When author Peddar Panga was young, his parents and grandparents shared animal stories with him. Sometimes funny, sometimes sad, these entertaining fables always came with lessons illustrating the universal truths of life. Tales of the Mirrors gathers fifty such tales, rewritten with a modern audience in mind. Discover the dangers of living solely for your career in "The Royal Hyena Guard," where a hyena becomes so concerned with defending his pack's territory that he hurts those closest to him. Meet a raccoon carpenter on a campaign to cure work accidents-and a charismatic crab who fools a colony of ants. Similar in tone to Aesop's fables and the stories of Jean de La Fontaine, Panga's stories explore personal discipline, security, the pursuit of happiness, mastery of fear, and healing. Most of all, they celebrate the enduring power of love. Let Panga's tales sweep you away to a world where animals talk, feel, and act like humans. In doing so, they mirror the best and worst in ourselves, offering a chance to learn more about who we are and how we should act.

There are fairy tales that surprise, destabilise, or even shock us: these are uncanny fairy tales that manipulate familiar stories in creative and bewildering ways in order to express new meanings. This work analyses these tales, basing its approach on a reformulation of Freud’s concept of the uncanny. Through a cognitive outlook the employed theoretical framework provides new perspectives on the study of experimental literary fairy tales. Considering English-language literature, complex and unsettling reinterpretations of the fairy-tale discourse began to appear during the Victorian Age, later resurfacing as a postmodern trend. This research individuates uncanny-related narrative techniques and cognitive responses as means to decodify and explore these tales, and as ways to discover unseen connections between Victorian and postmodern texts. The new theorisation of the uncanny is linked with three subconcepts: mirror, hybridity, and wonder, which function as tools to describe and investigate the cognitive and emotional entanglements characterising enigmatic and disorienting fairy tales.

Unlike my previous ten books, “Tales of Reflection” is about myself, pure and simple. It travels from the 1950s through the present, chronicling my times, my events, and their relationship to the times and the events about me. It is a book no one else could write, full of pathos and full of humor, full of fear, and I hope, full of love. It is my life, spread out like a blanket for a picnic. You are all invited.

With ideas and decorating advice for using mirrors from classic and traditional styles to more contemporary looks, this guide offers instruction on style with minimum fuss, from flea-market treasures to off-the-shelf finds.

The codes of conduct imposed on females by Spain's dictator Francisco Franco after the Spanish Civil War (1936-39) created a stifling environment for women until his death in 1975. Beginning with Carmen Laforet's 1944 Nadal Prize-winning novel Nada, novels by women - many of which explore female identity - began to proliferate in Spain. The works examined in this study - Nada, Primera memoria (1960) by Ana Maria Matute, La placa del Diamant (1962) by Merce Rodoreda, Julia (1969) by Ana Maria Moix, El cuarto de atras (1978) by Carmen Martin Gaite, El amor es un juego solitario (1979) by Esther Tusquets, and Questio d'amor propi (1987) by Carme Riera - feature female protagonists struggling for self-realization and, by extension, for change in a restrictive Spanish society. Schumm's analysis of the seven novels demonstrates how examination of metaphoric tropes and mirror images provides insight into the protagonists' development.

"The Mirror's Revenge" takes place in Shimla, where a couple on their honeymoon uncovers a mysterious mirror in their hotel room. Ignoring the warnings, the curious bride is transported to a strange, ancient world, and her husband must perform a tantric ritual to bring her back, revealing unsettling truths about their future. In Varanasi, "Shattered Lives" tells the story of young artist Ananya, who discovers a mirror showing different versions of her future. Guided and sometimes misled by these visions, Ananya must confront her deepest fears and desires, learning valuable lessons about choices and consequences. Finally, "Haunted Reflections" brings us to Rishikesh, where an old mirror in a deserted mansion reveals the dark history of its former occupants. A group of friends exploring the mansion are drawn into the mirror's sinister past, uncovering the truth and breaking the mirror's curse to escape its haunting grip.

How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Drawing together contributions from an international range of scholars in history, literature, and cultural studies, this volume uniquely examines creative applications of fairy tales in the twentieth and twenty-first centuries. It explores how the fairy tale has become a genre that flourishes on film, on TV, and in digital media, as well as in the older technologies of print, performance, and the visual arts. An essential resource for researchers, scholars and students of literature, history, the visual arts and cultural studies, this book explores such themes and topics as: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.

Storytelling, as oral tradition and in writing, has long played a central role in Jewish society. Family, educators, and clergy employ stories to transmit Jewish culture, traditions, and values. This comprehensive bibliography identifies 668 Jewish folktales by title and subject, summarizing plot lines for easy access to the right story for any occasion. Some centuries old and others freshly imagined, the tales include animal fables, supernatural yarns, and anecdotes for festivals and holidays. Themes include justice, community, cause and effect, and mitzvahs, or good deeds. This second edition nearly doubles the number of stories and expands the guide's global reach, with new pieces from Turkey, Morocco, Libya, Tunisia, and Chile. Subject cross-references and a glossary complete the volume, a living tool for understanding the ever-evolving world of Jewish folklore.