engag­ing biog­ra­phy of Edgar Allen Poethe com­plete text in a mod­ern, read­able typefacean illus­trated pub­lish­ing his­tory of the talestime­line in colour of Poe's worldcolour map of Poe's America

"Tales of the Grotesque and Arabesque Volume" is a selection of previously published short stories by Edgar Allan Poe. Many of the stories centre on the theme of murder, obsession, and passion and also contains many overlooked tales of the fantastic and comic, parodies and hoaxes. The book contains the following: Morella - Lionizing - William Wilson - The Man That was Used Up. A Tale of the Late Bugaboo and Kickapoo Campaign - The Man That was Used Up. The Fall of the House of Usher - The Duc De L'omelette - MS. Found in a Bottle - Bon-Bon - Shadow. A Fable - The Devil in the Belfry - Ligeia - King Pest. A Tale Containing an Allegory - The Signora Zenobia - The Scythe of Time

»King Pest« is a short story by Edgar Allan Poe, originally published in 1835. EDGAR ALLAN POE was born in Boston in 1809. After brief stints in academia and the military, he began working as a literary critic and author. He made his debut with the novel The Narrative of Arthur Gordon Pym of Nantucket in 1838, but it was in his short stories that Poe's peculiar style truly flourished. He died in Baltimore in 1849.

"The Narrative of Arthur Gordon Pym of Nantucket", a story by Edgar Allan Poe, recounts the adventure of Pym, who embarks clandestinely on a whaler. After a mutiny and various adversities, including cannibalism and natural disasters, the story culminates in a mysterious and inconclusive encounter at the South Pole.

Edgar Allan Poe's "The Black Cat" is a short story that explores themes of guilt and perversity. The narrator, haunted by cruelty to his black cat and acts of domestic violence, is consumed by paranoia and madness. His attempt to conceal a crime leads to his own disgrace.

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.

Contemporary criticism about the works of Edgar Allan Poe.

A unique luxury edition of some of Edgar Allan Poe's famous short stories, Tales of the Macabre takes the reader into the heart of a dozen stories, including The Fall of The House of Usher, Berenice, and The Black Cat…all beautifully illustrated by Benjamin Lacombe. Includes Charles Baudelaire's essay on Poe's life and works.

The Library of America presents “the first truly dependable collection of Poe’s poetry and tales”—featuring well-known works like ‘The Raven’ and ‘The Fall of the House of Usher’, plus a selection of rarely published writings (New York Review of Books). Edgar Allan Poe’s poetry is famous both for the musicality of “To Helen” and “The City in the Sea” and for the hypnotic, incantatory rhythms of “The Raven” and “Ulalume.” “The Fall of the House of Usher” and “The Cask of Amontillado” show his mastery of Gothic horror; “The Pit and the Pendulum” is a classic of terror and suspense. Poe invented the modern detective story in “The Murders in the Rue Morgue,” and developed the form of science fiction that was to influence, among others, Jules Verne and Thomas Pynchon. Poe was also adept at the humorous sketch of playful jeu d'esprit, such as “X-ing a Paragraph” or “Never Bet the Devil Your Head.” All his stories reveal his high regard for technical proficiency and for what he called “rationation.” Poe’s fugitive early poems, stories rarely collected (such as “Bon-Bon,” “King Pest,” “Mystification,” and “The Duc De L'Omelette”), his only attempt at drama, “Politian”—these and much more are included in this comprehensive collection, presented chronologically to show Poe’s development toward Eureka: A Prose Poem, his culminating vision of an indeterminate universe, printed here for the first time as Poe revised it and intended it should stand. A special feature of this volume is the care taken to select an authoritative text of each work. The printing and publishing history of every item has been investigated in order to choose a version that incorporates all of Poe’s own revisions without reproducing the errors or changes introduced by later editors. Here, then, is one of America’s and the world's most disturbing, powerful, and inventive writers. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.