Be wary, ye whoÉ Sorry. Just wanted to warn you up front that some of these stories donÕt have conclusions. Most of them do, but some I just never could finish. Oh, yeah, and some of them are parts of series that are here published alone because I just was unable to find the other stories. I swore when I was young that that would never happen to me. It did. IÕm dealing with it. The reason that such stories Ñ those without endings and those for which there are other, connected stories Ñ is that, well, IÕm getting old. I wanted to collect the majority of my writings before IÕm dead. Some of these are very early stories. The earliest, I believe, is ÒCounterterrorist.Ó Yes, the main characterÕs name is Jack, but it was written many years Ñ decades Ñ before Jack Bauer, counterterrorist, made it to TV in 24. That should be obvious, but I thought IÕd mention it. Just try to enjoy the stories.

ÒYouÕve never been here before?Ó Wanekia asked. ÒNo, Ó Chloe said. ÒYour father wonÕt fly. He never even told me about this place until he was delirious after that wound. IÕm glad he did.Ó ÒDo you think weÕll make it?Ó Wanekia asked, obviously scared. ÒDo you think theyÕll come after us?Ó ÒWe will make it, even if they do come after us, Wanekia, Ó Chloe said. ÒI donÕt think theyÕll pursue us all the way, anyway. ItÕs a long way to go.Ó ÒIs Father going to be alright?Ó Wanekia asked, looking back at Martin again. ÒYes, of course, Ó Chloe said, not sure of her words. ÒHeÕs been hurt worse before. The skinner is working.Ó ÒIt wonÕt even estimate how long, though, Ó Wanekia said. ÒItÕs done that before, too, Ó Chloe said. ÒHeÕll be fine. We just need to get him someplace safe.Ó ÒWe could have gone back to England, Ó Wanekia said. ÒWe couldnÕt, and you know it, Ó Chloe said. ÒThe way things are going, they could trace us through Time and then weÕd drag the Burnsides into this and theyÕd die. I wonÕt do that."

A treasury of thirty-seven years of flying and teaching experience in the world's most popular executive aircraft. Tom Clements' articles, stories, and operating tips all compiled into one reference book. This information will be invaluable for current or future pilots of King Air airplanes.

Simply put, medium-format photography is quite a bit more complex than shooting with 35mm film SLRs or 35mm-style DSLRs. It takes a bit more skill - and experience - to handle medium-format cameras. Not only do you need to learn to think differently about how you shoot, but you also have a whole new type of equipment to learn. Medium-format cameras produce bigger images, which allows for more detail and greater enlargement. And because they, in general, were designed for professional photographers, the lenses tend to be of better quality that most 35mm lenses, which also adds to the detail in the images. In this book, we'll take a look at medium-format SLRs and TLRs, and we'll even touch upon some other types. We'll also consider a few lenses, although these largely are a matter of choice. And there are far fewer choices for medium-format cameras than for other types. Time to do some weight training and heft those medium-format cameras and lenses into position. Let's go.

There's something odd about twin-lens reflex (TLR) film cameras, but very appealing. I can't really explain it. TLR cameras are bulky, awkward to use and, well, kind-of weird. Still, I love picking one up and taking it out to shoot. Mamiya TLRs comprise a rare line of TLR cameras in that they were the only pro TLR cameras that had interchangeable lenses other than Contaflex. That fact alone made me long for one a long time. When I bought my Yashica Mat EM, there were Mamiya TLR cameras available, but usually at two to three times the cost. Like the other medium-format (MF) cameras - Hasselblad, Bronica, Pentax, etc. - the Mamiyas were far out of reach. That is until around 2003 when photographers were ditching their film cameras, and selling them cheap. They may not be as cheap now, but they're still worth the prices. As I said, shooting with a TLR is an odd experience, but one definitely worth experiencing.

Phenomenal Stories #09 features the classic story, ?The Dark Eidolon? by one of the Weird Tales ?Big Three, ? Clark Ashton Smith, as well as the final installment of Richard H. Nilsen's fantasy serial, ?The Book of Power.? Dunces & Dragons continues its exhausted and exhaustive adventures of put-upon reporter/columnist J.D. Hayes-Canell, known endearingly as Intrepid, as he navigates Isengard and gets his own intern! Richard H. Nilsen's column, The Write Stuff, is designed to help novice writers out there to get writing. This installment focuses upon classic side characters as a means of story telling for writers. Future parts will go into other specifics to help the budding writer write. The editor takes a look back at a still relevant novel from legendary science fiction writer, Arthur C. Clarke. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.

The first form of the myths and legends in Tolkien's conception of the Middle Kingdom features the adventures of Eriol, and the tales of Beren and Luthien, Turin and the dragon, the necklace of the dwarves, and the fall of Gondolin.

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Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.