This Gothic collection of short stories is the revelation of things that creep on the peripheries, and those that choose not to. Of peculiar things in the sea, and malevolent creatures in the woods. Of mysterious beings with curious intentions, deep in less-travelled lands. With inexplicable magic, can we paint our own destiny onto a canvas, or is fate inescapable no matter how far we run?Enter the Shadow-world...

The Shadow World presents the behind-the-scenes tale of the global arms trade, exposing in forensic detail the deadly collusion that too often exists among senior politicians, weapons manufacturers, felonious arms dealers, and the military--a situation that compromises our security and undermines our democracy. Now a major PBS documentary "An authoritative guide to the business of war. Chilling, heartbreaking, and enraging."--Arundhati Roy Andrew Feinstein reveals the cover-ups behind a range of weapons deals, from the largest in history--between the British and Saudi governments---to the guns-for-diamonds deals in Africa and the current $60 billion U.S. weapons contract with Saudi Arabia. Based on pathbreaking reporting and unprecedented access to top-secret information, The Shadow World takes us into a clandestine realm that is as vitally important as it is shocking.

All Ben wants is a Mongolian fighting fish. He's saved his allowance for weeks and finally has enough to go to the pet store. But instead of his fish, he comes home with a talking cat from Eidolon, the Secret Country. Ben learns that this is just a small piece of the magical creature smuggling that is going on and that with each creature taken from their home, the magical land grows weaker. And so does Ben's mom, the long-lost queen of Eidolon. Ben exposed Mr. Dodd's vile pet emporium in The Secret Country, but that was not enough to put a stop to his evil scheme. In The Shadow World, Queen Isadora goes back to her homeland to help the magical creatures overcome the dog-headed Dodman. Ellie, Ben's sister, follows and lands in a trap. The Arnold children are destined to save the Secret Country, but first they must save each other. The battle continues in The Dragon's Fire, but the magical creatures under Queen Isadora's guide are not fairing so well. Before Ben and the others ride to her rescue, she is captured by the Dodman and taken to the castle for a wedding ceremony. Her wedding ceremony. But first the Dodman must get rid of Ben's father. It is a fight to the finish when baby sister Alice goes through the most extraordinary transformation, vanquishes the Dodman, and reunites her family for good.

McEvoy is a truth-seeker. He has moments when he sees through the surface sheen of the world to a deeper reality, and moments when his sense of self dissolves. The Scotsman is restless, a wanderer. He flings himself into new relationships, even as he flees family secrets. In Shadow World, we see through McEvoy's eyes as he grows from boisterous youth to a man defined equally by darkness and light. We meet his demons and his lovers. His adventure unfolds like beads on a string, with each episode separate yet connected. His journey takes him from the Arizona desert to the wilds of Patagonia, from the Silk Road in China to the lush countryside of Ireland, ending in a twilight zone near the Arctic Circle. Shadow World is a first novel by noted popular science writer Chris Impey. Shadow World inhabits the boundary between narrative fiction and science fiction. It explores the tension between artifacts and natural forms, between reality and illusion, between the science that is and the science that might be. The novel is filled with intriguing characters. We meet a death camp survivor for whom music is everything, a relentless archeologist who is rewriting the story of human civilization, a mercurial sculptor who has a personality that mirrors her art, identical twins who inhabit parallel worlds of science and religion, a brilliant but raunchy astrophysicist, and an enigmatic philosopher who seems to know McEvoy better than he knows himself. By the end of his twenty-year odyssey, McEvoy has gained a startling insight into his reality, and perhaps ours as well.

THE SECRET WAR AGAINST AMERICA America is at war and the stakes are huge. The fight is not just in Iraq and Afghanistan, it is a global contest between the United States, radical Islam, a resurgent Russia, and a virulent New Left that is coming to power in Latin America and stalking the corridors of power around the world, including the United States. These three enemies of America are separate but they cooperate--and in his stunning new book, Shadow World, Robert Chandler shows how. In Shadow World you'll learn: * Why "post-Communist" Russia is not really "post-Communist" at all, but represents an insidious new strategic threat to the United States * How "cultural communism" has rejuvenated the radical Left's prospects around the world * Why American-style democracy is losing out to Castro and Hugo Chavez-style communism in Latin America * How radical Islam has allied itself to the New Left--and why this makes radical Islam even more dangerous than before Shadow World reveals, in a way no other book has done, the new strategic realities of the post-Cold War, post-9/11 world. Provocative, insightful, thorough, it is essential reading for those who want to see the 21st century as America's century, and not the century of her enemies.

