create a more sustainable work-life blend Details concrete ways to influence existing organizations to change Guides leaders to make tangible changes in their teams to enable greater autonomy and impact Outlines organizational culture principles that support and nurture high-performance and healthy environments, providing clear options for instituting cultural change based on specific organizational challenges Rejecting productivity Band-Aids and quick fixes, The Work Revolution conceptualizes a completely new workplace that embraces the always-connected reality to create organizations in which high achievers can sustainably thrive.

This study sheds light on a major and until now little studied Liverpool writer, Edward Rushton (1782-1814), whose politics and poetics were imbued in the most pressing events and debates shaking the world during the Age of Revolution.

A distinguished group of judges, scholars, political leaders, lawyers, and representatives of groups in the private sector who convened in Philadelphia in 1976 reexamine the Constitution and our system of government, exploring its implications for the present and future.

The French revolts of May 1968, the largest general strike in twentieth-century Europe, were among the most famous and colourful episodes of the twentieth century. Julian Bourg argues that during the subsequent decade the revolts led to a remarkable paradigm shift in French thought - the concern for revolution in the 1960s was transformed into a fascination with ethics. Challenging the prevalent view that the 1960s did not have any lasting effect, From Revolution to Ethics demonstrates that intellectuals and activists turned to ethics as the touchstone for understanding interpersonal, institutional, and political dilemmas. In absorbing and scrupulously researched detail Bourg explores the developing ethical fascination as it emerged among student Maoists courting terrorism, anti-psychiatric celebrations of madness, feminists mobilizing against rape, and pundits and philosophers championing human rights. Based on newly accessible archival sources and over fifty interviews with men and women who participated in the events of the era, From Revolution to Ethics provides a compelling picture of how May 1968 helped make ethics a compass for navigating contemporary global experience.

Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.