“Shadow City is full of adventure, thrills, and twists and turns. The characters are fully realized, and the swift pace keeps the story moving along, so readers will likely find themselves turning pages in rapid succession.” –IndieReader Los Angeles is an apocalyptic wasteland. The few survivors of a horrific catastrophe live under the constant threat of radiation, mutated creatures, and worse... lurking in the shadows. In the ruins of the deserted city, the scavengers Jean and Louis come across a nameless stranger and bring him to the only safe zone, once known as Hollywood. What’s left of society is divided among different factions; mistrust, brute force, and anarchy rule every day’s life. If the struggle for survival wasn’t bad enough, the nuclear disaster has shifted realities as we knew them and brought something into our world which threatens to exterminate the human race. Something so dark, that every living being is horrified of it. Something that feeds on suffering and violence. But humans aren’t alone in this existential fight. Unexpected allies emerge from the shadows and in the final stand, the nameless stranger will decide humanities fate.

This guidebook to the Bright-Shadow World develops three closely related issues. The first is the position that fairytales and folktales are of value today because they encourage the growth of capabilities important in our postmodern world. Each of us, like the fairytale hero, sets out on his/her own quests, seeks his/her own identity, faces his/her own dilemmas with few resources but wit, imagination, and a certain power of improvisation. King develops the implications of this situation for such common fairytale problems as learning to read the world productively; navigating various kinds of "edges;" exploiting power sources; developing highly personal moral commitments; problem solving; and data collecting. The second concern of this book is with the development of a system for analyzing narrative structure. The formula offered here involves an examination of interactions among actors, physical settings, lines of force, and power sources as a narrative moves toward its denouement. This system facilitates the classifying, and contrasting of narratives, and illuminates the structure of both narrative and lived experience. Finally, this book is concerned with myth-making or world-making processes. It is shown that traditional narrative actually points to and delineates another dimension of existence (here called "the Bright-Shadow World") that operates by rules of its own and may be penetrated by individuals from our ordinary world. Inferences about the Bright-Shadow World drawn from traditional narrative are described and evaluated.

Ten-year-old Pax Jackson doesn’t know if he’ll make it to his next birthday. He has cancer. And he’s about to embark upon an unforgettable adventure. At their favorite climbing tree, Pax and his best friend, Jayni, meet Wilmer—a comical bellbird who introduces them to a magical realm of delightful and bewitching creatures. The children sail a vast sea, navigate a frightening forest, and summit a perilous mountain in search of a mysterious man who might be able to heal Pax. Will they be thwarted by a malevolent weeping willow, a horde of Bumfuzzles, or the dragon snake? The kids face their fears and the lurking evil that threatens to destroy them. And they also contend with their own inner struggles: Pax, wounded by Jayni’s ignorance of suffering, and Jayni, resentful of how Pax’s illness has changed him. Will the mysterious healer meet their dreams and expectations? Pax and Jayni return to their world with newfound joy and hope—and a keen awareness of the very real magical world that lies within their shadow world. In Out of the Shadow World, Colleen Chao masterfully weaves a tale of suffering and joy. Children will be captivated. Readers develop empathy and a theology of suffering that equips them to both face difficult circumstances and love others who are experiencing hardship.

Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories of each of the magazines, an issue by issue roster of contents, a technical analysis of the art work, brief authors' biographies, poetry and letter indexes, a theme and motif index of approximately 30,0000 entries, and general indexes. Science-Fiction: The Gernsback Years is not only indispensable for reference librarians, collectors, readers, and scholars interested in science-fiction, it is also of importance to the study of popular culture during the Great Depression in the United States. Most of its data, which are largely based on rare and almost unobtainable sources, are not available elsewhere.

Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.